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1999: Alive In An Ultra World
 
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1999: Alive In An Ultra World [Import]

Steve Vai Audio CD
4.2 out of 5 stars  See all reviews (38 customer reviews)

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Product Details


Disc: 1
1. Giant Balls Of Gold
2. Burning Rain
3. The Black Forest
4. Alive In An Ultra World
5. Devil's Food
6. Blood And Glory
7. Whispering A Prayer
8. Iberian Jewel
Disc: 2
1. The Power Of Bombos
2. Incantation
3. Light Of The Moon
4. Babushka
5. Being With You (In Paris)
6. Principessa
7. Brandos Costumes (Gentle Ways)

Product Description

From Amazon.com

Steve Vai introduces this ambitious live double-album thusly: "This is an indulgent compilation of music with many little guitar notes!" It's a typically self-deprecating, if telling comment. While big-guitar rock virtuosity has largely been consigned to cult status in his home country, Vai's worldwide audience thrives. That ongoing international love affair seems the inspiration behind this industrious collection. The 15 tracks were each inspired by a different country (spanning from the U.K. to central and eastern Europe, the Mediterranean to the Pacific Rim), then recorded live in '00 tour performances or, in some of the most gratifying cases, improvised in as little as 10 minutes at soundcheck jams. Instead of a slavish devotion to ethnic modalities, Vai wisely lets them wash over and seep into his own eclectic music. Indeed, many of the tracks weren't necessarily recorded in the country they pay tribute to, adding yet another savory dimension to the musician's challenging stew. The results of such an undertaking can't help but be mixed, but the high points here range from bold drama (the metallic swagger of the improvised "Giant Balls of Gold [Song for Poland])" to the anthemic majesty of "Blood and Glory (Song for the U.K.)" to the pyrotechnics of "Iberian Jewel (Song for Spain") to understated grace ("Burning Rain [Song for Japan])." Only rarely do Vai's compositions fall victim to nationalist musical clichés. Vai's playing is as free and playful as ever, his often prodigious and tortured constructions undercut by stage banter that refreshingly mocks the very trappings of stardom his musical dedication has earned him. --Jerry McCulley

Album Description

Japanese edition of his 2001 double live album includes the bonus track 'Maple Leafs' and could include a guitar pick (initial pressing only). 2 CDs with 16 tracks.

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Customer Reviews

38 Reviews
5 star:
 (21)
4 star:
 (10)
3 star:
 (1)
2 star:
 (4)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (38 customer reviews)
 
 
 
 
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1.0 out of 5 stars A text-book blunder, April 10 2004
By 
A. Back "Cynic" (USA) - See all my reviews
(REAL NAME)   
This review is from: 1999: Alive In An Ultra World (Audio CD)
In this album, Steve Vai spread himself and his talent thinly around the globe, which resulted in a weak album. He attempted to appeal to a variety of contrasting cultures and thus "Alive in an Ultra World" has no harmony whatsoever, and furthermore, each song clashes in style with its predeccessor. This was a major blunder for Steve Vai.
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5.0 out of 5 stars The Zappa Influence shining through, Jan 29 2004
This review is from: 1999: Alive In An Ultra World (Audio CD)
Excellent. The 1st disc is the typical, instrumental, cut throat, power guitar we've all fallen in love with. Disc 2 sounds more like the greatest artist of all-tme: Frank Zappa. You can hear the Zappa influence on this disc like when he played stunt guitar for Zappa in the early '80s. A must have for any Zappa or Vai nut. If Passion & Warfare is what you're looking for then don't pick this up.
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5.0 out of 5 stars He's a lot better than me., Aug 19 2002
By 
This review is from: 1999: Alive In An Ultra World (Audio CD)
This just might be my favorite release of Steve Vai's many great ones. It's endlessly fun, adventurous, and the band is just so good! Not to mention the fact that Steve Vai's guitar tone is like sexual audio syrup.

_Alive in an Ultra World_ is a live album, but these aren't familiar Vai songs. These songs are all new, and all of them are based on a different country. Vai covers everything from Germany ("The Black Forest") to Slovenia (the title track). Expectedly, songs like "Blood and Glory" (Britain's song) and "Principessa" (for Italy) rely on common motifs ascribed to the appropriate nations. However, other songs are quite inventive. Portugal's song, "Brandos Costumes", is a beautiful little piece, amiable, sparkly, with a quiet, free-flowing energy. The song for Bulgaria, "Incantation", is an aggressively groovy rock piece with the requisite gypsy flavor -- not to mention a mad drum solo and guitar playing! "The Black Forest" is quaking and darkly celestial. The pop-flavored guitar rock with vocals (the title track and "Light of the Moon") are excellent, simple but loaded with hooks and more tasty musicianship. Japan's song, "Burning Rain", is intense at first, then renascent after a hazy slowdown.

"Devil's Food" is a delight, electrified with Vai's presence as a frontman and the band's spontaneous coolness. During a duet with acoustic guitar and piano, Vai breaks a string. While his assistant replaces it, Vai has the band perform all sorts of crazy things to pass the time. It has to be heard to be believed. The bass player's demonstration is just eerie! "Babushka" has a similar spirit. While trying to kick off into an energetic gypsy song, Vai finds that he is out of tune. As he corrects the problem, his band gets anxious and moves into a jazzy jam.

The variety is also amazing. Since Vai draws on so many different cultural influences (sometimes even ideas that don't seem to have much to do with the country), there's a great assortment of styles here. It's an album that will never get boring. It's like Amazing Guitar Songs World Tour.

Mike Mangini is a monster drummer. Of course, I knew this already but now I have an entirely new respect for the man, especially with his interplay with bassist Philip Bynoe. The rhythm section here is mighty!

The little things are nice too, like where Vai candidly points out all the edits to the live cuts in the liner notes, and his introduction to the album: "This is an indulgent compilation of music with many little guitar notes!" I like that kind of attitude.

Any fan of amazing musicianship with a good dose of plain ol' fun needs this disc.

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