This slender guide by Mary Oliver deserves a place on the shelves of any budding poet. In clear, accessible prose, Oliver (winner of both the Pulitzer Prize and the National Book Award for poetry) arms the reader with an understanding of the technical aspects of poetry writing. Her lessons on sound, line (length, meter, breaks), poetic forms (and lack thereof), tone, imagery, and revision are illustrated by a handful of wonderful poems (too bad Oliver was so modest as to not include her own). What could have been a dry account is infused throughout with Oliver's passion for her subject, which she describes as "a kind of possible love affair between something like the heart (that courageous but also shy factory of emotion) and the learned skills of the conscious mind." One comes away from this volume feeling both empowered and daunted. Writing poetry is good, hard work.
National Book Award winner Oliver ( New and Selected Poems ) delivers with uncommon concision and good sense that paradoxical thing: a prose guide to writing poetry. Her discussion may be of equal interest to poetry readers and beginning or experienced writers. She's neither a romantic nor a mechanic, but someone who has observed poems and their writing closely and who writes with unassuming authority about the work she and others do, interspersing history and analysis with exemplary poems (the poets include James Wright, William Carlos Williams, Elizabeth Bishop, Marianne Moore and Walt Whitman). Divided into short chapters on sound, the line, imagery, tone, received forms and free verse, the book also considers the need for revision (an Oliver poem typically passes through 40 or 50 drafts before it is done) and the pros and cons of writing workshops. And though her prose is wisely spare, a reader also falls gladly on signs of a poet: "Who knows anyway what it is, that wild, silky part of ourselves without which no poem can live?" or "Poems begin in experience, but poems are not in fact experience . . . they exist in order to be poems."
Copyright 1994 Reed Business Information, Inc.
This is such a wonderful book for people who like to write and learn about poetry. I really recommend it to students who are interested. Read morePublished 6 months ago by Christina Montecristo
A Poetry Handbook -- I cannot say whether this really is a handbook about poetry, or if it is more an essay of the author's opinion on writing poetry. Read morePublished on June 6 2012 by Ryan
I purchased this book for a class and did not use it until I was at a moment of desperation. The contents were so very useful. Read morePublished on Dec 12 2002 by Michael Lopez
With _A Poetry Handbook_, Mary Oliver does for poetry what Strunk and White did for prose. This book is elementary, not in the sense of being remedial, but as a clear introduction... Read morePublished on Nov. 26 2002 by R. Peake
What Oliver manages to do is speak to both the experienced and just-initiated poets. While I've been writing poetry since grade school, I wouldn't truly consider my poet as before... Read morePublished on April 19 2002 by John Cantu