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A View to a Kill (Special Edition)

Roger Moore , Christopher Walken , John Glen    PG (Parental Guidance Suggested)   DVD
3.5 out of 5 stars  See all reviews (90 customer reviews)
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Roger Moore's last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the film is largely interesting for Christopher Walken's quirky performance as a sort-of supervillain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh

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1 of 1 people found the following review helpful
Format:DVD
Moore's seventh and final outing as Secret Agent 007 James Bond, A View to a Kill has the unenvious distinction as quite possibly the worst film in the James Bond series, with Tomorrow Never Dies jockeying for that position. Like previous Bond flicks which turned out to be flops, for the most part (i.e. You Only Live Twice, The Man With The Golden Gun, Moonraker), A View to a Kill is rather entertaining as a movie, never meant wholeheartedly to please discriminating critics. However, A View to a Kill, aside from the fact it attempts to be cute in its humor, has its share of scenes that are so steady-paced, that they are slow and lack of depth in the characters.

In this fourteenth edition of Bond, the story starts off with 007 on the frozen tundra of Siberia, retrieving a microchip from the corpse of a fellow MI6 agent. With henchmen on his track, Bond embarks on a ski chase, which at point, has The Beach Boys' hit "California Girls" playing in the background, when Bond seems to be snowboarding. On a side note, that Beach Boys' segment is rather ridiculous and somewhat humorous. At any rate, MI6 examines the retrieved microchip and find out that this particular chip is similar to a British prototype, which could withstand intense electromagnetic radiation from a nuclear blast and that someone is leaking out the design details to the rival Soviets. That someone is the psychotic French industrialist and microchip maker, Max Zorin (Christopher Walken), founder of Zorin Industries. Bond is off to a Paris racetrack to keep an eye on the eccentric Zorin. Deducing that Zorin is hiding something from him and attempting to eliminate him in the process, Bond is led to Zorin's palatial estate in France and finally to San Francisco, where Zorin a la Goldfinger attempts to monopolize the microchip market by effacing Silicon Valley, which of course, builds the majority of the world's supply of microchips.

A View to a Kill has a fairly solid storyline, but its execution is nothing but dismal. The screenplay does not flow consistently. The slow or developing scenes are rather stagnant in that the tone can keep the viewer uninterested because of inconsistent dialogue. The stunts are not very credible either and the action scenes are pretty corny (i.e. 007 carrying Stacy down the fire truck ladder amidst a cheering San Francisco crowd). But the biggest flaw of the film is character development. Of course, Moore was pretty solid in his last outing, but the supporting cast is quite poor. May Day, played by Grace Jones, although portrayed as a stoic, athletic Amazon who exhibits raw energy is stiff throughout. Max Zorin is an intriguing villain, stoic yet psychotic, intelligent yet mentally unstable, gregarious one moment and stone-dead serious the next. However, all Walken ever does with his character is laugh like a goon, make some hilarious gestures and point out relatively flat remarks. Besides, I've personally thought Walken was a genetically altered brainchild to begin with anyway. Zorin is not exactly the worst villain, but one of the worst utilized, seeing how he had great potential to stand out as a great villain, instead of comic relief fodder. Dr. Carl Mortner, played by Willoughby Gray, seems to become more insane than Zorin later on in the film, in the sense he seems to have come down with Down's Syndrome. Last but not least, Bond's lady geologist sidekick, Stacy Sutton, ineptly played by Tanya Roberts of Charlie's Angels and That 70's Show fame, is an incompetent, helpless and moronic Barbie look-a-like, who annoyingly yells or utters, "James" almost every fourth word out of her mouth. Don't get me wrong, she's a hot number, but for crying out loud, who in the right mind loads a rifle full of rock salt, instead of regular ammunition!? Other than its obvious flaws, A View to a Kill is enjoyable when you don't feel the need to be critical, much like any other Bond film.

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1 of 1 people found the following review helpful
4.0 out of 5 stars Classic Bond July 25 2001
Format:VHS Tape
Great music, beautiful women, exotic locations, fancy gadgets - that's what a James Bond movie is to me, and this edition excels in almost all areas. From the opening skiing scene (not quite as thrilling as the ski scene that opens The Spy Who Loved Me, but nonetheless - ), to the very cool Duran Duran theme song, the entire film is standard Bond fare.

The great thing about Roger Moore's version of James Bond in this film is the tongue-in-cheek approach he takes. It's a Bond that doesn't take himself too seriously, yet still manages to wear a tux wherever possible.

There's a chase scene early on that starts in a French restaurant in the Eiffel Tower, runs up to the top of the tower, parachutes off and continues through the streets of Paris.

(I remember when this movie was first released, and Roger Moore appeared as a guest on Johnny Carson's "Tonight Show" to promote it. He had a clip from the end of this particular chase scene, when Bond was in a small French car whose top was shorn off, and the back end was knocked off by a passing vehicle - adding new importance to "front wheel drive" in what was left of the car that Bond continued to drive through the Parisian streets. At the end of the clip, Johnny was laughing very hard and it led into a big discussion of the over-the-top Bond approach to chase scenes. I remember it well.)

