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Philips's collection of major works that have propelled Gavin Bryars to New Music stardom is an effective overview of his music. The longest work is his Cello Concerto, handsomely played by Julian Lloyd Webber with a big, colorful tone and sustained intensity throughout its contemplative half-hour. A comparable mood pervades the bright tintinnabulating textures of the whimsically titled
One Last Bar, Then Joe Can Sing. Similar as well, in their attractive serenity and suppressed sadness, are many of the other works here, prime among them the viola concerto in all but name,
The North Shore, a tone painting of the rugged cliffs of northeast England.
Adnan Songbook, settings of six poems by Lebanese poet Etel Adnan, are beautifully sung by soprano Valerie Anderson and delicately scored for a small ensemble. Bryars's biggest hits,
The Sinking of the Titanic and
Jesus' Blood Never Failed Me Yet, have inspired him to numerous reworkings and capsuled fragments. They're represented by
Titanic Lament, depicting a hymn tune dissolving into gray, watery textures, and two very different four-minute versions of
Jesus' Blood, both with Tom Waits. Some will find Bryars's brand of minimalism veering too closely to New Age music, but others will immerse themselves in a sound world of originality and refined beauties.
--Dan Davis
