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20th Century Flying Home And Other Stories
 
 

20th Century Flying Home And Other Stories [Paperback]

Ralph Ellison , John Callahan
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Paperback CDN $12.37  
Paperback, Feb 27 1998 --  

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Though he was the author of two highly regarded collections of essays, Ralph Ellison's fame rests on his prize-winning novel Invisible Man. For years, he labored on another novel, but he died in 1994 with it still unpublished. Here, Ellison's literary executor, John F. Callahan, collects 13 stories, many of which are published for the first time. The stories give us an intriguing look at Ralph Ellison's development as a writer (some early ones, for example, clearly show the influence of Hemingway), and his early attempts to articulate his concerns about the nature of blackness and the American identity. --This text refers to the Hardcover edition.

From Publishers Weekly

To read Ellison's early short stories after having read Invisible Man is like looking at the first sketches and blueprints of parts of the Taj Mahal after having stood in the complete palace itself. Most of these 12 early stories (written between 1937 and 1954) are clearly apprentice work in which Ellison is struggling for control of voice, timing and structure. In the earliest work (including "Hymie's Bull," his very first story), Ellison tries to shoehorn his own experience, including hoboing freight trains in the 1930s, into some boxed-in notion of literary form. But Ellison was a fast learner. While the four stories featuring the antics of Buster and Riley, two smart-mouthed African American boys, owe more than a bit to Mark Twain's Huck and Tom, they also show Ellison developing more supple language and a comic touch. "A Party Down at the Square" (discovered by Callahan, his literary executor, shortly after the writer's death in 1994), is an account of a lynching breathlessly narrated by a white Cincinnati boy visiting his uncle in Alabama. In the dramatic title story, Todd, a black pilot, a northerner trained at Tuskegee, crash-lands in rural Alabama and is rescued from redneck medics by Jefferson, an old black man exuding rustic ways and folksy tall tales. Though Jefferson represents everything Todd is trying to escape, the old man's wisdom and quick thinking ultimately lead the pilot to a reaffirmation of his roots. In these later stories, the moral core of Ellison's great novel is apparent: the passion for simultaneously exploring black identity and American identity, the determination to write deeply about race without writing only about race. His stories display, individually, the commitment to craft and, collectively, the acquired range that later enabled him to assemble, block by block, one of the great monuments of American literature.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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5.0 out of 5 stars At Home with Ralph Ellison, Aug 17 2001
By 
Daniel Olivas (West Hills, CA United States) - See all my reviews
(REAL NAME)   
Ralph Ellison's "Flying Home and Other Stories" apparently is the first posthumous collection to be published by his estate. And it is a remarkable collection at that. There are thirteen stories here, six of which had never been published before. The editor, Professor John F. Callahan, did a fine job at choosing the stories to be included, and he describes the fascinating selection process in the book's introduction. Professor Callahan includes three early Buster-and-Riley stories which inspired me to write my short story, "Los Angeles, 1970" (Outsider Ink at: http://outsidermedia.com/00/spring/olivas.html). The Buster-and-Riley stories capture the wonderful and lively banter between the two boys while showing how the racism of the real world touches and affects their childhood. There is also "A Party Down at the Square" which is a chilling story told in the first person by a white boy who witnesses the burning of an African-American man. Each story is well-crafted and powerful in its understatement. Ellison's graceful and evocative language paints a picture of human strength and frailty with the same honest, unflinching brush. Though he is best remembered for his novel, "Invisible Man," this collection demonstrates that he was also a brilliant craftsman of the short story.
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4.0 out of 5 stars Flying is easy if there is no buzzard on the way, Oct 4 2000
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Ralph Ellison is a great writer. In this collection of old short stories we see him grow and develop under our own eyes. He deals with the problem of racial relations and of race definitions with a tact and humor that make some of his stories extremely funny. But some others are dramatic and deal with a more general and abstract matter. The title story is typical of that. A black pilot is confronted to all kinds of reactions, from his dead father, from a vulture that crashed his plane, from the white owner of the field where he crashes, from the blacks who try to solve his problem : he broke his ankle in the accident. The father is being humorous about heaven and white Saint Peter. The white owner is deeply racist and brings two « nurses » from a psychiatric hospital since a black man has to become crazy if he flies. The black witnesses are just trying to help the poor fallen pilot without getting any antagonism from the white owner, which is not exactly easy. In each story we find such situations that bring racism to the fore or that reveals the « education » a black man has to go through to become « adapted » to this racist society, to make himself, if not invisible, at least unconspicuous. Those stories are worth a little voyage into this writing that we see building itself stone by stone. Of course the real walls are the novels, but here are the handy tasks that shaped Ralph Ellison's hand and pen for the novels. Dr Jacques COULARDEAU, Paris Universities II and IX.
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3.0 out of 5 stars Uneven, but good for Ellison fans, May 27 1999
By A Customer
I read this book recently after devouring Invisible Man. I have to say, though, that I was a little dissappointed by this book. Curiously enough, a lot of these stories weren't published in Ellison's lifetime, and with some of them, it's evident why. A few of the stories are juvenile, not at all comparable to Invisible Man, and by the same token, a few of them are spectacular pieces of prose. So, with this volume, I advise you to tread carefully, but read it all the way through. The gems are worth it, despite the failures.
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