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1955 Andrea Chenier Comp Li
 
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1955 Andrea Chenier Comp Li [Original recording remastered]

Umberto Giordano Audio CD
4.0 out of 5 stars  See all reviews (7 customer reviews)

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Product Details


Disc: 1
1. Act One: Questo Azzurro Sofa La Collochiam
2. Act One: Compiacente A' Colloqui
3. Act One: Son Sessant'anni, O Vecchio
4. Act One: Il Giorno Intorno Gia S'insera Lentamente!
5. Act One: Via, V'affrettate
6. Act One: Soffoco, Moro Tutta Chiusa
7. Act One: Oh! Come Elegante
8. Act One: Debole E Il Re
9. Act One: Passiamo La Sera Allegramente!
10. Act One: O Pastorelle, Addio!
See all 25 tracks on this disc
Disc: 2
1. Act Three: Dumouriez Traditore E Giacobino
2. Act Three: Lacrime E Sangue Da La Francia!
3. Act Three: Son La Vecchia Madelon
4. Act Three: Amici Ancor Cantiam!
5. Act Three: Donnina Innamorata
6. Act Three: Nemico Della Patria?!
7. Act Three: Carlo Gerard...La Entrate!
8. Act Three: Lo T'ho Voluta Allor Che Tu Piccina
9. Act Three: La Mamma Morta
10. Act Three: Il Tuo Perdono E La Mia Forza!
See all 19 tracks on this disc

Product Description

Chronique amazon.fr

Enregistré en public en 1955, l'opéra de Giordano bénéficie d'un plateau vocal de tout premier plan. Pour tout dire, on ne voit pas quels autres chanteurs de cette époque auraient pu, avec autant de talent, interpréter ces personnages. Bien sûr, au dessus de tout, il y a Maria Callas, superbe, incandescente, qui demeure inégalée dans cette manière de se "consumer", vocalement comme scéniquement. Mais il serait injuste que de ne tendre l'oreille que vers la Diva : Mario del Monaco, avec son abattage, sa voix de ténor italien archétypale, fait des miracles, et sa présence vaut bien celle de sa partenaire. À (re)découvrir. --Pierre Guillaume

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Customer Reviews

7 Reviews
5 star:
 (2)
4 star:
 (4)
3 star:    (0)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (7 customer reviews)
 
 
 
 
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Most helpful customer reviews

4.0 out of 5 stars DESPITE THE SOUND ---- AN ELECTRIC PERFORMANCE, May 22 2004
By A Customer
This review is from: 1955 Andrea Chenier Comp Li (Audio CD)
The sound on this performance is, granted, not the greatest. There's some rather fearful distortion in spots (most notably in the middle of Callas' "La Mamma Morta), but on the whole, the sound is adequate. It's amazing how quickly the ear adjusts. So don't let this stop you. The performance? Well, they simply don't sing like this anymore. Del Monaco had a stentorian trumpet of a voice, and he uses it here with all the stops pulled out. He reveled in this role, and its obvious why. Maria Callas is heard here in a role she learned in a matter of days, and comes out shining like the great diva she was. She's in excellent voice, and she uses her chest voice to great effect. The final duet, with both Callas and del Monaco in full and easy voice, is splashy and spectacular. The price of this recording is certainly reasonable enough, and there a lot of great singing to hear. The only reason for the 4 star rating (instead of the 5 that the performance deserves) is the sound.
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4.0 out of 5 stars the best, April 7 2004
By 
profgv (Brooklyn, NY United States) - See all my reviews
This review is from: 1955 Andrea Chenier Comp Li (Audio CD)
The best and most exciting recording of this opera thanks to Callas. Not since soprano Lina Buna Rasa's old 78's has there been a version as exciting and exhilarating. If your looking for perfect sound and perfect singing stay away from this recording. better still stay away from all apera.
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4.0 out of 5 stars the best, April 7 2004
By 
profgv (Brooklyn, NY United States) - See all my reviews
This review is from: 1955 Andrea Chenier Comp Li (Audio CD)
The best and most exciting recording of this opera thanks to Callas. Not since soprano Lina Buna Rasa's old 78's has there been a version as exciting and exhilarating. if your looking for perfect sound and perfect singing stay away from this recording. better still stay away from all apera.
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 Go to Amazon.com to see all 16 reviews  3.4 out of 5 stars 
 
 
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