From Publishers Weekly
This sprawling novel was unfinished when Mississippi writer Brown (Dirty Work, etc.) died at 53 in 2004. (It remains so, according to a note from editor Shannon Ravenel, who includes Brown's own notes for how the novel would end.) Cortez Sharp, a widower in his later years, decides to build a catfish pond on his Mississippi acreage, mostly because the pond will serve (he imagines drily and obliquely) to bring others around and assuage his dark loneliness. Nearby live young Jimmy and his ne'er-do-well father ("Jimmy's daddy"). There's also Lucinda, who is Cortez's daughter and the mother of Albert, a young man with Tourette's syndrome who speaks in rhyming obscenities. Lucinda pops tranquilizers and has a talent for getting into odd squabbles (over the quality of pigs' feet in a supermarket, for one). Elsewhere, Cleve, an African-American ex-con, kills a soldier who is the object of his daughter's affections and hides the body in the woods. Despite the cuts that Ravenel says were made (marked in the text with ellipses), there's a lot of superfluously detailed family history, interior monologue and Dixie atmospherics. Would-be boffo sequences (Cortez driving a tractor into the pond; Jimmy becoming inconsolable when his father sells his beloved Go Kart), are not sharp enough to carry one through. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Brown died of a heart attack in 2004, leaving behind his sixth novel--short one ending. Unfortunate, as that is about the only thing missing from this rugged, masterful work. Brown's writing is both caustic and gratifying, his fully wrought characters despicable yet irresistible, and the rural South environs alternately suffocating and idyllic. Cortez Sharp, the near definition of a crotchety old man, builds a catfish pond on his property, awaiting fishing season with the giddy anticipation of a boy. Down the dirt road from Cortez's farm lives such a boy, Jimmy. Too bad for Jimmy, his daddy is nothing but a screwup whose primary preoccupations are driving around drinking beer and neglecting his son. At age nine, the boy has never once gone fishing with his father, which in this world amounts to a tragedy of nigh epic proportions. The gulf between Cortez, who embodies the older, southern-gothic tradition with all its inherent prejudices and violence, and Jimmy's daddy, the picture of modern white trash, is vast and resonant. Though Brown is no stranger to exploring father relationships, his biggest coup is how adeptly he slides into the agile cadence of a nine-year-old's far-wandering thoughts. The result is heartrending. One can only hazard a guess at the missing final chapters, but the brutally funny, eloquent wonders that remain are innumerable. Damned fine, and a damned shame. Ian Chipman
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Review
Despite its designation as an incomplete work . . . its dry wit and gorgeous intimacy with the natural world make it as satisfying as anything Brown wrote. At the end of its 464 pages, the only thing readers will miss is the craftsman himself. Outside magazine (Outside )
The most compassionate of writers, Brown loves every living no-good heart he commits to paper. . . . A Miracle of Catfish yields so many pleasures, it hurts to say so. New York Times Book Review (New York Times Book Review )
Brimming with humor and sympathy for the hardscrabble lives of ordinary people. The only flaw is that it's the last Larry Brown novel we'll be lucky enough to read. People (People Magazine )
A Southern noir stylist publishes his best work. . . . When the novelist Larry Brown died in November 2004, the nation lost an irreplaceable literary voice. Spare, bluesy, and grimly beautiful, his books mapped the rough contours of life in his native north Mississippi. . . . His best work may have been A Miracle of Catfish. . . . Miracle is classic Larry, gritty and unflinching, with a wide-as-an-interstate streak of mischief running through its center. . . . [Brown is] a fierce and natural writer, a once-in-a-lifetime comet of big, bad, raw talent. Men's Journal (Men's Journal )
A Miracle of Catfish is vintage Brown. It's driven by terse sentences, haunting images and a sense of place you can almost smell and taste . . . [and] filled with memorable characters. . . . Brown was a writer who was never writerly. He was never self-consciously literary, yet created a literature that will last. USA Today (USA Today )
The most compassionate of writers, Brown loves every living no-good heart he commits to paper. . . . A Miracle of Catfish yields so many pleasures, it hurts to say so. New York Times Book Review (New York Times Book Review )
Brimming with humor and sympathy for the hardscrabble lives of ordinary people. The only flaw is that it's the last Larry Brown novel we'll be lucky enough to read. People (People Magazine )
A Southern noir stylist publishes his best work. . . . When the novelist Larry Brown died in November 2004, the nation lost an irreplaceable literary voice. Spare, bluesy, and grimly beautiful, his books mapped the rough contours of life in his native north Mississippi. . . . His best work may have been A Miracle of Catfish. . . . Miracle is classic Larry, gritty and unflinching, with a wide-as-an-interstate streak of mischief running through its center. . . . [Brown is] a fierce and natural writer, a once-in-a-lifetime comet of big, bad, raw talent. Men's Journal (Men's Journal )
