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20th Century Mcteague
 
 

20th Century Mcteague (Paperback)

de Kevin Starr (Foreword, Editor), Frank Norris (Author) "It was Sunday, and, according to his custom on that day, McTeague took his dinner at two in the afternoon at the car conductors' coffee-joint..." En savoir plus
4.3étoiles sur 5  Voir tous les commentaires (36 évaluations de client)
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The novelist Frank Norris is almost forgotten today, but in books like "McTeague," published in 1899, he paved the way for a whole generation of American writers--a generation that included Theodore Dreiser and Sinclair Lewis and, less directly, Hemingway and Fitzgerald. McTeague is a dentist saddled with a grasping wife, and the book chronicles his rise and fall in awkward but powerful prose. This type of social realism, so contrary to the uplifting entertainment of the day (and to Mark Twain's more fanciful, comic novels), provided turn-of-the-century America a disturbing mirror in which to view itself.


Product Description

An early example of American realism, "McTeague" was considered truly shocking when first published at the turn of the century. This searing portrait of the downfall of a slow-witted dentist and his avaricious wife embodies Frank Norris' powerful insights into conflicting forces of heredity and social conditioning. It is a novel of compelling narrative force, resounding with a sense of life as epic. As Kevin Starr points out in his introduction, "McTeague" continues to be regarded as a central statement of evolutionary awareness in late nineteenth-century America and as representative of the best work of a school of writers that included Stephen Crane and Theodore Dreiser.

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It was Sunday, and, according to his custom on that day, McTeague took his dinner at two in the afternoon at the car conductors' coffee-joint on Polk Street. Lire la première page
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L'avis des consommateurs

36 évaluations
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4.3étoiles sur 5 (36 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 McTeague Review, Jui 15 2004
Par Michael Sturdevant (Los Angeles, CA) - Voir tous mes commentaires
(REAL NAME)   
This book begins much like a work by Dreiser or Lewis, but soon turns cynical in a way that can only work if the style is also sneeringly funny. An acknowledgment of that wicked humor is what is missing from many of the other reviews here.

The characters are all selfish in their own way rather than truly greedy. (The movie "Greed" took "McTeague" as its inspiration.) They are also grotesques, which allows for the humor to work its magic without alienating us; something keeps us from wholly identifying with them, thus, we don't really feel their pain, but instead shake our heads at their miserable actions, all brought about by deficiencies of character. They want love and happiness and imagine stupidly that it is through wealth that they can achieve or be worthy of such virtues. This is the theme: wealth and security as misplaced substitutes for love and happiness in the modern world. Indeed, the image of gold spins through the novel in various contexts. I am not going to repeat the plot outline because some other reviews here have done that well.

When I finished this, I was convinced that it is one of the ten best American novels I have ever read, and that includes a lot of so-called "great" works. However, there is a reason this book is not mentioned in the same breath as "Huckleberry Finn" and "The Great Gatsby." There are truths here that high school teachers would perhaps not want their students to face; namely that acquisitiveness in its extremes can become a rather disturbing mental sickness. In our consumer culture, I think many are made uncomfortable by that possibility. I am reminded of the great Native American chiefs who stated that the pursuit of gold had made white men crazy.

I forget who said that an author in his work should be like God in the universe: everywhere present but visible nowhere. This novel reaffirmed that for me after reading so many painfully overwrought-- and overpraised-- postmodernist failures of the last thirty years or so. Agree or not, I won't mention their names: if you've read them, you know what I'm talking about. They're not for me.

McTeague is fresh, funny, meaningful, and plot-driven. Would that those qualities returned to contemporary American fiction, and the age of sententiousness, victimization, and "style" over substance would end.

