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1949: A Novel of the Irish Free State
 
 

1949: A Novel of the Irish Free State [Mass Market Paperback]

Morgan Llywelyn
4.7 out of 5 stars  See all reviews (3 customer reviews)
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Product Description

From Publishers Weekly

During the period covered in Llywelyn's third magisterial novel (after 1916 and 1921) in her Irish Century series, from the island's division into the primarily Catholic Free State and the mostly Protestant Northern Ireland in the early 1920s to the creation of the Irish Republic in 1949, the outside world changes much while Ireland changes painfully little. Avoiding such stock Irish themes as the "curse" of drink and emigration to foreign and unwelcoming shores, the story focuses on the indomitable Ursula Halloran (adopted daughter of rebel Ned Halloran, introduced in 1916), a young woman who first works for the Irish radio service and later the League of Nations. The unwed Ursula discovers how oppressive the new Catholic state can be when she becomes pregnant and must flee the country. Eventually, Ursula must choose between the two men in her life, one an Irish civil servant, the other an English pilot. The melodrama is mitigated by the poignancy of her forever losing the man she truly loves. Moving as well is Ursula's aiding a Jewish man who brought his children to Britain for safety on the eve of WWII and is returning to Nazi Germany, where his wife still resides. Well-realized characters and a vivid history make for richly gratifying reading.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Combining fact with fiction, Llywelyn continues her riveting multivolume novel of Ireland in the twentieth century. As in Volumes 1916 (1998) and 1921 ( 2001), she utilizes the tortured history of a nation torn apart by civil war as the dramatic backdrop for another tale of ordinary people caught up in extraordinary events. After participating in the Easter Rebellion of 1916 and witnessing the partition of his beloved Ireland into two states in 1921, committed republican Ned Halloran has passed on his passion for the cause to his adopted daughter, Ursula. Ursula forges an independent life for herself as a radio broadcaster. She becomes personally involved with two men, neither of whom she wants to marry. After she becomes pregnant, Ursula is forced to leave an Ireland where unwed motherhood is unthinkable. Later she returns to her native country and sees Ireland usher in a new era as the Republic is formally inaugurated in 1949. Llywelyn's great strength is her ability to communicate sweeping historical events through the eyes of both passive bystanders and active participants. Margaret Flanagan
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Review

"A unique and powerful novel ... captivating."--Irish American News

"1949 is gorgeously conceived and born, full of emotion, resonating with history and fresh as tomorrow."--Parke Godwin

"Magisterial ... vivid ... richly gratifying."--Publishers Weekly

Book Description

1949 tells the story of Ireland's progress as seen through the eyes of one woman, from the bitter aftermath of civil war to the controversial dawn of a modern state. Ursula Halloran, the daughter of a famous revolutionary, comes of age in the turbulent 1920s. An education in Switzerland broadens her world view, but Ireland has become a repressive Catholic state where women are second-class citizens. Married women cannot hold jobs and divorce is illegal.

Fighting against the stifling constraints of church and state, Ursula forges an exciting career in the fledgling Irish radio service. Her life is torn apart when she finds herself caught between two men who love her in very different ways. Refusing to surrender her hard-won independence to marriage, or her illegitimate infant to an orphanage, she flees to Europe to bear her child. There she takes a job with the League of Nations and is caught up in the terrifying outbreak of World War II. Hard decisions and desperate situations stand between her and any hope of returning to the land she loves.

From the Back Cover

"1949 is gorgeously conceived and born, full of emotion, resonating with history and fresh as tomorrow."-- Parke Godwin

1949 tells the story of Ireland's progress as seen through the eyes of one woman, from the bitter aftermath of civil war to the controversial dawn of a modern state. Ursula Halloran, the daughter of a famous revolutionary, comes of age in the turbulent 1920s. An education in Switzerland broadens her world view, but Ireland has become a repressive Catholic state where women are second-class citizens. Married women cannot hold jobs and divorce is illegal.

Fighting against the stifling constraints of church and state, Ursula forges an exciting career in the fledgling Irish radio service. Her life is torn apart when she finds herself caught between two men who love her in very different ways. Refusing to surrender her hard-won independence to marriage, or her illegitimate infant to an orphanage, she flees to Europe to bear her child. There she takes a job with the League of Nations and is caught up in the terrifying outbreak of World War II. Hard decisions and desperate situations stand between her and any hope of returning to the land she loves.

