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1933-1944 Lady Day Comp Bill
 
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1933-1944 Lady Day Comp Bill [Box set, Import, Best of]

Billie Holiday Audio CD
4.4 out of 5 stars  See all reviews (17 customer reviews)

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From Amazon.co.uk

Whatever other record companies involved in actually recording Billie Holiday may claim, there is a general consensus that her years at the various Columbia-owned companies were her greatest. Thus The Complete Billie Holiday on Columbia 1933-1944 has to be a major reissue event. Columbia has at last done Holiday justice by including all extant known sides and alternative takes, plus a few radio broadcast gems, all remastered to a standard rarely heard from that company before but recently becoming something of an accepted fact.

Holiday came to the studio microphone through the hard-sell tactics of John Hammond, finishing up a Benny Goodman session primarily dedicated to backing Ethel Waters and bowling over all present. Her singing then made no secret of her emulation of Louis Armstrong: she even affects a rasp to her voice in an effort to more closely approximate her model. This early influence took a considerable time to be fully assimilated, and it is not until the summer of 1936 that Holiday's mature approach is properly established, while her full blossoming has to wait until the arrival of Lester Young in the same studio, in January 1937. Through all of this she is regularly produced and arranged by the leader of most of the early sessions, pianist Teddy Wilson. (In the early years the band is named as hers when Wilson is absent.). Wilson's musical acumen constantly brings forth the best from an endless line of top-class 1930s jazz musicians passing through these sessions (usually reliant on whose band was in town at the time).

This fascinating collection shows Holiday growing from featured singer into equal participant and, finally, the main show--her voice and expression deepening as the 1940s begin and her life begins its long unravelling. Don't miss it. By the way, there is an excellent two-CD Columbia selection of highlights from this complete set being issued simultaneously. --Keith Shadwick

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De la vie de Billie Holiday, tout a déjà été écrit, des histoires d'amour contrariées aux ruptures, de sa solitude profonde et obsédante comme des pires affronts qu'elle dut supporter. Art Pepper, Charles Mingus et Lady Day : tous ont eu un parcours cabossé dont témoignent de multiples bio, de Straight Life à Moins qu'un chien en passant par Lady Sings The Blues dont Hollywood fit un film avec Diana Ross. Sur la vie dissolue de cette grande dame, le livret de ce somptueux coffret ne s'attarde pas trop, préférant s'en tenir aux renseignements liés aux documents musicaux et se concentrer sur une discographie, commentée titre après titre, qui couvre, de 1935 à 1949, les années dites "Columbia". Ici sont donc enfin rassemblées toutes les faces enregistrées pour Brunswick, Victor, Okeh, Harmony et Vocalion, véritable archivage orchestré par le producteur pointu Michael Cuscuna et Michael Brooks. Toute la légende est imprimée, restaurée et digitalisée : de la rencontre et de la complicité avec le saxophoniste Lester Young jusqu'à la séparation qui laisse place à Johnny Hodges et Ben Webster. Évidemment, l'ensemble réserve son lot de surprises sous forme d'alternate takes, voire de raretés comme les V-discs de l'armée américaine. Nul écrin ne pouvait mieux témoigner de ce cri de révolte qui résonne toujours avec la même acuité. Parallèlement, un autre coffret est sorti (The Lady Sings (1935-1949)), rééditant les enregistrements Decca et Commodore dont l'insurpassable "Strange Fruit". --Philippe Robert

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Customer Reviews

17 Reviews
5 star:
 (12)
4 star:
 (2)
3 star:
 (1)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (17 customer reviews)
 
 
 
