Quantity:1
Add to Cart
or
Sign in to turn on 1-Click ordering.

More Buying Choices
Have one to sell? Sell on Amazon

Image Unavailable

Image not available for
Colour:
  • Sorry, this item is not available in
      

2007: Silvesterkonzert Import


Price: CDN$ 19.60 & FREE Shipping on orders over CDN$ 25. Details
Only 1 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
17 new from CDN$ 3.39 2 used from CDN$ 12.37

Customers Who Bought This Item Also Bought


Product Details


1. Promenade
2. 1. The Gnome/Gnomus
3. Promenade
4. 2. The Old Castle/Il vecchio castello
5. Promenade
6. 3. The Tuileries/Tuileries
7. 4. The Ox Cart/Bydo
8. Promenade
9. 5. Ballet of the Unhatched Chicks/Ballet des pouissins dans leurs coques
10. 6. Samule Goldenberg & Schmuÿle
11. 7. The marketplace in Limoges/ Limoges - Le Marché
12. 8. The Catacombs/Catacombae Sepulcrum Romanum
13. Cum mortuis in lingua mortua
14. 9.The Hut on Fowl's Legs (Baba-Yaga)/La Cabane sur des pattes de poule
15. 10. The Great Gate of Kiev/La grande porte de Kiev
16. Allegro
17. Scherzo. Prestissimo-Allegretto
18. Andante
19. Finale. Allegro
20. Polovtsian Dances (from Prince Igor)

Customer Reviews

There are no customer reviews yet on Amazon.ca
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 2 reviews
Note to fellow saxophonists: Jan. 15 2012
By Angel Saxo - Published on Amazon.com
Format: Audio CD
The great Jean-Yves Fourmeau is the saxophone soloist in the Old Castle movement of this recording of Pictures. One of the most beautiful renditions of this famous solo.
Rattle falls into the fussiness trap, making this Russian album a disapointment Aug. 4 2011
By Andrew R. Barnard - Published on Amazon.com
Format: Audio CD
Let me say up front that I am a diehard Rattle fan. I consider him to be thriving at the Berlin Philharmonic, and I don't think the Berliners could have chosen a better conductor. I've almost never heard an album from him and the Berliners that I had serious reservations about. Almost, that is. This disc, containing Mussorgsky's Pictures at an Exhibition and Borodin's Symphony No. 2 and the Polovtsian Dances, strikes me as his biggest miss with his orchestra, due to his fussiness and what often turn out to be a lack of imagination. But I'll have to admit that there are wonderful moments on this disc, despite the lack of clear vision throughout.

I'll begin by looking at the Pictures at an Exhibition. Always on the lookout for a chance to bring out hidden details, Rattle has more opportunity in this work (after all, these little pieces that make up the work are pictures) than he could possibly hope for. But he doesn't succeed in this way as we might hope. Sure, the Berliners play marvelously for him, but there's a painful lack of spontaneity. Rattle often seems to deliver mere superficial brilliance instead of real artistic excellence. Rattle can struggle with fussiness, and here he's fussier than ever. But even when he's fussy, there are often unique things that he has to say that makes his approach memorable. Surprisingly enough, I can't say the same thing here. The Berliners show off their technical ability (they've got to be the world's greatest orchestra), but lacking is any sign of real interest from Rattle.

The Borodin 2nd Symphony fares much better, although it's still far from perfect. Rattle seems to have awaked, to an extent, but he still seems fussy, preferring to wallow in the beauty of individual notes and phrases instead of giving Russian soul. That's not to say that can't both pay attention to miniscule details and have a satisfying, comprehensive vision; if there's any doubt of that, there's plenty of Rattle albums beckoning, particularly his Brahms and Schoenberg. I never would have thought Rattle could be accused of being too light, but he is here. Why couldn't he have given more fire, especially considering that no other orchestra would be more prepared for such an undertaking?

The two works, Borodin's Polovtsian Dances and Mussorgsky's Introduction to Khovanschina are on about the same level as the preceding symphony. Rattle shows some interest, but the soul I would wish him to display never take over. Considering that this conductor has proven elsewhere that he's on a very high level as an interpreter, couldn't he have given us more here?

In closing, I find this disc disappointing, even though it features wonderful playing from the Berliners. Let's be thankful that Rattle is seen in better moods elsewhere, because it wouldn't be flattering if this was representative of his output.


Feedback