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Ada, or Ardor: A Family Chronicle [Paperback]

Vladimir Nabokov
4.2 out of 5 stars  See all reviews (43 customer reviews)
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Book Description

Feb 19 1990 Vintage International
Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist.  It tells a love story troubled by incest.  But more: it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue.   Ada, or Ardor is no less than the supreme work of an imagination at white heat.

This is the first American edition to include the extensive and ingeniously  sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

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About the Author

Vladimir Vladimirovich Nabokov was born on April 23, 1899, in St. Petersburg, Russia. The Nabokovs were known for their high culture and commitment to public service, and the elder Nabokov was an outspoken opponent of antisemitism and one of the leaders of the opposition party, the Kadets. In 1919, following the Bolshevik revolution, he took his family into exile. Four years later he was shot and killed at a political rally in Berlin while trying to shield the speaker from right-wing assassins.

The Nabokov household was trilingual, and as a child Nabokov was already reading Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Tolstoy, and Chekhov, alongside the popular entertainments of Sir Arthur Conan Doyle and Jules Verne. As a young man, he studied Slavic and romance languages at Trinity College, Cambridge, taking his honors degree in 1922. For the next eighteen years he lived in Berlin and Paris, writing prolifically in Russian under the pseudonym Sirin and supporting himself through translations, lessons in English and tennis, and by composing the first crossword puzzles in Russian. In 1925 he married Vera Slonim, with whom he had one child, a son, Dmitri.

Having already fled Russia and Germany, Nabokov became a refugee once more in 1940, when he was forced to leave France for the United States. There he taught at Wellesley, Harvard, and Cornell. He also gave up writing in Russian and began composing fiction in English. In his afterword to Lolita he claimed: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses--the baffling mirror, the black velvet backdrop, the implied associations and traditions--which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way." [p. 317] Yet Nabokov's American period saw the creation of what are arguably his greatest works, Bend Sinister (1947), Lolita (1955), Pnin (1957), and Pale Fire (1962), as well as the translation of his earlier Russian novels into English. He also undertook English translations of works by Lermontov and Pushkin and wrote several books of criticism. Vladimir Nabokov died in Montreux, Switzerland, in 1977.

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Customer Reviews

Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars The texture, sadness and joys of memory April 25 2004
Format:Paperback
Adding to this compilation of 40 reviews seems superfluous, and yet I love Nabokov's "Ada" far too much not to recommend it to any who may not yet have read it.

Nabokov actually provides a review of his own in the book's final paragraphs: "Ardis Hall -- the Ardors and Arbors of Ardis -- this is the leitmotiv rippling through "Ada", an ample and delightful chronicle, whose principal part is staged in a dream-bright America -- for are not our childhood memories comparable to Vineland-borne caravelles, indolently encircled by the white birds of dreams?

"Not the least adornment of the chronicle is the delicacy of pictorial detail: a latticed gallery; a painted ceiling; a pretty plaything stranded among the forget-me-nots of a brook; butterflies and butterfly orchids in the margin of the romance; a misty view descried from marble steps; a doe in gaze in the ancestral parks; and much, much more."

It's a wonder how powerfully "Ada" connects with readers, since Nabokov seemingly makes no concessions to them and anchors the book so strongly in the unique attributes of his own biography. Drawing heavily on English, Russian and French and employing a complexity of exposition, Nabokov frustrates efforts for a quick or casual reading. Yet his art serves to create a psychological displacement and opens a doorway through which the reader can explore the texture, the sadness and joys of remembrance. This is the point I would stress, since the book's characters and plot are nicely summarized in other reviews you'll find here.

Memories. I recall a first, startling encounter with eight improbable chapters of "Ada" (the night of the Burning Barn!) in the April, 1969 issue of Playboy magazine. Over 35 years, I've enjoyed perhaps six re-readings of the book, with each reading uncovering new depths of the chronicle and each leaving memories of its own. This month, I took "Ada" with me on a business trip to Shanghai. The physical and temporal displacement of the trans-Pacific flight complemented the book's style perfectly. I read the book, literally, from a new place. And that Sunday found me at ease in the midst of my bustling Shanghai hotel's brunch -- sipping champagne and slowly, very slowly, working my way through the book's now familiar prose. In that antiterra, Van Veen may have joined me for a bit.

You'll have guessed this is a favorite book. I particularly recommend to you the Vintage addition of "Ada" with its helpful notes and because it is also the basis for the references in Brian Boyd's "Nabokov's Ada" -- should you eventually wish to compare your reading with that of someone who has studied it deeply.

