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A Man in Full [Paperback]

Tom Wolfe
3.4 out of 5 stars  See all reviews (850 customer reviews)
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Book Description

Oct. 30 2001
The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.

Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.

And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.

Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.

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From Amazon

Ever since he published his classic 1972 essay "Why They Aren't Writing the Great American Novel Anymore," Tom Wolfe has made his fictional preferences loud and clear. For New Journalism's poster boy, minimalism is a wash, not to mention a failure of nerve. The real mission of the American writer is to produce fat novels of social observation--the sort of thing Balzac would be dishing up if he had made it into the Viagra era. Wolfe's manifesto would have had a hubristic ring if he hadn't actually delivered the goods in 1987 with The Bonfire of the Vanities. Now, more than a decade later, he's back with a second novel. Has the Man in White lived up to his own mission?

On many counts, the answer would have to be yes. Like its predecessor, A Man in Full is a big-canvas work, in which a multitude of characters seems to be ascending or (rapidly) descending the greasy pole of social life: "In an era like this one," a character reminds us, "the twentieth century's fin de siècle, position was everything, and it was the hardest thing to get." Wolfe has changed terrain on us, to be sure. Instead of New York, the focus here is Atlanta, Georgia, where the struggle for turf and power is at least slightly patinated with Deep South gentility. The plot revolves around Charlie Croker, an egomaniacal good ol' boy with a crumbling real-estate empire on his hands. But Wolfe is no less attentive to a pair of supporting players: a downwardly mobile family man, Conrad Hensley, and Roger White II, an African American attorney at a white-shoe firm. What ultimately causes these subplots to converge--and threatens to ignite a racial firestorm in Atlanta--is the alleged rape of a society deb by Georgia Tech football star Fareek "The Cannon" Fanon.

Of course, a detailed plot summary would be about as long as your average minimalist novel. Suffice it to say that A Man in Full is packed with the sort of splendid set pieces we've come to expect from Wolfe. A quail hunt on Charlie's 29,000-acre plantation, a stuffed-shirt evening at the symphony, a politically loaded press conference--the author assembles these scenes with contagious delight. The book is also very, very funny. The law firms, like upper-crust powerhouse Fogg Nackers Rendering & Lean, are straight out of Dickens, and Wolfe brings even his minor characters, like professional hick Opey McCorkle, to vivid life:

In true Opey McCorkle fashion he had turned up for dinner wearing a plaid shirt, a plaid necktie, red felt suspenders, and a big old leather belt that went around his potbelly like something could hitch up a mule with, but for now he had cut off his usual torrent of orotund rhetoric mixed with Baker Countyisms.
Readers in search of a kinder, gentler Wolfe may well be disappointed. Retaining the satirist's (necessary) superiority to his subject, he tends to lose his edge precisely when he's trying to move us. Still, when it comes to maximalist portraiture of the American scene--and to sheer, sentence-by-sentence amusement--1998 looks to be the year of the Wolfe, indeed. --James Marcus --This text refers to the Hardcover edition.

