Although Kingsley Amis's acid satire of postwar British academic life has lost some of its bite in the four decades since it was published, it's still a rewarding read. And there's no denying how big an impact it had back then--Lucky Jim
could be considered the first shot in the Oxbridge salvo that brought us Beyond the Fringe
, That Was the Week That Was
, and so much more.
In Lucky Jim, Amis introduces us to Jim Dixon, a junior lecturer at a British college who spends his days fending off the legions of malevolent twits that populate the school. His job is in constant danger, often for good reason. Lucky Jim hits the heights whenever Dixon tries to keep a preposterous situation from spinning out of control, which is every three pages or so. The final example of this--a lecture spewed by a hideously pickled Dixon--is a chapter's worth of comic nirvana. The book is not politically correct (Amis wasn't either), but take it for what it is, and you won't be disappointed.
illustrates a crucial human difference between the little guy and the small man. And Dixon, like his creator, was no clown but a man of feeling after all.” – Christopher Hitchens
“Mr. Kingsley Amis is so talented, his observation is so keen, that you cannot fail to be convinced that the young men he so brilliantly describes truly represent the class with which his novel is concerned….They have no manners, and are woefully unable to deal with any social predicament. Their idea of a celebration is to go to a public bar and drink six beers. They are mean, malicious and envious….They are scum.” – W. Somerset Maugham
“’After Evelyn Waugh, what?’ this reviewer asked six years ago….The answer, already, is Kingsley Amis, the author of Lucky Jim
….Satirical and sometimes farcical, they are derived from shrewd observation of contemporary British life, and they occasionally imply social morals….Lucky Jim
is extremely funny. Everyone was much amused, and since it is also a kind of male Cinderella or Ugly Duckling story, it left its readers goo-humored and glowing.” —Edmund Wilson, The New Yorker
“Remarkable for its relentless skewering of artifice and pretension, Lucky Jim
also contains some of the finest comic set pieces in the language.” —Olivia Laing, The Observer
“Remarkably, Lucky Jim
is as fresh and surprising today as it was in 1954. It is part of the landscape, and it defines academia in the eyes of much of the world as does no other book, yet if you are coming to it for the first time you will feel, as you glide happily through its pages, that you are traveling in a place where no one else has ever been. If you haven’t yet done so, you must.” —Jonathan Yardley, The Washington Post
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