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In the preface to A Moveable Feast, Hemingway remarks casually that "if the reader prefers, this book may be regarded as fiction"--and, indeed, fact or fiction, it doesn't matter, for his slim memoir of Paris in the 1920s is as enchanting as anything made up and has become the stuff of legend. Paris in the '20s! Hemingway and his first wife, Hadley, lived happily on $5 a day and still had money for drinks at the Closerie des Lilas, skiing in the Alps, and fishing trips to Spain. On every corner and at every café table, there were the most extraordinary people living wonderful lives and telling fantastic stories. Gertrude Stein invited Hemingway to come every afternoon and sip "fragrant, colorless alcohols" and chat admit her great pictures. He taught Ezra Pound how to box, gossiped with James Joyce, caroused with the fatally insecure Scott Fitzgerald (the acid portraits of him and his wife, Zelda, are notorious). Meanwhile, Hemingway invented a new way of writing based on this simple premise: "All you have to do is write one true sentence. Write the truest sentence you know."
Hemingway beautifully captures the fragile magic of a special time and place, and he manages to be nostalgic without hitting any false notes of sentimentality. "This is how Paris was in the early days when we were very poor and very happy," he concludes. Originally published in 1964, three years after his suicide, A Moveable Feast was the first of his posthumous books and remains the best. --David Laskin --This text refers to the Paperback edition.
Review
"The first thing to say about the 'restored' edition so ably and attractively produced by Patrick and SeÁn Hemingway is that it does live up to its billing . . . well worth having."--Christopher Hitchens, The Atlantic
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THEN there was the bad weather. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
THEN there was the bad weather. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most helpful customer reviews
5.0 out of 5 stars
brilliant,
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This review is from: A Moveable Feast (Paperback)
Book was in prime condition, and arrived in my mailbox promptly. The book itself is an excellent journey through Paris, France in the eyes of Ernest Hemingway. While going through the steps it takes to be a good writing, Hemingway introduces the reader to Gertrude Stien.
1 of 1 people found the following review helpful
5.0 out of 5 stars
On Being Poor and Happy in Paris,
This review is from: A Moveable Feast (Paperback)
This book is Hemingway's recollection of living in Paris as a young writer, including the period when he wrote "The Sun Also Rises". Don't expect this to be a nonfictional version of the aforementioned masterpiece, but rather approach this book as an insight into the beautiful life Hemingway lived while he was younger. Like any book which is set in Paris, expect plenty descriptions of walking through the various quarters, written with such style that Hemingway's laid-back and gratified approach to life feels like more than mere words on a page. For me the best part of the book was Hemingway's section on F. Scott Fitzgerald. It is interesting seeing one great writer's (humorous) perspective of another. The only negative thing I have to say about this book is that Hemingway alludes to many other interesting situations that he does not expand on, but still, the book is a very enjoyable recollection.
3.0 out of 5 stars
Happiness ending in regret,
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This review is from: A Moveable Feast (Paperback)
I appreciated this memoir of Ernest Hemingway and his first wife, Hadley and their son Bumby, as they experienced Paris (and the occasional excursion to Austria and Spain) in the late 20s. In typical Hemingway fashion, he can make you feel as though you are right there in Paris, seeing what he saw, all the while describing it with sparse and plain prose.There are many honest and unflattering sketches of other ex-pats Hemingway either knew or befriended whilst there, including Gertrude Stein, F. Scott Fitzgerald and others, and a shining description of the goodness Hemingway attributed to Ezra Pound. This seems like the best time in Hemingway's life, when he and his truest love were poor and happy and in love, and they shared their little lives with their young son. But it ends with foreboding and tragedy, when Hemingway regretfully and painfully describes the lead up to his love affair with what was to become his second wife, and looking back, wishes the thing that he and Hadley had in Paris could have lasted forever. It could have, Hem. For this reader, knowing already what was to come, even the joys of Paris Hemingway describes are flavoured with melancholy. While I can appreciate this work, it would be a stretch to say I really enjoyed it to any great extent. However, anyone with an ounce of imagination can learn a good deal about Paris in the years between the wars, and anyone with an ounce of humility can glean a good deal from Hemingway's character strengths and weaknesses.
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