13 1/2 Mass Market Paperback – Nov 2 2010
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"This book is a hands-down winner! Psychological terror at its best, 13 1/2 shines with authentic voices, high-amp tension, and Barr's brilliant and unique style."
Lee Child, New York Times bestselling author
"Stunning ... spellbinding psychological suspense with twists you won't see coming ... an amazing, virtuoso piece of writing."
“Keep the lights on while reading this intense psychological thriller. The tension’s so tight you’ll be rethinking every motive and clue up to the finale. Much like Nancy Pickard in The Virgin of Small Plains, Barr forces us to look beyond the obvious to the hidden evils we may have overlooked.”
Romantic Times, 4 stars
“...a hair-raising thriller.... packs a powerful punch.”
“Barr process adept at both pulsing horror and sweet romance.... [for] readers who like dark psychological thrillers.”
Sun-Sentinel (Ft. Lauderdale, FL)
Barr skillfully shows her affinity for delving into her characters' souls in 13 ½. Barr keeps the psychological terror elevated in 13 ½ by realistically showing how people can be manipulated - by others and by the juvenile justice system.”
New Orleans Magazine
“13 ½ is a glorified thriller that will tease and please lovers of the genre...”
“Barr's vibrant prose keeps you reading....irresistible.”
“Reminiscent of novels by Thomas Harris and Minette Walters....will send shivers up the spine of even the toughest reader....Barr adds interstitial musings about well-known murders throughout history that are so stone-cold they could make Hannibal Lector blanch in fear.”
“...a brilliantly harrowing effort.... 13 ½ feels better written and more richly drawn than Barr's very good Anna Pigeon efforts. Certainly a new direction and one that takes her on a genre-bending course to evil and depravity in this downright chilling tale.”
“Barr's smooth storytelling style keeps the tension at a heart-pounding level...”
From the Inside Flap
This, ladies and gentlemen, is more than a simple cookbook. It is a rallying cry. It is a whoop, a holler, a hail, and a salaam. In The Good Stuff Cookbook, former Top Chef star Chef Spike Mendelsohn takes all-American comfort food and spices it up. Based on menu items from his wildly popular new restaurant, Good Stuff Eatery, these 120 mouthwatering recipes offer a fast, fun, and completely fresh approach to classics.
"Good times and good friends" is the motto when you're making these signature recipes that are perfect for groups of any size. For a starter, you can bring the wedge back with a twist and try a fresh Fennel, Orange, and Pomegranate Wedge salad. Everyone will love these crowd-pleasing recipes for beef, turkey, chicken, pork, and lamb burgers, especially when topped with Chef Spike's one-of-a-kind Good Stuff Sauce or spicy Curry Mayonnaise. Try the amazing hand-cut fries or shake things up with Baked Sweet Potato Fries or Bacon-Wrapped Asparagus. Don't forget to finish up with a handspun milkshake, malt, or classic float and everyone will leave your table with a smile.
You'll also find a section of hip and simple party dishes that includes luscious treats like decadent Cinnamon Twisted Donuts and cold, refreshing Margarita Slushies. With lists of vital pantry items and must-have kitchen tools, you'll have everything you need to eat simple, fresh, and great food, whether you're hosting a big crowd or just cooking for one.
Chef Spike believes in American comfort food made from the very best farm-fresh ingredients. The Good Stuff Cookbook shows you how to add that gourmet touch to the traditional burger-and-fries combo to create good food and good times. This is an aspirational, inspirational cookbook for enjoying the good stuff in lifehandmade burgers, hand-cut fries, and handspun ice cream you'll crave again and again.
Start spreading the goodness . . . --This text refers to an out of print or unavailable edition of this title.See all Product Description
Most Helpful Customer Reviews on Amazon.com (beta)
The book begins reasonably with stories of Dylan, accused of killing his family in Minnesota, and Polly, daughter of an alcoholic, abusive mother in Louisiana. Of course the reader knows the stories will come together and the surprise ending is telegraphed along the way.
We aren't told how the lead characters get to where they are. How did Polly thrive and become an English literature professor? Why does an educated woman keep seeking answers in the Tarot cards? How did Marshall grow beyond his early chiildhood incarceration? And why didn't Polly show a little more healthy curiosity after meeting this man, especially since she had daughters?
Midway through I began turning pages and then gave up altogether and peeked at the ending. It's hard to get through a book without a single appealing character.
I realize Nevada Barr is probably tired of Anna Pigeon, but she writes best when she draws on her own first-hand experience. Anna is special. The characters in 13-1/2 could come from a handful of other "psychological suspense" authors. Barr writes better than most, but she doesn't show her strength: developing three-dimensional people we can't help admiring.
First I'm going to get the "mean but funny one line review" out of the way:
MARY HIGGENS CLARK MYSTERY FILMED BY ROB ZOMBIE!
Nevada Barr's new novel "13 1/2" doesn't succeed. But it's not for lack of trying. There are moments of intense graphic surrealism here that nevertheless are coherent and that is attributable to the fact that Nevada Barr is one of our best popular mystery novelists. There is a problem, however, with her mixture of "chick flick" and "in cold blood" genres.
A mystery has a big reveal at the ending. It does not help that halfway through the book the general nature of the twist is available. But her real problem is that holding back the unmasking meant she could not go into depth in character exposition, and that in turn meant a detachment from the characters, that in turn led to a detachment by the reader from the story.
I would've liked to have seen this book half again longer, in other words turned into a novel of character exposition. Nevada Barr has the skills to surgically reveal the layers of these kind of people. But by definition, then there would be no surprise. And there is the additional fact that people identify with human beings who have human relationships. Sociopaths have no human relationships. Sociopaths only have complexities. Complexities are inherently boring once you get the basic game. Sociopaths, in a very real sense, are not very interesting once you realize that's what your dealing with.
