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A Passage to India
 
 

A Passage to India [Hardcover]

E M Forster
3.9 out of 5 stars  See all reviews (57 customer reviews)
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What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?

"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel.

"They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.

"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!

"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."

Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging.
"Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps."
Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.

Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber --This text refers to the Paperback edition.

From School Library Journal

Grade 9 Up-By E.M. Forster. Narrated by Flo Gibson.
Copyright 1999 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

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First Sentence
Except for the Marabar Caves - and they are twenty miles off - the city of Chandrapore presents nothing extraordinary. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

57 Reviews
5 star:
 (22)
4 star:
 (19)
3 star:
 (7)
2 star:
 (4)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (57 customer reviews)
 
 
 
 
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5.0 out of 5 stars A Classic of Epic Proportions!, Nov 1 2007
By 
Teddy (Richmond, BC) - See all my reviews
(TOP 500 REVIEWER)   
First published in 1924, over the vast sweeping landscape of India under British rule A Passage to India examines the cultural differences between the Indians and the English.

As the novel opens Ms. Adela Quested and her potential mother in-law, Mrs. Moore arrives in Chandrapore India. They both have the desire to see the real India and not just hang out with other British citizens. Mrs. Moore becomes friends with a local, Dr Aziz who promises to show her and Ms. Quested the famous Marabar caves. While at the caves, a possible incident occurs that alters the lives of all of the characters involved.

I can see why this book is on the top 100 books to read list. It is a must, especially for Classic lovers and those interested in British rule India!
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5.0 out of 5 stars The Best Book I've read in ages., Feb 14 2003
By 
Emily McB (Vancouver, Canada) - See all my reviews
I wasn't particularly looking forward to reading A Passage to India. Forster, in my mind, seemed to suggest implausible romance, pretty scenery, and Helena Bonham Carter, and I'd never actually bothered to read one of his books.
Now I can hardly wait to read another. I absolutely loved this book, without quite knowing why it was so magical. I do know that I found the first chapter absolutely perfect, as it allows the reader to go into a "descriptive section" daze, and then jerks are attention suddenly back to the Marabar caves. And with the exception of one or two patches that dragged a little but were soon over, I found the rest of the book equally magnetic.
I enjoyed Fortster's deftness in portraying all the characters, not so much as individuals, but in terms of how they felt about each other. In particular I loved the relationship between Fielding and Aziz, while understanding completely the dislike each had for aspects of the others character.
The ending is marvelous. So often books that hold your interest like this just peter out, but it's refreshing to find an author like Forster who understands that what makes for an ideal conclusion is to give the readers a taste of what they want, and then hold back the last little bit.
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5.0 out of 5 stars Serendipity Indeed, April 4 2002
By A Customer
This review is from: A Passage to India (Paperback)
Forster writes late in the book,"...composed in English to indicate His universality." But does using English really make one belong? In the book, all the primary characters communicate with one another in English but miscomprehension abounds; there is a disconnect. The disconnect is both vertical and horizontal: a disconnect between the English and the Indians but also one among the English and among the Indians. And, here, there, moments of reaching out to the other interrupt the prevailing tension.

This is the first Forster book that I've read completely. I have seen all the movie adaptations of his books (except A Pssage To India) and have enjoyed them thoroughly. But an attempt at reading A Room With A View wasn't at all successful (stopped twice at chapter 3) and I gave up (perhaps a little too hastily) reading any of the books themselves. Recently however, I have become intrigued with Indian authors and books about India and suddenly, A Passage to India popped into my mind and I picked up a copy. Forster's prose reminds me of F. Scott Fitzgerald's in its
nuanced simplicity although the former can at times become somewhat abstract. Forster conveys the complexity of colonial India but the read was spectacularly easy, aided by many humorous points. Halfway through the book, I was so impressed by the book and wondered if it had made it onto the Modern Library's best 100 works of fiction in the 20th century. And it did.

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