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1968-1970 Wouldnt You Miss Me
 
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1968-1970 Wouldnt You Miss Me [Best of]

Syd Barrett Audio CD
4.3 out of 5 stars  See all reviews (20 customer reviews)
Price: CDN$ 15.15 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Product Details


1. Octopus (2001 Digital Remaster)
2. Late Night (2001 Digital Remaster)
3. Terrapin (2001 Digital Remaster)
4. Swan Lee (Silas Lang) (2001 Digital Remaster)
5. Wolfpack (2001 Digital Remaster)
6. Golden Hair (2001 Digital Remaster)
7. Here I Go (2001 Digital Remaster)
8. Long Gone (2001 Digital Remaster)
9. No Good Trying (2001 Digital Remaster)
10. Opel (2001 Digital Remaster)
11. Baby Lemonade (2001 Digital Remaster)
12. Gigolo Aunt (2001 Digital Remaster)
13. Dominoes (2001 Digital Remaster)
14. Wouldn't You Miss Me (Dark Globe) (2001 Digital Remaster)
15. Wined And Dined (2001 Digital Remaster)
16. Effervescing Elephant (2001 Digital Remaster)
17. Waving My Arms In The Air (2001 Digital Remaster)
18. I Never Lied To You (2001 Digital Remaster)
19. Love Song (2001 Digital Remaster)
20. Two Of A Kind (2001 Digital Remaster)
See all 22 tracks on this disc

Product Description

From Amazon.com

Pop culture's fascination with the psychically damaged has inspired a pantheon of cult heroes, from Brian Wilson through Sky Saxon, Roky Erickson, and Kurt Cobain, whose enduring--if troubling--appeal could give a cultural psychologist a life's worth of study. Pink Floyd founder Syd Barrett has long been one of the most obsessed over. Listening to this first-ever distillation of the "best" of Barrett's brief post-Floyd recording career (which essentially ended in 1970), it's not hard to understand why. Barrett's childlike side (displayed here on such Lewis Carroll-esque fare as "Octopus," "Terrapin," and "Effervescing Rhino") and almost painfully innocent love songs sometimes feel like the lost blueprint of alt rock, while his space-case vocal delivery and distinctly surreal sense of timing and rhythm give each cut a hypnotic sense of intrigue. It's all a far cry from the intricately baroque pop psychedelia of his brief tenure in Pink Floyd. Something (LSD? Insanity? Both?) clearly shattered Barrett's consciousness between the band's debut album Piper at the Gates of Dawn (he left the band shortly afterward) and the spare, shattered acoustic ballad poems from his first solo album (The Madcap Laughs) featured here. The more accessible, pop-conscious ethos of its follow-up, Barrett (highlighted by "Baby Lemonade" and the amusing "Gigolo Aunt") were largely studio illusions conjured up by sidemen such as Floyd's David Gilmour and Richard Wright. Barrett fans should also note the presence here of the previously unreleased "Bob Dylan Blues," a wry, talking blues parody of the great Zimmerman and allegedly one of Barrett's earliest compositions. --Jerry McCulley

Chronique amazon.fr

D'avoir trop voulu enfoncer les portes de la perception à coup de substances illicites, Syd Barrett, leader du Pink Floyd première mouture avec lequel il enregistra The Piper At The Gates Of Dawn en 1967, s'est cramé les ailes, y laissant la santé mentale. Mal remis de son éviction du groupe, il enregistre en 1969 et 1970 deux albums solo franchement décalés, The Madcap Laughs et Barrett qui, comme les premiers Floyd, ouvrent la voie du psychédélisme britannique à toutes ces formations gravitant autour de Soft Machine, annonçant également un certain glam décadent dont Marc Bolan et Tyrannosaurus Rex (qui a, en ce qui concerne les elfes et les gnomes, les mêmes préoccupations que Barrett héritées de l'univers de Bilbo le Hobbit et Le Seigneur des Anneaux de l'écrivain Tolkien), le nonchalant Kevin Ayers et David Bowie sont les épigones – ce dernier rendra d'ailleurs hommage à Barrett en reprenant "See Emily Play" sur Pin-Ups. De Barrett que le Floyd saluait au travers du "Shine On You Crazy Diamond" sur l'album Wish You Were Here, on croyait tout connaître, surtout après la publication de rarissimes et excellents inédits compilés en 1988 sur Opel, l'édition des sessions radio réalisées pour l'émisson de radio de John Peel et la sortie du remarquable coffret Crazy Diamond. Eh bien non. S'il est inutile de préciser que ce disque ravira le néophyte, il est plus qu'étonnant de constater qu'il comblera l'amateur. En effet, outre un passionnant livret accompagnant une sélection pertinente, on trouve là trois indispensables bonus tracks dont l'épatant "Bob Dylan Blues". Il va sans dire indispensable. --Philippe Robert

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Customer Reviews

20 Reviews
5 star:
 (14)
4 star:
 (2)
3 star:
 (2)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (20 customer reviews)
 
 
 
 
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Most helpful customer reviews

4.0 out of 5 stars We Do Miss You, Syd., April 9 2004
By 
Matt Poole (Melbourne, Australia) - See all my reviews
This review is from: 1968-1970 Wouldnt You Miss Me (Audio CD)
Syd Barrett was the original singer of Pink Floyd, and a psychedelic pioneer. He brought the then underground band sudden fame thanks to pop songs like "See Emily Play" and "Arnold Layne", and the album "Piper at the Gates of Dawn". The strain and stresses of the all-too-sudden fame and Syd's infamous drug habits dragged Syd down into mental illness. He came to rehearsals a changed man. He mumbled, talked in fragments, he stared, he couldn't play live anymore. Because of his inconsistency, he was kicked out of the Floyd, and many listeners have left him for dead. However, for several years after his dismissal, Syd was musicially active. He dropped the psychedelia and went acid folk. He recorded the albums "The Madcap Laughs" and "Barrett", and had enough outtakes leftover from these sessions to release a third album, "Opel". The highlights of these three albums are collected here on "Wouldn't You Miss Me?"