"Magisterial ... vivid ... richly gratifying." --Publishers Weekly

About the Author

Since 1980 MORGAN LLYWELYN has created a body of work chronicling the Celts and Ireland, from the earliest times to the present day. Her critically acclaimed novels, both of history and of mythology, have been translated into many languages. She lives in Ireland.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One
 
 
Flaming in the western sky were the banners of a salmon and gold sunset. Birds sang themselves to sleep in the hedgerows; shadows flowed like water across the hills of Clare.
As the gray stallion galloped up the lane toward home, a startled black-bird exploded from a gorse bush. The horse shied violently but the girl on his back merely laughed. "Heart of a lion, you," said Ursula Halloran.
Reining the stallion to a halt, she stroked his neck. He pawed the ground and snorted with belated courage. "Easy, Saoirse,* stand easy now." Until he was obedient to her will she would not allow him to move forward.
Caught in a bubble of time, they waited.
* * *
When she was a toddler in the Dublin tenement district, Ursula had been known as Precious. Applied to a scrawny waif with huge blue eyes staring out of a pinched little face, the name was ironic. Irish slum children were far from precious in 1914.
Eleven years--the last five spent on a farm near Clarecastle--had wrought a transformation in the girl. The pale hair of infancy had given way to a heavy mane the color of oak leaves in autumn. Healthy freckles were spattered across glowing cheeks; puberty had brought a hint of gray to her eyes. Her smile revealed excellent teeth, a rarity among the Irish.
Early malnutrition had left its mark, however. She would always be too slender. The angular planes of her face did not conform to the current fashion for feminine beauty, though in old age they would be magnificent. They might have been carved from the stones of ancient Ireland.
In her imagination Ursula never pictured herself as a mythic warrior queen. Her models were living patriots: Maud Gonne, the passionate revolutionary who had inspired W. B. Yeats and personified Caitlín Ní Houlihan, the eponymous spirit of Ireland, in his most famous play. Or Constance Markievicz, the fearless rebel countess who had turned her back on rank and privilege to fight beside the men in the Rising of 1916.
Ursula kept a scrapbook devoted to the countess.
The beauty of those famous women meant nothing to her. It was their inner fire she sought to emulate. When country lads followed Ursula with their eyes she thought they were seeing her as she saw herself. Heroic in her heart.
* * *
The blazingly yellow blossoms of the gorse smelt like coconut. Atop a hillock in the adjacent field stood a solitary thorn tree; one of the fairy trees enchanted when Ireland was young. The white lace mantle that was its springtime glory had almost gone. When a breeze set the last few petals adrift, bereft branches clawed the sky with empty fingers.
Ursula felt an inexplicable connection to Ireland's ancient magic, as if time were a curve without beginning or end and some remnant of druidry slumbered in her blood. But there is a new magic now, she thought. Invisible waves of power are racing through the air. Uncle Henry says they will change the world.
His letter in her pocket was like an unexploded bomb.
She slipped one hand into her woolly jacket and withdrew two envelopes. The flap of one had already been torn open. Taking out the letter, she strained to reread Henry Mooney's typewritten words in the fading light.
20 May 1925
Dear Ursula,
I hope this finds you well. Ella and I are in good form, considering everything, and our little Isabella is a blessing in these troubled times. For such a wee mite she certainly has a mind of her own. She reminds me of you in that respect. You must come up to Dublin to see her. Soon.
 