From Publishers Weekly

However the National Book Award judges managed to get hold of Wolfe's much-delayed second novel in time to give it their nod as an NBA finalist, they were quite right to do so. It's a dazzling performance, offering a panoramic vision of America at the end of the 20th century that ranges with deceptive ease over our economic, political and racial hang-ups and at the same time maintains a brisk narrative pace that makes the huge book seem only a quarter of its real length. Balzac had the same gift. The "man in full" of the title (the phrase comes from an old song) is Charlie Croker, a good-ole-boy real-estate developer in Atlanta whose sprawling South Georgia plantation, massive mansion in the best part of town, half-empty skyscraper tower named after himself, horde of servants, fleet of jets and free-spending trophy second wife have left him terribly vulnerable to bankers deciding the party's over. As a former football star, however, the suggestion is put to him that there is something he can do to ease his situation. A black Georgia Tech player clearly headed for greatness may have raped the daughter of one of Charlie's old business buddies. If Charlie can help the city's ambitious black mayor maintain calm, the bank just might be persuaded to ease up on him. Three thousand miles away in California, Conrad Hensley, an idealistic young worker at a warehouse run by one of Charlie's subsidiary companies, fired in an offhand downsizing designed to placate the bank, runs afoul of the law in a farcical parking hassle and is thrown in jail. There, in fear of his life, Conrad absorbs Stoic philosophy from a book his wife has sent him, and, aided by a timely earthquake (sent by Zeus?), begins to turn his life around until the day, in exile in Atlanta, he encounters Charlie. These parallel plot lines, examining with microscopic precision the obsessions, preoccupations, habits and lingo of life at the top and bottom of American society, are both compelling in themselves and resonant with a sense of the vast mystery and comedy of contemporary life in this amazing country. Wolfe is as adept at scenes painted with high satirical glee (Charlie on a quail hunt, or introducing shrinking business guests to an all-out stud performance by a prize racehorse) as he is with horror and pity (his picture of life for Conrad in his California jail is almost unbearably intense). Despite the very occasional longeurs (readers learns more Atlanta geography than they may care to) and writerly tics (Wolfe still can't resist onomatopoetic outbursts), the novel is a major advance on The Bonfire of the Vanities in its range, power and compassion, while retaining all of that book's breathless contemporaneity and readability. 1.2 million firt printing; simultanneous audio from BDD.(Nov 6).
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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First Sentence
FOR A WHILE THE FREAKNIC TRAFFIC INCHED UP PIEDMONT...inched up Piedmont...inched up Piedmont...inched up as far as Tenth Street...and then inched up the slope beyond Tenth Street...inched up as far as Fifteenth Street... whereupon it came to a complete, utter, hopeless, bogged-down glue-trap halt, both ways, northbound, southbound, going and coming, across all four lanes. Read the first page
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Most recent customer reviews
4.0 out of 5 stars Work of Satire
Charles (Charlie) Croker a middle-aged prominent Atlanta businessman finds his life turned up-side down when his ego brings him to a staggering debt load and to the brink of... Read more
Published on Dec 16 2007 by Toni Osborne
3.0 out of 5 stars Self-conscious classic
Both insightful and almost tediously broad. Wolfe's much-hyped novel of 1998 feigns a Stoic pride in our post-Christian world, but doesn't seem to really put the pieces together in... Read more
Published on June 29 2004 by David P Henreckson
5.0 out of 5 stars A novel for the ages
You might, as you start reading Man in Full, think that it's going to be another bonfire of similar vanities. You might, but you would be wrong. Read more
Published on June 9 2004 by elwin
3.0 out of 5 stars Not his best
The book was interesting enough for me to finish it, but it is not one of his best. There are a number of very slow spots in the story and it lacks the spark of some of his other... Read more
Published on March 22 2004
4.0 out of 5 stars A story that stays with you
I first read this book three years ago, then just re-read it again this week. I hadn't realized how many vignettes, put firmly into my head in that original reading, have stayed... Read more
Published on March 5 2004
2.0 out of 5 stars Why the Hurry?
This was a very good read, with colorful characters, and good character development for the most part. But the ending of the book was rushed. It was conventional and pat . . . Read more
Published on Feb. 16 2004 by C Brunner
3.0 out of 5 stars View of Real Life
What I loved most about this book was Wolfe's characterization of Charlie Croker, a man I meet over and over again in real life. Read more
Published on Jan. 4 2004 by Kathleen Walton
5.0 out of 5 stars Fresh Subjects, Great Read
I strongly recommend this book. In addition to providing that Wolfeian insight to modern culture & characters it's funny, warm, amusing, moving. Read more
Published on Dec 31 2003
5.0 out of 5 stars Sublimely captivating satire
Tom Wolfe, as is his trademark style, emanates forth in A Man in Full his caustic wit, biting satire, amazingly diverse characters, superior dialogue, and a highly engrossing... Read more
Published on Dec 12 2003 by Chris Salzer
4.0 out of 5 stars Perfect-pitch analysis of the modern moral quandary
This fine, sprawling novel has only cartoonish characters, BUT -- and this is its saving grace -- the plot is so hilariously implausible that it makes you sputter giggling into... Read more
Published on Oct. 25 2003 by Nanx Hedwerp
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