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5.0étoiles sur 5 Like a symphony, Mai 30 2004
Par kr2977 (Houston, TX United States) - Voir tous mes commentaires
To me this first realistic and naturalistic American novel is like a three-movement classical symphony, the first movement (chapters 1 - 12) being a relatively light-hearted Allegro picturing the friendship of McTeague and Marcus and McTeague's marriage to Trina. There would be a few dissonances foreshadowing the events to come. The second movement(chapters 13 - 19), a funeral march, Marcia funebre, would then represent the progressive souring of McTeague's relationship to Trina and his friendship to Marcus, beginning with McTeague's loss of his job as a dentist and ending with the terrible detection of Trina's body by a schoolgirl. A funeral march would express the initial catastrophe as well as the final death appropriately. The last movement (from chapter 20 to the catastrophic end) would be a Prestissimo ghost dance appropriate to the desolate scene of Death Valley, and dying away in pianissimo dissonances....What would I like this music to sound? There is one example I could think of, which is Prokofiev's ballet music to Romeo and Juliet. Everything is there---gaiety, love, hate, catastrophe, fate, death. Unfortunately, no living composer, American or otherwise, seems equal to the task, but perhaps in the future.....
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4.0étoiles sur 5 San Francisco's Greed, Mai 13 2004
Par M. Buisman (Amstelveen, The Netherlands) - Voir tous mes commentaires
(REAL NAME)   
McTeague is Frank Norris's first novel and was published in 1899. It is the tragic story of a man who practices dentistry without a license and marries a girl who won $5000 in a lottery but keeps it all to herself. The first few years of their marriage are pleasant; the only negative thing is that his friendship with Marcus is over. He wanted to marry Trina, McTeague's wife and Marcus' niece, but did not get her. He tells the authorities and then the life of Trina and McTeague goes down. Without ever using money of the $5000 McTeague loses his practice and they grow apart. He starts hitting and abusing her and in the end does the most horrible thing. First she is maimed, later killed. McTeague flees and in off all places Death Valley meets Marcus again. Things can now be settled once and for all..

The book, though over a century old, is still very readable. The main theme seems to be greed, in fact a movie was made long ago called Greed, based on this novel. Set in San Francisco everyone is greedy and people even kill for money, everyone is suspicious that they are keeping secrets and are not telling everyone about the money they really possess. Greed leeds in the end to death. Also in Death Valley...

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Commentaires client les plus récents

4.0étoiles sur 5 A powerful portrayal of greed (in spite of its stereotypes)
Along with Stephen Crane, Frank Norris was one of the earliest writers in American naturalism--a tradition that eventually gave us Sinclair Lewis, Theodore Dreiser, and John... Read more
Publié le Aoû 24 2003 par D. Cloyce Smith

3.0étoiles sur 5 Also A Silent Film
I recently completed a film class. And while the rest of the class groaned at the required viewing of silent films, I warmed up to the story of McTeague. Read more
Publié le Jui 28 2003 par Jana

5.0étoiles sur 5 Remorseless, brutal, utterly necessary
Some aspects of McTeague are a little on the amateurish side; it can be psychologically clumsy, and some of the symbolism seems a bit labored (hey, Norris was in his twenties,... Read more
Publié le Jui 14 2003 par G. Moses

5.0étoiles sur 5 Realism; not once, not twice, but thrice over!!
I, like at least one other reviewer below, first heard of Frank Norris while rummanging the bookstore. Read more
Publié le Avril 22 2002 par Kevin S. Currie

4.0étoiles sur 5 Not really giving San Francisco a good name....
I like this book, I really do, but I was troubled by the first eighty or so pages. I didn't know what to think. Was I supposed to laugh at McTeague's clumsiness? Read more
Publié le Jui 14 2001 par not-me

2.0étoiles sur 5 To quote the Beatles "It's a dirty story of a dirty man..."
I read this book several years ago, and i don't look back to it as one of the books that i really enjoyed. Read more
Publié le Nov. 28 2000 par cnyadan

5.0étoiles sur 5 Depressing, pitiless, hypnotic
Norris' story moves toward its predictably tragic ending with a hypnotic momentum that make this work one of the true classics of American literary naturalism. Read more
Publié le Jui 1 2000 par Joe Costa

5.0étoiles sur 5 McTeague is literary naturalism in the purist form.
McTeague, the man, is the embodiment of the majority of human civilization. The simplicity and directness of the themes are so free-flowing they are hardly noticible: success,... Read more
Publié le Mai 12 2000 par Christian Engler

5.0étoiles sur 5 An Excellent Novel
McTeague was truly an excellent novel. While the prose was awkward at times, the story seemed to move at a steady pace with little to no downtime. Read more
Publié le Mai 9 2000 par jeff

5.0étoiles sur 5 An Enduring Classic of Western Literature
I sort of stumbled upon this page as I was doing a search for a book on California history. I am the great-niece of Frank Norris (living in San Francisco, frequently driving past... Read more
Publié le Mars 23 2000 par Ms. Susan L. Fry

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