Please buy and read Nabokov's "Ada" for the memories -- and much, much more

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1 of 1 people found the following review helpful
5.0 out of 5 stars Ada, or Ador April 21 2004
By krista
Format:Paperback
All I have to say is that I have read hundreds of books and this is the BEST book I've ever read in my life. Nabokov will always be brilliant for generations to come.
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3 of 4 people found the following review helpful
5.0 out of 5 stars Ongoing delight July 18 2004
Format:Paperback
Be warned, this will not be an intellectual, rigorous review, just a tribute. I read this book first when I was seventeen, and I recently turned forty-six. There are very few things I loved passionately at seventeen and still love now, but this book is one of them: the heaven of the senses and the intellect that I would love to slip into and live in forever, moral ambiguities and incest and all. When I first read it, I was too young to realize that the reader is not meant to love the Veens as I did, but then again this book wasn't written for feverish, frantically bored little seventeen-year-olds. I think the reader is meant, in fact, to fall in love with Ada and Van, then to realize the damage in their wake and become their critic...and finally understand that anything exquisite and transcendent will be paid for - perhaps by the person who gets to experience it, perhaps by someone else. The book gets at this and other hidden, undiscussed moral laws that lurk behind kneejerk notions of sin, punishment, and accountability. Really, this is a novel that has something for everyone, whether his or her stage of life is Innocence, Experience, or any point between.

Ada is surreal and hyperreal...it's like some places which you can inhabit for decades and just keep discovering new beauties, new perils, new complexities in your ongoing contemplation. I don't think it is better than Lolita or Pale Fire, but it's more pleasurable; Lolita is replete with moral outrages, and with monstrousness that has horrible, fully-played-out consequences, and Pale Fire is a bottomless well of sadness and believable grief. (Pale Fire is one of the few books that ever did/still do make me cry. For all its fantastic veneer, it is about no-escape, no-reprieve loss; the kind of severance that happens in real lives and has no transcendent playout, no redemption, and often no real comprehension from others: awfulness that people live with as long as their consciousness extends after the event.) Ada is the one I dip into when I come home clenching my jaw after some particularly hypertensive workday.

I put Ada in a special elite class with The Silmarillion and the poems of Sylvia Plath: literature that enhances my experience over time and keeps me ever-aware of what human talent can produce.

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Most recent customer reviews
5.0 out of 5 stars Nabokov's Masterpiece!
This truly is Nabokov's masterpiece; Lolita was gripping and shocking, but 'Ada' takes the reader to a higher, more complicated plane. Read more
Published on May 31 2009 by Jessica M. Cuevas
5.0 out of 5 stars Difficult, Wonderful, Love Story
I loved this book; in fact, now I am going to read two of the critical books about it. At its very heart, it is a love story, yes, despite the incest, taken care of by Van's... Read more
Published on Jun 5 2004 by C. L Wilson
5.0 out of 5 stars amazing. and difficult.
this book is a postmodern masterpiece. while reading this, i was constantly aware of the history that went into this work. Read more
Published on Aug 29 2003 by christopher w labove
5.0 out of 5 stars A Haunting Summer Romance
This tragic story of love and obsession is written as if it is the true life memoir of fictional character Van Veen. V.V. Read more
Published on July 15 2003 by A. C. Johnson
2.0 out of 5 stars Nabokov's only sloppy work
Try as I might, I simply cannot get myself to enjoy or even appreciate this book. I am a longtime Nabokov fan and have read most of his books as well as several biographies and... Read more
Published on July 4 2003 by Robert J. Crawford
1.0 out of 5 stars Nabokov amuses himself
This is a masturbatory fantasy. Nabokov has created his dream world: The United States and Russia are one country and everybody who's anybody speaks French, too; World War I... Read more
Published on Jun 28 2003 by Isabeau
1.0 out of 5 stars Nabokov amuses himself
This is a masturbatory fantasy. Nabokov has created his dream world: The United States and Russia are one country and everybody who's anybody speaks French, too; World War I... Read more
Published on Jun 28 2003 by Isabeau
5.0 out of 5 stars I dreamed I read this novel
Nabokov has written novels with better plots, better word-play and puzzles, more acute looks into single characters, but Ada brings it all together in an attenuated amalgam of all... Read more
Published on May 13 2003 by MAnton
3.0 out of 5 stars not among Nabokov's best
After many of the adulatory reviews I had read, I bought 'Ada' firmly believing that I could not go wrong with Nabokov. Read more
Published on Dec 4 2002 by Sherringford Clark
4.0 out of 5 stars Nabokov at Play
Ada or Ardor defies facile description. It is a novel of love, incest, cultural collision, fantasy, eroticism, psychology and metaphysics. Read more
Published on Aug 16 2002 by Nicholas S. Ludlum
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