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ART OF DECEPTION, THE(LIBR.ED.)(10 CD'S) [Audiobook, CD, Unabridged] [Audio CD]

Ridley Pearson
3.6 out of 5 stars  See all reviews (30 customer reviews)
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Book Description

Aug. 6 2002 Lou Boldt/Daphne Matthews Series (Book 8)
A troubled Mary Ann Walker takes a nosedive off a bridge. Seattle's police department macho man John LaMoia takes the call, along with the beauteous cop psychologist Daphne Matthews. They suspect her boyfriend, known to beat Mary Ann. Her seething brother, Ferrell, is convinced the boyfriend did the deed. But the case somehow becomes too slippery to close. Lou Boldt, the supervising officer, is entangled in a conundrum of his own: two women have disappeared and a road crew worker's death may have a connection to the missing women. A peeper who's photographing undressed women at tourist hotels becomes Boldt's best suspect, along with a man who is stalking and terrifying Daphne. As both cases heat up, so does the sexual tension between Matthews and LaMoia leading them both into unknown emotional territory. A hair-raising chase through Seattle's Underground, a little-known network of hundred-year-old streets that were paved over by the city decades ago, brings the story to its white-knuckle climax.

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From Amazon

Seattle police psychologist Daphne Mathews has her hands full with a pregnant, addicted, runaway teenager, a murder victim's brother whose strange behavior unnerves her, and a deputy sheriff she once treated who's now stalking her. She's frightened enough to move in with Detective John LaMoia, a development that doesn't exactly thrill Lou Boldt, their boss and Daphne's ex-lover. But Lou's too busy with his own cases to brood over John and Daphne: the recent disappearances of two local women, and the death of Billy Chen, the nephew of Mama Lu, an old friend and a powerful figure in Seattle's Chinese community, which appeared to be an accident but turns out to have been murder. The only thing the disappearances and murder have in common is location; all three victims were last seen in a part of downtown built over the Underground, a dark and dangerous warren of buildings abandoned after the fire that leveled Seattle more than a hundred years ago. While Seattle's Underground has been the setting for several mysteries by other authors (Earl Emerson, J.A. Jance), Pearson makes the most of its creepy-crawly atmosphere in a gripping thriller whose solid plotting pulls all of Daphne's, LaMoia's, and Boldt's cases together. It also wisely reconfigures the personal relationships among the three central characters, which bodes well for their future adventures in this long-running series (Middle of Nowhere, The Pied Piper). --Jane Adams --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Seattle police detective Lou Boldt, Pearson's engaging cop hero, retired from the force a few years back when personal problems started stacking up, then returned when those same problems faded. These days, he's in more of a paper-shuffling role, letting his younger charges mix it up on the street. Taking center stage here, in the eighth Boldt entry (after Parallel Lies), are two longtime prominent series sidekicks, forensic pathologist Daphne Matthews and the skirt-chasing stud cop, John LaMoia. Together, they investigate the perplexing murder of a woman who was pushed off a bridge. The case turns creepy when the evidence against the prime suspect falls apart and the victim's brother, Ferrell Walker, simultaneously courts and lashes out at Matthews. Meanwhile, Boldt pursues his own case, following the trail of two missing women who appear to have been stalked before disappearing. As with many of Pearson's plots, the two story lines eventually mesh into a wild, drawn-out finale. The setting this time couldn't be better. It's Seattle's Underground, a subterranean ghost town of abandoned shops and homes now underneath the newer, more flood-resistant city built on top a century ago. It is within this spooky, cavernous landscape that Pearson's forte the manhunt bursts through with all its usual bone-tingling drama and suspense. And what of the somewhat marginalized Boldt? Longtime fans may feel a touch of sadness, yet Pearson ably layers Matthews's personality with new depths to make an appealingly quirky character. As for LaMoia, even he shows that he's more than just a pretty face with an insatiable sex drive.
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Most helpful customer reviews
1 of 1 people found the following review helpful
1.0 out of 5 stars How did this get into print? Feb. 20 2003
By A Customer
Format:Hardcover
What a unintelligent shallow story. You got a lame incompetent female police forensic psychologist and a super
duper perfect cop doing/being stupid. That's it. My first R.Pearson, my last.
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1 of 1 people found the following review helpful
2.0 out of 5 stars Pearson leads with his weaknesses Feb. 4 2003
By A Customer
Format:Hardcover
Though he is one of my favorite mystery/thriller writers, Pearson's books usually do not show a strong grasp of romantic relations or of women, in my opinion. The romances generally feel cardboard and perfunctory, and the women characters are usually one-dimensional stick-figures, or else completely incoherent hodge-podges.
In this book, Pearson puts his greatest weaknesses front and center--Daphne emerges as a lead detective, and she and LaMoia develop a romantic relationship.
For Pearson, that move is a brave departure, but not so smart. Thius book puts his weaknesses on glaring display, in my opinion.
In this book, Daphne is presented as something of an emotional mess. She pronounces (and insists upon) a lot of psychological speculation, without any data or evidence to back it up, but she doesn't "detect" much. The book's romance between her and LaMoia could have been written by a mildly talented ninth grader, so deep is its insight and subtle its progression.
