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4.0 out of 5 stars
Tremendous stuff, Nov 29 2003
This review is from: 1999 Live In Detroit (Audio CD)
Got this after reading reviews and for once I wasnt dissapointed. This is a great live recording of good music played very tightly. The HDCD recording is up to the best I've heard and all instruments are spaciously defined. Maybe I'll save up and get the Frampton comes alive special edition, but if its anything like this I wont be dissapointed.
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4.0 out of 5 stars
A good live show but doesn't match the classic 'Comes Alive', Jan 2 2002
This review is from: 1999 Live In Detroit (Audio CD)
Nearly 24 years after the original 'Frampton Comes Alive' album recorded in 1975, which marked a defining moment for Peter Frampton and for rock music generally, Peter demonstrates that he can still put on an impressive show as he runs through many of his best known numbers. He has not followed the trend of some big-name bands and used several additional musicians to create a more studio-like sound on stage; here, as in '75, Frampton on guitar is backed only by three other musicians, among them Bob Mayo who played keyboards and guitar on 'Comes Alive'. The group play with the skill and subtlety one would expect from experienced, mature musicians, though with the advancing years Frampton's fire has diminished a little, and the performance throughout does not quite match the high energy of 'Comes Alive'. In particular, though Peter's lead guitar work is as competent as ever, it lacks some of the incisiveness evident on the original live album. Most of the key tracks from 'Comes Alive' are covered, together with a few numbers from later albums, but herein is one of the failings of the collection - that it tries a little too hard to reproduce the original hit live album. This is rather pointless as the defining live versions of those songs are on 'Comes Alive', and the 1999 renditions do not add anything new. 'Do you feel like we do', for example, which was already an almost interminable 14 minutes long on the original live album, is now even longer, and 'Can't take that away' (from the 1994 'Peter Frampton' album) is stretched to 10 minutes and yet is weaker than the studio version (Peter's swearing in a mock Scottish accent not surprisingly adds nothing of value to this track!). It might have been better to produce an excellent live collection of completely different tracks from those of 'Comes Alive' - certainly within Peter's back catalogue of studio albums there are ample suitable songs. So whilst this album is certainly of interest to committed Frampton fans (who should be sure to go for the German SPV record label version, which runs to two CDs and has several additional tracks, rather than the shorter BMG version), it is no substitute for the original live album, which is now available in an excellent remastered version with four extra songs.
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4.0 out of 5 stars
A good live show but doesn't match the classic 'Comes Alive', Jan 2 2002
This review is from: 1999 Live In Detroit (Audio CD)
Nearly 24 years after the original 'Frampton Comes Alive' album recorded in 1975, which marked a defining moment for Peter Frampton and for rock music generally, Peter demonstrates that he can still put on an impressive show as he runs through many of his best known numbers. He has not followed the trend of some big-name bands and used several additional musicians to create a more studio-like sound on stage; here, as in '75, Frampton on guitar is backed only by three other musicians, among them Bob Mayo who played keyboards and guitar on 'Comes Alive'. The group play with the skill and subtlety one would expect from experienced, mature musicians, though with the advancing years Frampton's fire has diminished a little, and the performance throughout does not quite match the high energy of 'Comes Alive'. In particular, though Peter's lead guitar work is as competent as ever, it lacks some of the incisiveness evident on the original live album. Most of the key tracks from 'Comes Alive' are covered, together with a few numbers from later albums, but herein is one of the failings of the collection - that it tries a little too hard to reproduce the original hit live album. This is rather pointless as the defining live versions of those songs are on 'Comes Alive', and the 1999 renditions do not add anything new. 'Do you feel like we do', for example, which was already an almost interminable 14 minutes long on the original live album, is now even longer, and 'Can't take that away' (from the 1994 'Peter Frampton' album) is stretched to 10 minutes and yet is weaker than the studio version (Peter's swearing in a mock Scottish accent not surprisingly adds nothing of value to this track!). It might have been better to produce an excellent live collection of completely different tracks from those of 'Comes Alive' - certainly within Peter's back catalogue of studio albums there are ample suitable songs. So whilst this album is certainly of interest to committed Frampton fans (who should be sure to go for the German SPV record label version, which runs to two CDs and has several additional tracks, rather than the shorter BMG version), it is no substitute for the original live album, which is now available in an excellent remastered version with four extra songs.
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