First of all, I have to say that Syd is an acquired taste. Being mentally ill, he doesn't always stay in conventional time or in tune. He writes surreal lyrics, unexpected metaphors and descriptions. Sometimes this all works in his favour, sometimes it all falls to pieces and you can do is pity the poor guy. Yet despite all the weirdness and inconsistency, he always sounds genuine. Even if it doesn't make sense to you, he means all he says and feels, and does his best, perservering through his illness. He has no pretention, just his heart on his sleeve and a guitar in his hand. It's refreshing. That's why I like him, anyway.

The selection of tracks is pretty much all you could hope to be on a best of Syd Barrett, really, though it only covers his solo career. All of his many personas are covered. His happy, poppy side is heard on "Gigolo Aunt", "Octopus" and "Baby Lemonade". "No Good Trying" and "Terrapin" are groovy tastes of Syd's solo psychedelia. "Love Song" and "Late Night" reveal Syd's frank, emotional sincerity when singing relationship based songs, something he never tried in Pink Floyd. "Effervescing Elephant" and "Swan Lee" show Syd could still tell whimsical stories the way he did on the Floyd's "Piper at the Gates of Dawn", while "Here I Go" and "Wined and Dined" gives us a glimpse of Syd dealing with life without his band and without fame. "Long Gone" and "Opel" are two of my favourites on this compilation. They're haunting, the imagery in their lyrics and the urgency in Syd's voice always send shivers up my spine.

There are a few curious selections. I don't think the Golden Hair instrumental, an outtake, really counts as part of Syd's best work, or the very shaky, overproduced "Waving my Arms in the Air/I Never Lied To You" medley. I also think the Madcap Laughs version of "Dark Globe" is better than the sedated Opel version included here. Some might disagree, it's just my opinion. One man's Syd masterpiece is another man's Syd mess, after all. Oh, and where's the silly "Love You"? That's a classic.

I can't believe that the bonus track "Bob Dylan Blues" hasn't been released sooner, either on Opel or on the studio albums. It ranks as one of Syd's sharpest, wittiest (and most coherent) songs. In Dylan's folky style, Syd satirizes Bob's self righteousness, his lyrical content, and the costly nature of being a Dylan fan ("now a guy who digs me/should try hard to see/that he buys all my discs and a hat/and when I'm in town go see that"), among other things. I'm sure this would have charted well as a single back in the day. Maybe the record company was afraid Bob Dylan might sue or something...

"Two of a Kind" from the BBC Radio Sessions EP features here. It's a pretty average song, but it's nice to have on an easier to get album.

Unless you're a hardcore fan who needs "Bob Dylan Blues" on disc in their collection, I wouldn't recommend this to newcomers. If you want an introduction to post-Floyd Barrett, get the Madcap Laughs, Syd's first album. Many of the tracks from this compilation come from there, and it's quality all the way through. If you want a wider overview, get the Crazy Diamond Box Set. As it is, the release of this compilation is as odd as Syd. He only did two solo albums and an outtakes disc, where's the need for a compliation?

Hopefully, there'll come a time when a Syd Barrett compilation is released that also contains the best of his Pink Floyd work (Aongs from Piper at the Gates of Dawn, Saucerful of Secrets, the 1967 singles) along with his solo stuff, maybe even adding unreleased rarities like the catchy "Vegetable Man" as bonus tracks. As it is, "Wouldn't You Miss Me?" is a good overview of Syd, but it won't be the definitive "best of" in the long run.

And we do miss you Syd!

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5.0 out of 5 stars A tasteful compilation by a phenomenal songwriter, Oct 9 2003
By 
Darin G. (Northridge, CA USA) - See all my reviews
This review is from: 1968-1970 Wouldnt You Miss Me (Audio CD)
This is probably the best compilation I own, even though Barrett only had two official albums to gather these songs from. This is a great introduction to the colorful songwriting of this highly underrated artist. Next, I might trade in all my later Pink Floyd CDs for the Crazy Diamond box set!
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5.0 out of 5 stars BETTER THAN EXPECTED! Great songs with some not so good ones, Sep 23 2003
By A Customer
This review is from: 1968-1970 Wouldnt You Miss Me (Audio CD)
I resisted buying this for years. I love early Pink Floyd, and like many others, consider the sound that Syd Barrett provided to be the best of the band's impressive career. Songs like "Lucifer Sam," "Candy & A Currant Bun," and "Astronomy Dominee" are masterpieces! David Gilmour may the better guitarist, but the fact that Syd played lead on "Interstellar Overdrive" shows he was capable of playing quite well too. The reason I resisted buying this is because although I love certain songs put together with Syd, I am not too fond of his more "whimsical" material, which is clever but somehow weak-sounding over time like many of Donovan's sillier folksy tunes.
Luckily, I was wrong because these songs are great overall. Sure, there are some weak ones scattered about ("Effervescing Elephant" and "Bob Dylan Blues" come to mind; these songs may be cute but grow annoying eventually- sorry but its true). My favorites have to be "Terrapin," "Gigolo Aunt," and "Wined and Dined" and - all wonderful songs in their own right. The music may not be too complicated but have strong emotions and are mesmerizing- LIKE EARLY, PRETTY PINK FLOYD. What a pleasure to discover this material that could have been forgotten in the last thirty years!
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