I give this book 3 stars out of five because that's what reviews are supposed to do. But I wrote this review mostly because she tried something interesting that didn't quite work and the reasons it didn't work are more interesting than the antagonist.
Fifteen hundred miles away, a young boy named Dylan has just been sentenced to the psychiatric facility in a juvenile detention center in Du Walt, Minnesota for taking an axe to his parents, his baby sister and the family cat. Only his brother, Richard, survived the bloodbath, and Dylan, dubbed "Butcher Boy" by the title-hungry media, sets foot on his own journey to an uncertain future as his fate is sealed as well.
Now cut to 2007: Dr. Polly Deschamps, ever hungry for knowledge and eager to lift herself out of the squalid poverty of her childhood, has worked hard, earned her way through high school and university, and is now a tenured and respected English professor at a local New Orleans college. Recently divorced with two young daughters, her social life is restricted to fellow educators until she meets Marshall Marchand, a dashing, successful architect whose company has landed a major contract to help reconstruct New Orleans following the Katrina disaster.
When Marshall and Polly first meet in Jackson Square, still her favorite haunt, he is smitten for the first time in his life. He has spent his adult years working at what he loves --- designing buildings and collecting art --- but he had not allowed himself time for a serious relationship. He and his brother, Danny, a successful owner of a chain of boutique drugstores, live in a condominium in the craftsman neighborhood of New Orleans, and the successful bachelors lead a genteel and quiet but stylish social life. Polly's appearance in Marshall's life is as alarming to Danny as it is alluring to Marshall, and Danny cautions his brother to take it slowly. Their romance leads the two lonely people on a path of horrifying discoveries that set the stage for a thriller of Shirley Jackson proportions.
Nevada Barr, who has 10 bestselling mysteries under her belt, may be familiar to readers as the creator of U.S. National Park Ranger Anna Pigeon, solver of murders in exotic wilderness settings. No stranger to building suspense and creating page-turning chase scenes with spine-chilling climaxes, Barr has broken out of the series mold with this new cast of characters. Additionally, 13 ½ goes much further as a psychological thriller than Anna Pigeon novels, as Barr delves deeply into the psyche of the young murderer through his psychiatrist, his own attempts to reconcile his crime of which he has no memory, and his surviving and overly protective brother. The killer's adult persona has grown even more devious as he matures, and Polly and her young family find themselves drawn into a deadly web of terror and deceit.
Barr diabolically pulls the reader along through enigmatic journal entries made up of personal comments about major multiple murders from years past: from serial killer Charles Starkweather, to Susan Smith and Andrea Yates (who both kill their own children), and Scott Peterson (who cold-bloodedly kills his pregnant wife). Who has written these notes and why?
Are you ready for a good, chilling read? Ready to pull the shades, turn on the lights and stay up all night? Nevada Barr is right up there with Dean Koontz, Stephen King and Thomas Harris. If you can put this book down before you've finished the last few chapters, you possess nerves of steel. Will Barr be ready to return to her Anna Pigeon series, or are there more psychological thrillers in that devious mind still waiting to be written? Either way, we're all eagerly anticipating her next book.
--- Reviewed by Roz Shea
Taking her inspiration from actual events, Barr embellishes on the theme of sensational murders and Dylan's incarceration in juvenile detention in Minnesota from age eleven to 2007, in post-Katrina New Orleans. Moving back and forth between the horrors of a boy's axe murders to a reinvented self as a restoration architect who lives with his brother, the author links past to present, long-besieged memories awakened when the released killer falls in love with a lady who has run away from her own past in Mississippi to an new life in New Orleans. Barr's task is daunting: how does repressed memory affect a man who has fallen in love for the first time? Will he kill again?
Dylan and Richard Raines become Marshall and Danny Marchand, Marshall depending on his older brother to control the history that has haunted his life. But when Marshall loses his heart to Polly Farmer Deschamps, that fragile balance is threatened. Either Marshall is capable of overcoming his dark past or he is in jeopardy of releasing old demons. Segueing from past to present, the years in juvenile detection become more realistic than Marshall's tormented state in New Orleans. While in detention, Dylan is assaulted daily by an unscrupulous psychiatrist hoping to make his name in the field. Rather than comply, Dylan suffers institutional abuse. In New Orleans Dylan is his own worst enemy. As the ugly past resurfaces, only Danny can help his brother navigate this new treachery.
Is Barr successful? I don't think so. In spite of the bloody crime scene, years of incarceration and a potential for redemption, the story is too sensational, too filled with circumstances that challenge even the most active imagination. In spite of the author's contortions, the reader instinctively knows the answer to this riddle long before the final page. Luan Gaines/2009.
That said, I was fascinated by this stand-alone story. The three main characters are certainly unusual, and the setting (post-Katrina New Orleans) is vivid. I read "13 1/2" in two long sittings, and, even though I pretty much figured out the big plot twists before the heroine did, I was arrested by Barr's provocative writing style. She sets a definite mood of dark, sinister menace, and several sequences in the story reminded me of my favorite moments in Hitchcock films.
No artist is content to be a one-trick pony, doing the same thing over and over forever. Nevada Barr is trying something new here, and her true fans will gladly take this offbeat journey with her. I'm sure Anna Pigeon will be back soon. In the meantime, try this creepy, edgy journey into darkness. Highly recommended.
(P.S.--Nevada Barr is featured in the new PBS documentary series Ken Burns: National Parks - America's Best Idea. If you haven't seen this excellent show, you really should.)