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Abba (Rm) (Digipak) (W/2 Bonus Original recording remastered, Import


Price: CDN$ 15.47 & FREE Shipping on orders over CDN$ 25. Details
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Frequently Bought Together

Abba (Rm) (Digipak) (W/2 Bonus + Visitors (W/4 Bonus Tracks) + Super Trouper (CD+DVD Deluxe)
Price For All Three: CDN$ 56.31

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  • Temporarily out of stock.
    Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item.
    Ships from and sold by Amazon.ca.
    FREE Shipping on orders over CDN$ CDN$ 25. Details

  • Visitors (W/4 Bonus Tracks) CDN$ 10.46

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    Ships from and sold by Amazon.ca.
    FREE Shipping on orders over CDN$ CDN$ 25. Details

  • Super Trouper (CD+DVD Deluxe) CDN$ 30.38

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Product Details

  • Audio CD (Aug. 31 2001)
  • Number of Discs: 1
  • Format: Original recording remastered, Import
  • Label: Polydor / Umgd
  • ASIN: B00005CDNF
  • Other Editions: Audio CD  |  LP Record
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)

1. Mamma Mia
2. Hey, Hey Helen
3. Tropical Loveland
4. SOS
5. Man In The Middle
6. Bang-A-Boomerang
7. I Do, I Do, I Do, I Do, I Do
8. Rock Me
9. Intermezzo No.1
10. I've Been Waiting For You
11. So Long
12. Crazy World
13. Medley: Pick A Bale Of Cotton/On Top Of Old Smokey/Midnight Special


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Customer Reviews

4.6 out of 5 stars
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Most helpful customer reviews

By Alain Lacasse on Feb. 27 2014
Format: Audio CD Verified Purchase
The price is good. Nice packaging. The sound is very good, DVD contents are interesting. Definitive edition for this album.
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Format: Audio CD Verified Purchase
Given that I'm a person who loves to collect early ABBA performances, the collection on the dvd section is priceless to me. I especially love Made in Sweden for Export which is pretty amusing. I've always loved the album so this is perfect for me.
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Format: Audio CD
In their first two albums, ABBA had been attempting to find some kind of sound that would have established themselves as a vital group in the music world. Never mind that "Waterloo" had recently done the inevitable and won the Eurovision Song Contest; ABBA was still pretty much a disparaged group with a lack of direction, and from that standpoint, future success stood pretty slim. Fortunately, somewhere between their second and third albums, ABBA realized that the best way to break the group around the world was to keep Agnetha Faltskog and Frida Lyngstad on lead vocals, since they had more genuine voices than the other half of the group, Bjorn Ulvaeus and Benny Andersson. But success did not offer its alms right away: ABBA decided to make their first single off this album with the hard-hitting, genuine sound of "Waterloo" in mind, and they ended up with the heavy-handed, ungenuine "So Long," which was a failure in many markets. ABBA had a better song the second time around with the gorgeous Billy Vaughan-esque "I Do, I Do, I Do, I Do, I Do," but the people still pretty much responded with cold hearts. The third time was the charm in "S.O.S.," the album's best track; it is a wonderful harmony of distinguished guitar and synthesizer melodies, Agnetha's pleading vocals, and an effortless sing-along chorus. (Or, in other words, it's a pop masterpiece, showing everything that's right about pop music.)
By those first three singles, it's easy to guess that ABBA had found their sound with this third album, their eponymous album, and while that's certainly true, this album also reflects the budding songwriting talents of Bjorn and Benny (and manager Stig Anderson, who is credited with six songs).
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Format: Audio CD
The third album by the Swedish quartet is not only one of my favourites by them, but established their staying power by two Australian #1s, one of which spent eleven weeks at the top, and made them more visible by their putting promotional film clips, nowadays called videos, for four of their songs. It's also more tightly produced than Waterloo, which was a proving ground for superstardom.
First, the song that became ABBA's second #1 UK hit and the eleven-week Aussie hit: "Mamma Mia" with its bursts of guitar, catchy dual harmony vocals by Agnetha and Frida, and synths that have a slightly classical tinge to it. One thing in learning about these guys is that they were a big hit in Australia, small wonder then that this song and other ABBA references were heard in the Adventures of Priscilla movie, Australian, of course.
The worldwide hit and third single, "SOS" featuring a pleading vocal from Agnetha set amid the usual awash guitar and synth, was considered by many to be ABBA's first classic single, but I tend to give that honour to "Waterloo."
The slower-paced "Hey Hey Helen," punctuated by a hard rock guitar and bass, portrays the cost of a woman who's free from the responsibilities of motherhood and getting that second chance, at the cost of leaving behind her husband and children. A song fitting with the rise of feminism in the 70's. And at least alternative group Lush saw fit to cover it on their Gala album.
The mid-paced "Tropical Loveland" is their shot at reggae.
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