And the plot isn't great--you figure out whodunnit fairly early. The red herrings confuse the plot more than mislead the reader. And the resolution turns on lots of amazingly correct guesses and overly improbable clues. For instance, at one point, when she is being kidnapped, Daphne reaches into her underwear and rips out the tag, dropping it on the ground as a "crumb" to lead detectives to her. Not only is the tag spotted-amidst all the detritus of a city street in a bad part of town-- but LaMoia (a) recognizes the tag as Daphne's, though at this point he hasn't had occasion to see her intimate apparel (he's even amused to see the brand, for the first time, in the midst of this chase), and (b) realizes immediately that it means to go underground through a man hole! That's quite a feat of semiotics!
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5.0 out of 5 stars PURE PEARSON - PURE PLEASURE March 9 2004
By Gail Cooke TOP 50 REVIEWER
Format:Mass Market Paperback
Seattle police biggie Lou Boldt is trying to track a serial killer, while Daphne Matthews, gorgeous forensic psychologist is investigating the untimely demise of Mary Ann Walker who was thrown (?) jumped (?) from Aurora Bridge. A boyfriend, known for physically abusing Mary Ann, is a prime suspect.
Before we know it Pearson, always a master of surprises, connects the two cases by spotlighting one suspect. However, a solution is never that easy.
Along the way emotions are stirred as a member of Boldt's team finds himself drawn to Daphne, who once had a fling with Boldt. Add a mega underground chase scene through streets long buried beneath contemporary Seattle and you have a high octane finish.
Pure Pearson - pure pleasure.
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3.0 out of 5 stars Underground intrigue Oct. 29 2003
Format:Mass Market Paperback
Police psychologist (or "profiler") Daphne Mathews has a long history in these exciting Seattle stories, and with Police Lt. Boldt, her mentor, idol, and more. Here she finally takes front center stage, with Boldt usually far in the background, and that ain't good. One thing that becomes clear is that Daphne is not only a bold, if erroneous, profiler, but is personally a bundle of boiling insecurities and anxieties in all directions. Here she seems like a caricatured throwback to pre-feminist women who sterotypically fall apart under pressure. I found this offensive, and maddening because it's not clear why she's suddenly folded into gibbering paranoia. While she tries to deceive her prime suspect into revealing himself, he is tying her up in his own unsuspected web of masterful deceptions.
The authorial tactic of personally involving the hero in criminal attacks is a cheap way for an author to ratchet up tension in his story without the effort of creating another victim from whole cloth-but you also know he won't eliminate a central series character. This tactic also tends to turn a "good, clean" mystery into an hysterical horror story-the reason I don't read Patricia Cornwall's Kay Scarpetta series anymore. Sorry, you might not have the same dislike.
What's neat is that even with a suspect in hand early, there are more surprises. And Pearson has again researched obscure facts about the city of Seattle that provide vital sidelights. There are two suspects chased into a fascinating Underground historic city (who knew?)-but how Boldt decides between the two eerie suspects is still a mystery to me.
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3.0 out of 5 stars Too easy to put down. Oct. 10 2003
Format:Mass Market Paperback
Art of Deception has all the elements which make for a great mystery/detective. The Seattle underground was actually really cool-- I was interested in the victims, it wasn't too bloody and it was really pretty well written.
Unfortunately, it never came together well as a novel for me. Partly this was due to Daphne as a lead detective. It got irritating that every man she ran across became irrationally obsessed with her, and I just plain old wasn't interested in the progression of her relationship with John.
Too bad, but I'll probably pick up another Pearson to see if it gets better.
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Most recent customer reviews
4.0 out of 5 stars Get Down and Get Down
This is the first of this series that I read and it has a real solid plot line. Lots of layers and plot development in several directions. Read more
Published on July 5 2003 by Ken Dandrea
5.0 out of 5 stars Pearson Has Done It Again!!!!!!!!!!!!!!!
LaMoia has beaten an addiction to oxycodone, and Matthews is turning into the workaholic that Boldt narrowly avoids becoming. Read more
Published on Jan. 2 2003 by Elizabeth Reynolds
3.0 out of 5 stars Disappointing
"Disappointing" may be too negative a description of this
book, because Pearson is a great writer, and this description
only applies when compared to other Pearson... Read more
Published on Dec 4 2002 by bill runyon
3.0 out of 5 stars Seattle crime round up
The Art of Deception is a rather unspectacular crime drama surrounding a triad of unsolved crimes in Seattle. Read more
Published on Nov. 28 2002 by Cory D. Slipman
4.0 out of 5 stars Seattle Underground In A Star Turn
Lou Boldt is third banana in "The Art of Deception" and psychologist Daphne Matthews takes over the lead with studly Jack LaMoia in the co-starring role. Read more
Published on Nov. 19 2002 by sweetmolly
5.0 out of 5 stars One of the best books yet
Daphne Mathews, a forensic psychologist, is the first to arrive at the crime scene where a young woman's body has been found underneath the Aurora Bridge. Read more
Published on Oct. 27 2002
2.0 out of 5 stars This book has a great plot, but it turns to lead.
Having read other books written by this gentleman, I anticipated a plot with some devious twists and turns. Read more
Published on Oct. 5 2002 by Broonie
4.0 out of 5 stars Just When You Think You Have It All Figured Out...
Mary-Ann Walker has always been terrified of heights. But on this night, her head damp with blood and life quickly escaping her body, the fear of falling has been replaced with... Read more
Published on Sept. 27 2002 by FictionAddiction.NET
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