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Sounds good. So why did this film, once known as the Eaters of the Dead, sit on studio shelves for two years? Presumably because of the thoughtless editing that trimmed down the film to its bare bones, crafting an actionfest out of an epic. It's not often that you crave for a movie to be longer, but The 13th Warrior could've benefited from fleshing out of its subplots and characters. On the surface it's good eye candy with some fine pulse-quickening moments, and Banderas and the accompanying cast turn in sympathetic performances, epitomizing camaraderie in the face of impending doom. However, if you're looking for a good thematic tale from the Dark Ages (akin to Braveheart), you may be disappointed. --Jeremy Storey
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A definite buy. You will enjoy watching this one over and over again.
I have always been fascinated by the fact that Vikings had travelled all the way to Constantinople/Istanbul well before 800 A.D. That the Byzantine Emperor's Varangian guard was composed entirely of Norsemen. That great cultures --- such as the Middle Eastern Muslims and European Christians --- managed to rub elbows and coexist (more or less) harmoniously for centuries. (This is something that Islamists want us to forget.)
In "The 13th Warrior," an Islamic Arabian diplomat joins a band of Viking warriors as they travel to northern Europe to aid a king. The king is plagued by flesh-eaters, and thus the story of the Anglo-Saxon epic, "Beowulf," is retold through the sensibility of the Arab narrator.
Is the armour utterly authentic to this period? Nope! Fifteenth-century plate armour sticks out like the proverbial sore thumb. *But*... does this film capture the character of Norse and Anglo-Saxon warriors? Yes, plus it captures the feral qualities of some of the tribes who fought with the Norsemen. (I kept thinking of ancient Celts, who collected severed heads, as I saw the flesh-eaters of this film.)
"The 13th Warrior" is an unusual, thinking-person's epic with more to offer than the typical blood-and-guts sword-fight film.
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