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A Long Finish
 
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A Long Finish [Paperback]


4.7 out of 5 stars  See all reviews (3 customer reviews)

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4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
4.0 out of 5 stars "A Long Finish" Another Michael Dibdin mystery/travel guide., Feb 6 2001
By 
Richard A. Davis "rad53" (Chicago, IL USA) - See all my reviews
(REAL NAME)   
This review is from: A Long Finish (Paperback)
Mr. Dibdin has done it again! The Aurelio Zen mysteries are taking us all over Italy. From Perugia in "Ratking", Sardinia in "Vendetta", Rome in "Cabal", Venice in "Dead Lagoon", Naples in "Cosi Fan Tutti" and now Alba in "A Long Finish". I think these books keep getting better and better. Aurelio Zen is my favorite detective. Keep 'em coming Mr. Dibdin!
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5.0 out of 5 stars The Well-Fed Detective, Aug 6 2001
By 
K. Fromal "kristinof" (Pennsylvania) - See all my reviews
(REAL NAME)   
This review is from: A Long Finish (Paperback)
Aurelio Zen, Italian detective, is pleased to accept an assignment to the Piedmont region in Italy - after all, it will keep him out of Sicily, where the mafia awaits him. He is directed to investigate the murder of a well-known vinter, or winemaker. However, the motives of the well-placed film director who has him sent to Alba are not entirely clear - he is not concerned in the least with who killed the man, rather that his son is cleared of the murder so that he can produce that year's vintage of wine.

When Zen arrives, however, more mysteries await him. He begins to get menacing telephone calls in his hotel rooms, and wakes up with a mysterious gash on his forehead. Then, two more members of the formerly sleepy community turn up dead. Zen must contend with these murders, all the while getting his fill of the region's delicious wine and white truffles. The clues lead to a logical ending - but the mysterious residents of Alba might know more than the famous detective in the end.

Telling any more would reveal too much of this fantastic story! The twists and turns of this mystery are great fun, and the writing is superb. All in all, very entertaining.

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5.0 out of 5 stars Which wine best compliments a Murder?, Aug 16 2000
This review is from: A Long Finish (Paperback)
In addition to all the wonderful reasons that make Michael Dibdin a pleasure to read, "A Long Finish", adds content for the gourmet. The wines of Alba and the "white diamonds" as the local whites truffles are reverently called, are components of a mystery that exposes another of the unconventional Italian priorities that Aurelio Zen constantly confronts.

The question of whether a Father was murdered by his Son is of little concern to those who pull the strings that bring Aurelio to Alba. The Son must be released, as only he can bring in the grapes that create the wine so desperately desired by a prominent Italian and many others. To devotees of wine I mean no offense, but the descriptions offered at a wine tasting often make for great humor. "Nice bouquet, great legs, fingers and thighs a bit weak, but they are buttressed by a boisterous bosom. A fruity opening, a woody polyester transition, and finally a finish that is crisp yet smooth with a suggestion of cinnamon, the barest hint of the citric, and finally dishwater".

Why has a top crime investigator from Rome been brought, because "he appears to be intelligent, devious and effective, compromised by only a regrettable tendency to insist on a conventional conception of morality at certain crucial moments". So with that career making resume material in hand, "Dottore" is off to get the grapes bottled.

This really is one of the best in the series, the only installment I have yet to read is "Cabal" and if it meets this performance the collection of writing is nearly perfect. The story has all the murders so unique, the guilty, the innocent, the guilty that wish they were, and all the rest of the maze that Mr. Dibdin is rightfully noted for.

He also can really describe wine unlike my feeble attempt. "Barolo is the Bach of wine, strong, supremely structured, a little forbidding, but absolutely fundamental. Barbaresco is the Beethoven, taking those qualities and lifting them to heights of subjective passion and pain that have never been surpassed. And Brunello is its Brahms. The softer, fuller, romantic afterglow of so much strenuous excess".

That bit of prose is offered up in the earliest of pages of this work, and Dibdin's pen does not fail or even skip throughout the tale. This story also has a dry satire, and a certain outrageousness that might be comical if placed within a less dire context.

Again a great body of work that I hope will continue for many more years.

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