A Miracle of Catfish is vintage Brown. It's driven by terse sentences, haunting images and a sense of place you can almost smell and taste . . . [and] filled with memorable characters. . . . Brown was a writer who was never writerly. He was never self-consciously literary, yet created a literature that will last. USA Today (USA Today )
Book Description
Larry Brown has been a force in American literature since taking critics by storm with his debut collection, Facing the Music, in 1988. His subsequent workfive novels, another story collection, and two books of nonfictioncontinued to bring extraordinary praise and national attention to the writer New York Newsday called a master. In November 2004, Brown sent the nearly completed manuscript of his sixth novel to his literary agent. A week later, he died of a massive heart attack. He was fifty-three years old. A Miracle of Catfish is that novel. Brown's trademarkshis raw detail, pared-down prose, and characters under siegeare all here. This beautiful, heartbreaking anthem to the writer's own North Mississippi land and the hard-working, hard-loving, hard-losing men it spawns is the story of one year in the lives of five charactersan old farmer with a new pond he wants stocked with baby catfish; a bankrupt fish pond stocker who secretly releases his forty-pound brood catfish into the farmer's pond; a little boy from the trailer home across the road who inadvertently hooks the behemoth catfish; the boy's inept father; and a former convict down the road who kills a second time to save his daughter. That Larry Brown died so young, and before he could see A Miracle of Catfish published, is a tragedy. That he had time to enrich the legacy of his work with this remarkable book is a blessing.
Book Description
When writer Larry Brown died suddenly in 2004 at the age of fifty-three, he left behind an almost completed sixth novel that embodies all the talent and tenacity of his hard-driven life. Set in the low hills just outside Oxford, Mississippi, very close to Larry Brown's own home, A Miracle of Catfish is the story of one year in the lives of four men and one little boy. Connecting and suffusing their stories is Brown's brooding contemplation of fatherhood. There is Cortez Sharp, a farmer with a terrible secret and a newly dug pond he is stocking with catfish. Tommy Bright, from Arkansas, has a fish-stocking business he's all but gambled away. Cleve, a black neighbor down the road, has a daughter who's taken up with a man so unworthy he doesn't deserve to live. Little Jimmy, whose daddy gave him a go-kart, has the bad luck to have been born to that daddy, a man beyond redemption. And then there's Ursula, the mother of all catfish, who has her own secret life near the bottom of Cortez's pond. In A Miracle of Catfish, Larry Brown's trademark clarity and tenderness, humanity and humor, have been honed to a brilliant edge. As the publisher of his first and all but one of his eight subsequent books, Algonquin is proud to add this classic Brown novel to his extraordinary body of work.
From the Inside Flap
Larry Brown has been a force in American literature since taking critics by storm with his debut collection, Facing the Music, in 1988. His subsequent workfive novels, another story collection, and two books of nonfictioncontinued to bring extraordinary praise and national attention to the writer New York Newsday called a master. In November 2004, Brown sent the nearly completed manuscript of his sixth novel to his literary agent. A week later, he died of a massive heart attack. He was fifty-three years old. A Miracle of Catfish is that novel. Brown's trademarkshis raw detail, pared-down prose, and characters under siegeare all here. This beautiful, heartbreaking anthem to the writer's own North Mississippi land and the hard-working, hard-loving, hard-losing men it spawns is the story of one year in the lives of five charactersan old farmer with a new pond he wants stocked with baby catfish; a bankrupt fish pond stocker who secretly releases his forty-pound brood catfish into the farmer's pond; a little boy from the trailer home across the road who inadvertently hooks the behemoth catfish; the boy's inept father; and a former convict down the road who kills a second time to save his daughter. That Larry Brown died so young, and before he could see A Miracle of Catfish published, is a tragedy. That he had time to enrich the legacy of his work with this remarkable book is a blessing.
About the Author
Larry Brown was born in Lafayette County, Mississippi, where he lived all his life. At the age of thirty, a captain in the Oxford Fire Department, he decided to become a writer and worked toward that goal for seven years before publishing his first book, Facing the Music, a collection of stories, in 1988. With the publication of his first novel, Dirty Work, he quit the fire station in order to write fulltime. Between then and his untimely death in 2004, he published seven more books. His three grown children and his widow, Mary Annie Brown, live near Oxford.