 
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5.0 out of 5 stars Just the most essential music of the 20th century, Dec 21 2003
By 
JEAN-MARIE JUIF (BESANCON France) - See all my reviews
(REAL NAME)   
This review is from: 1933-1944 Lady Day Comp Bill (Audio CD)
I would need much much more than a thousand words to tell you about my feelings related to this sublime music.How many times I cried listening to some tunes,or was feeling incredibly high and happy listening to other ones.
If you want me to play to the "desert island" game,I would only take this set with me;you don't know how I treasure Monk,Duke,Armstrong,Trane,Bud,Bird,Bill Evans,Bechet,Fats Waller,Hines or Tatum,but I''d surely forget them all to keep these Columbia years of Lady Day with me.Here is the most fantastic music I've ever heard,here are the highest moments of the history of jazz.NOBODY never recorded such a bunch of masterpieces in some eleven years;nobody,even Duke.Here is a colossal set of the most amazing music you'll ever hear.
This is the third time I purchase these sessions:first,I bought them on 33rpm,some 25 years ago;then on separate CDs;then,a friend of mine let me listen to this set,and what a shock!!! The sound is so great that I thought I was discovering tunes I knew for years and years.It seems that Billie and the guys are playing in your room,just in front of you!!!
Now,for those who have no idea of what's in this very beautiful set,let's have a glance at the musicians you'll listen to:the ghotta of jazz is here!!! LESTER YOUNG,Teddy Wilson,Johnny Hodges,Duke Ellington,Count Basie,Benny Goodman,Chu Berry,Jo Jones,Buck Clayton,Roy Eldridge,Ben Webster,Benny Carter,Charlie Shavers,Red Allen,Cootie Williams,Hot Lips Page,Bunny Berigan,Jack Teagarden,Walter Page,Milt Hinton,John Kirby,Cozy Cole,Sid Catlett,Kenny Clarke,Freddie Greene,Dickie Wells,Hary Carney,Harry James,and many more.
About the tunes: masterpieces,masterpieces and masterpieces!!!
It would take some ten pages to describe it.Of course,the most magnificent ones are those in which Lester Young plays.Lester and Billie,Pres and Lady Day;they had the most magical musical complicity of the history of jazz,they really LOVED each other,even if their lives had separate ways;Lester,the Greatest of all jazz saxophone players,was born 1909;Billie,the Baltimore child,was born in 1915;they both died 1959,Lester in March,and Billie in July.The tunes they recorded during these years,the tunes you'll listen to in this set are very simple to describe: it's LOVE.and maybe the most beautiful that ever was.Maybe,these are the most sublime masterpieces in the history of Music."when you're smiling","he's funny that way","travelin' all alone","mean to me","foolin' myself","me,myself and I","born to love","gettin' some fun out of life","I'll never be the same"....I could listen to these tunes a hundred times everyday.This music is magic;it'll make you feel great.And you'll cry sometimes too,because of too much beauty.Here is the very best of Jazz,a music that gave us tons and tons of beauty;Billie's voice is at her most expressive,so young,so fresh,so joyful,and so sexy (and even sometimes,so sexual);Lester 's playing ,even if he only blows short choruses,is the most beautiful one that ever was ("all of me","foolin' myself","born to love","mean to me",...).
Here is sublime music;the most magnificent you'll listen to.I couldn't live without these records.They are my copanions since I was 15 years old;I spent hours and hours listening to them,wether I felt high or bad;and even after 23 years of frequent listening,they seem to me as fresh and new as when I discovered them.
Thanks a million,Lady Day (a nickname Lester gave to Billie),thanks a million for so much beauty.It never happened in the history of Art.
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1.0 out of 5 stars Save money and buy the German set instead!, Jun 16 2003
By 
John (New York, NY USA) - See all my reviews
This review is from: 1933-1944 Lady Day Comp Bill (Audio CD)
Don't bother paying a ton of money for the Billie Holiday Columbia box set when you can buy the 10 disc German box set called "Portrait" for a whole lot less.
The American set goes for $150 to $160 where the German set is going for $25 to $35.
I've heard both sets and the German one is MUCH better with far less surface noise without sacrificing the sound.

But I must warn you that the German set does have a touch of stereo reverb added to the recordings, but it's very
tastefully done. I'm usually one of those who hates doctored up old recordings, but this is so well done. It's okay.

The German collection also has more songs which includes great recordings from the other labels Decca and Commodore. For some reason the set is missing four great tracks (Strange Fruit, Yesterdays, Fine And Mellow and
Until The Real Thing Comes Along) but the American set doesn't include Strange Fruit, Yesterdays and
Fine and Mellow either. The American set only deals with the Columbia sides, but does give you lots of
alternate takes, which the set from Germany avoids. But that's alright, I just want the official recording, not
the alternates or outtakes as I call them.

As far as packaging, the American set wins hands down, but the imported German set does have a nice
40 page booklet and is better about protecting your CD's and most importantly...far better sound quality.

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4.0 out of 5 stars 5 Stars if you're an early period Billie person, like most, Feb 2 2003
By 
bluejim (Castro Valley, California United States) - See all my reviews
This review is from: 1933-1944 Lady Day Comp Bill (Audio CD)
Nothing wrong with the presentation. Me, I'm a late period Billie person. But this gets the job done (to say the least!).
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