The deliberate emphasis was disturbing. Newspapermen like Henry never underlined words.
His letters to Ursula invariably included commentary on political events, an interest they shared. This time he wrote sourly: "The partition of Ireland is a disaster, even worse than the Act of Union that forcibly joined this country with Britain. Partition stranded thousands of supporters of the Union within the Irish Free State. But that was the price the Unionist Party was willing to pay to cut off a portion of the north from the rest of the island and turn six counties into what they call 'a Protestant state for a Protestant people.'
"As you know, Protestants in the south are not discriminated against. Sadly the same is not true for the Catholics who now find themselves stranded in the north. The government of the Free State--most of them Catholics themselves--has abandoned these unfortunate people to their fate. Mobs describing themselves as 'loyalist'--meaning loyal to the king of England, I suppose--are attacking them with impunity.
"Have you heard of the B-Special militia in Northern Ireland? It is composed of Protestants who belong almost without exception to the Orange Order. The B-Specials have undertaken to solve the problem of sectarian violence in the north by the simple expedient of eliminating the Catholics. According to the latest figures I've seen, over six hundred have been killed in the last couple of years. Ten thousand have lost their jobs and twice that number have lost their homes.
"In the dictionary I once gave you is the word pogrom. Look it up. You will find that originally a pogrom was the organized massacre of Jews in Russia. It now describes what is happening to Catholics in the north. When we began the struggle to free this island from foreign domination, who could have foreseen it would turn out this way?"
Henry's letter concluded, "Next month I shall be off to London for a few days. I hope to sell a feature article on the British Broadcasting Company, which is about to liquidate as a private corporation and go public. I have mixed feelings about broadcasting. As a print journalist I am committed to the written word, yet I predict that one day all communications will be carried on radio waves. Wireless transmission will change the world, Little Business."
Ursula smiled at Henry's use of the old pet name. No one else ever called her Little Business.
On the back of the letter was a postscript in his wife's graceful handwriting. "You really must come soon. We have something to discuss which cannot be put into a letter. Henry wanted to travel to Clare to talk to you, but I would not allow it. I was afraid for him. You understand."
I do understand, Ella, Ursula thought sadly as she tucked the letter back into its envelope. There would be trouble if Uncle Henry came to the farm.
The Irish Civil War, which some called the War of Brothers, was only two years in the past. The wounds to the Irish soul were still bleeding.
Gathering the reins and clucking to her mount, Ursula sent him forward at a trot. A gentle blue twilight soon enfolded them. When they reached the long lane off the Ennis road Saoirse pricked his ears and broke into a headlong gallop, eager for his bucket of oats.
The stallion was kept in the barn at night. By the time Ursula unsaddled him, rubbed him down and fed him, the pungent smell of lamb stew was drifting across the walled farmyard between the kitchen at the back of the house and the barn.
Ursula gave her horse a parting caress, rubbing her cheek against his silky neck. Sitting on a stile was considered enough amusement for teenage youngsters in rural Ireland. But Ursula Halloran had a horse.
Saoirse raised his head from his oat bucket long enough to nicker after her as she closed the barn door.
With boyishly long strides, Ursula crossed the farmyard to the house. Her own stomach was rumbling with hunger. Yet she paused for a moment before going in.
Framed by the open top of the half door was a familiar picture. At a large kitchen table covered with an oilcloth sat a lanky, dark-haired man, sipping a glass of poitín. An old woman as plump and soft as a buttered scone was cooking a meal on the black iron range set in the mouth of the cavernous fireplace.
Every evening Ned Halloran and his Aunt Norah repeated this scene. Every, every evening. As predictable as the tick of the clock on the wall.
Radio waves can travel to faraway places, Ursula thought as she gazed into the kitchen, places where people live different lives. Exciting lives. Things happening. If I could ride on radio waves
When she entered the room, Ned Halloran and his aunt looked up in anticipation. Ursula could light a room with the candlepower of her smile. Tonight, however, she merely gave a preoccupied nod. "I'm back, Papa."
"What's wrong?" Norah Daly asked sharply.
"Nothing's wrong."
"Did ye call at the post office?"
"I did of course. There was a letter from Kathleen in America." Ursula dug into her pocket and produced the two envelopes, dropping the unopened one onto the table.
"What's that other one?" Ned Halloran wanted to know.
"Just a note for me, Papa." She stuffed it back into her pocket.
The look he gave her was a dagger of green glass. "From where?"
"Dublin."
"Dublin." He spat out the word.
"Don't be starting on the girl," the old woman admonished.
"All I said was Dublin, Aunt Norah."
"It was how you said it. I'll have no rows in here."
Ned's cleft chin jutted at a dangerous angle. "I'll fight where I like."
The old woman left her cooking for a moment to pour an additional inch of poitín, colorless as water and potent as fire, into his glass. "Wrap yourself around this now and don't be making trouble."
She returned to the range and thrust a long-handled spoon into the pot. A critical sip, a shake of the head. "There's no flavor to this lamb at all. Frank butchered it too young, so he did. Chop another onion or two," she said to Ursula, "and would you ever make some dumplings?"
Ursula hated cooking. "Can't Lucy and Eileen make the dumplings?" she asked hopefully. Ned Halloran's sisters liked to cook. Or so they claimed.
Norah Daly pushed a lock of gray hair back from her forehead with one liver-spotted wrist. "Eileen's walking out with her latest young man and Lucy's gone down the fields to fetch Frank for his tea. He'd not eat otherwise. The poor crayture works all the hours God sends. Unlike some not a ...
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