Bond is sent to investigate suspicious activities at the location of a beautiful European castle on a palatial and breathtaking estate that makes watching the film worthwhile. The grounds are the home of Zorin, played by the striking Christopher Walken, who ultimately proves to be the Bad Guy. (Walken? The Bad Guy? Big Surprise there!) The castle is amazing, the views are impressive, and the social activities are grand. It's here that Bond first runs into a mysterious beautiful woman, played by the dreamy Tanya Roberts, who eventually proves to be the primary love interest in the film.

Zorin's plot is eventually revealed: an artificially induced earthquake in Silicon Valley which will destroy the world's primary source of microchips, leaving Zorin's own microchip factory as the sole supplier, a major step toward world domination.

The planned destruction involves deliberate tampering with the fault lines in California. As a result, the film takes you to deep caverns and excavation sites, dirigibles high over the city, and a breathtaking fight scene on the top of the Golden Gate Bridge.

It's classic Bond in the best sense. It'll never win an Oscar, but it's a fun movie.

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5.0 out of 5 stars bond visits major landmarks Mar 25 2013
By timmer TOP 1000 REVIEWER
Format:Blu-ray|Amazon Verified Purchase
The blu-ray transfer is first rate and loaded with extras.I am a fan of all the Roger Moore Bonds. All 7 Moore entries are exciting escapist Bond adventures. This film,Moore's last as Bond, is no exception. In this 1985, 14th entry in the Eon series, Bond does battle on not one but two major international structural landmarks - the Eiffel Tower in Paris and San Francisco's Golden Gate Bridge. This film is the oldest portrayal of Bond on screen. Moore was 57 during filming, and was replaced with the much younger Timothy Dalton (40-41) for the next film. The smooth Moore wit is very much in place. Christopher Walken is both quirky and menacing as villain Max Zorin. Tanya Roberts of both Charlie's Angels and Sheena fame, stars as lead Bond-girl, Stacey Sutton. Duran Duran handles the title song. John Glen directs his 3rd of 5 straight Bond assignments. Good Bond fun, especially the opening ski chase, and the San Francisco firetruck pursuit. Other notable performances include TV's John Steed, Patrick MacNee as a fellow British agent and popstar Grace Jones as Zorin henchwoman, Mayday. Watch for a brief cameo as well from the unknown at the time, Dolf Lundgren. Hint, we see Dolf during the Zorin/Gogol showdown at the racetrack.
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Most recent customer reviews
5.0 out of 5 stars Underestimated Bond!
Very good James Bond movie which happens to be Roger Moore's last film as the titular character....Christopher Walken makes a great Bond villain. Read more
Published 4 months ago by Steff66
1.0 out of 5 stars NOT one to see if you're a Daniel Craig fan
I had fond memories of this movie when I was 5 (33 now). I thought with Skyfall coming out, I'd check this out for nostalgias sake. Wow... talk about painful to watch. Read more
Published 6 months ago by Michael
3.0 out of 5 stars Ah
Ah, good old James Bond. Who would not like Bond? When watching a vintage character you just have to do it in a vintage way. That is why I chose to buy this in VHS. Read more
Published 6 months ago by Bruiser
1.0 out of 5 stars Was this "Made for TV"?
The absolute WORST of ALL the Bond movies, Moore or otherwise. Walken gives his worst performance ever and the Bond girls are extremely ordinary looking. Read more
Published on Jun 7 2004 by Tuco
1.0 out of 5 stars James Bond gone terribly wrong
What were they thinking?Not long after starring in the excellent 'For Your Eyes Only',Roger Moore had to return for the worst Bond movie of all time. Read more
Published on April 28 2004 by Hilary Miller
2.0 out of 5 stars A former "Avenger" and a disco diva are the film's salvation
Patrick Macnee, fondly remembered as "John Steele" in the 60's classic, is as gentlemanly as ever as he aids James Bond in his quest to discover the plans of the devious... Read more
Published on Mar 25 2004 by Reginald D. Garrard
5.0 out of 5 stars You amuse me, Mr. Zorin!
The 14th James Bond movie. Immediately following OCTOPUSSY, Roger Moore (by then in his late 50s) made an announcement that he was going to retire from the role of Agent James... Read more
Published on Mar 14 2004 by Michael J. Chrush
5.0 out of 5 stars Roger Moore bows out with a bang
This the 14th Bond movie, and Roger Moore's seventh and final outing as OO7 is by far one of the best in the series. Read more
Published on Feb 29 2004 by MICHAEL RUMNEY
1.0 out of 5 stars An All-Time Low
All the Roger Moore Bonds are pretty bad, but "A View to a Kill" is the worst of the lot. How Broccoli and Company managed to coast on sheer ineptitude for 12 years... Read more
Published on Jan 30 2004
5.0 out of 5 stars THE WORST OF THE BEST !
Take it from a true Bond fan: this is clearly the worst of all 007 movies. At least Moonraker wasn't boring.
Roger Moore was way too old to play Bond at this stage. Read more
Published on Jan 28 2004
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