From Amazon
Colin Pinnock is an up-and-coming junior minister in the Prime Minister's new government, excited about his post and pleased with the recognition he's beginning to attain. His complacency is shattered by the arrival of a cryptic and anonymous letter, which suggests that he is not who he thinks he is. Veteran crime writer Barnard (
A Scandal in Belgravia,
The Corpse at the Haworth Tandoori) presents the solution to the central mystery early on, as Pinnock learns that in all likelihood he is the son of a notorious British nobleman who disappeared after impregnating the family nanny and killing his wife.
Mixing facts and surmises based on a true-life London murder of the 1980s with a fictional hero whose search for the truth about his origins is nicely limned and expertly paced, Barnard delivers another winner for his many fans. The development of the relationships between Colin and his half-siblings is well described, and the denouement offers just enough surprise to classify this elegant novel under "mysteries, British." --Jane Adams
--This text refers to an alternate
Hardcover
edition.
From Publishers Weekly
Shortly after accepting a junior ministerial post in the Labor government that came to power in the last British general election, MP Colin Pinnock receives a postcard bearing the stark question: "Who Do You Think You Are?" As this literate mystery thriller unfolds, it becomes clear that the author of this cryptic message is less concerned with Colin's getting above himself than with his looking into his origins. Learning that he was adopted causes Colin scarcely a jolt, but it's quite another thing to discover that his real father might have been Lord John Revill, who disappeared in 1962 after apparently murdering his wife. By all reports, Lord John had been having an affair with his children's sexy Australian nanny. At 35, Colin is just the right age to be the offspring of this illicit liaison. Barnard, an eight-time Edgar Award finalist, presents a sympathetic protagonist and a compelling human tale with his customary subtlety and economy. Revelations, each more or less surprising, arrive at regular intervals, while the big questions--what was really going on in the Revill household before the murder and who is sending Colin increasingly serious threats--are fully answered only at the end. The good characters are all thoroughly decent chaps, while at the climax the villain, who is more mad than bad, pulls out a knife, not a gun. This understated British melodrama is as comforting as a nice cuppa. (Apr.)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an alternate
Hardcover
edition.