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Adore
 
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Adore

Smashing Pumpkins Audio CD
4.2 out of 5 stars  See all reviews (578 customer reviews)
Price: CDN$ 15.85 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Adore + Gish (vinyl) + Siamese Dream (Deluxe Edition)
Price For All Three: CDN$ 57.29

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  • Gish (vinyl) CDN$ 14.45

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  • Siamese Dream (Deluxe Edition) CDN$ 26.99

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Customers Who Bought This Item Also Bought


Product Details


1. To Sheila
2. Ava Adore
3. Perfect
4. Daphne Descends
5. Once Upon A Time
6. Tear
7. Crestfallen
8. Appels + Oranjes
9. Pug
10. The Tale Of Dusty And Pistol Pete
11. Annie-Dog
12. Shame
13. Behold! The Night Mare
14. For Martha
15. Blank Page
16. 17

Product Description

From Amazon.com

With Adore, Smashing Pumpkins return to the forefront of rock to do a dance with a new partner. Trading white-noise vocals and guitars for caramel crooning and dense synthesizers, frontman Billy Corgan drives bandmates James Iha and D'Arcy to a lush aural plateau. The darkness is still there--evidenced in the techno throb of the single "Ava Adore"--but the Pumpkins also tinker with Lennonesque lullabyes ("Behold! The Night Mare"), midtempo electronica ("Appels and Oranjes"), and tender calliope music ("Once Upon a Time"). Smartly, Corgan rarely upstages the watery sounds going on behind him; the trademark midsong blowouts are almost completely absent. Adore will strike your ears and heart in a way you didn't think the Smashing Pumpkins could. --Jason Josephes

Entertainment Weekly

The intimacy and restraint of "To Sheila" set the tone for the most low-key album the Pumpkins have ever made. Everything, from the tempos to the rhythms to Corgan's wail, has been taken down a notch. Ballads and mid-tempo songs prevail, many of them exceedingly delicate and pretty, nudged along by ticktocking drum machines and fragile pianos. The album should carry a new style of advisory sticker: "Warning: Explicitly Lyrical...."

None of this means either Corgan or his fellow Pumpkins have mellowed. Corgan barely raises his voice to the angsty caterwaul that makes people either love him or hate him, but his voice and lyrics remain unsettled, and unsettling. Pretty on the outside, the album is dark and obsessive beneath; let's call it passive-aggressive rock.


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Customer Reviews

578 Reviews
5 star:
 (354)
4 star:
 (109)
3 star:
 (45)
2 star:
 (30)
1 star:
 (40)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (578 customer reviews)
 
 
 
 
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Most helpful customer reviews

2.0 out of 5 stars Hopefully "It's just a phase"..., Jun 3 1999
By A Customer
This review is from: Adore (Audio CD)
I give it 2 stars because I love the Pumpkins... the only thing saving it from being utterly disgusting is their name on the cover and the fact that Billy seems to at least remember what his band used to sound like. I saw an interview Billy did where he claimed that Mellon Collie "kind of... marked the end of our era as a 'rock band'." You ain't kiddin, buddy.

I miss Jimmy's drumming. With Jimmy Chamberlin missing, Billy's tyranny took over and he decided to do a bunch of weird techno junk... I am very disappointed in the band. The first single, "Ava Adore", is fairly decent, but in no way even comes close to the old Pumpkins. "Pug" almost rocks hard, but Billy still sounds like he's whining. Don't get me wrong, I like soft music just as much as the next guy, but an entire album full of it just IS NOT PUMPKINS.

"Appels + Oranjes" is quick and lively (although dark at the same time), and its lyrics are reminiscent of "Muzzle" (from Mellon Collie). I enjoyed it... so there's three good songs.

I just learned yesterday, though, that Chamberlin is back. I can't wait for the next album... hopefully this soft, semi-techno thing is just a phase. Hopefully they can be a real band again now that they have their drummer back.

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3 of 3 people found the following review helpful
5.0 out of 5 stars The Pumpkins at their best, Jun 16 2004
By 
Lauren (Duluth, GA USA) - See all my reviews
This review is from: Adore (Audio CD)
The Smashing Pumpkins have always been a band that I've known of and been able to recognize on the radio (how could you not?) but I never truly "got into" them. However, after hearing "Thirty-three" (from "Mellon Collie") on the radio, I finally said, "Okay, I have to listen to these people." Over the past few days, I've listened to all of the Smashing Pumpkins' major studio releases. Based on my impression of them, I have to say "Adore" is my favorite. I don't understand why it was poorly received, both by fans and critics, when it came out. It shows a huge step both forward both musically (for the Pumpkins as a whole) and lyrically (for Billy Corgan). It shows far much more ambition than "Mellon Collie" -- ask yourself, how many alternative bands would attempt to make an album without a drummer? But they attempted and they pulled it off beautifully.

The album opens with the absolutely gorgeous "To Sheila" -- I knew from the first notes that I was going to love the album. It's followed by the electronically-driven and -- dare I say -- catchy "Ava Adore." The two opening songs do what opening songs should do -- they set the tone for the album, as the rest of the album is full of electronics and beautiful piano-driven songs. Don't worry, the guitar isn't absent -- it's still there, it's just not the overpowering force it once was. It blends easily here. Beyond the opening tracks, some standouts are "Daphne Descends," "Annie-Dog," "Blank Page," and "For Martha," Billy Corgan's tearjerking tribute to his deceased mother.

"Adore" proves the musical genius of Billy Corgan. Only a genius could blend all of these noises and come up with the product that he came up with. As I said before, his lyrics also improve with this album -- it's almost as if he stops trying so hard and just lets it come out exactly how he's feeling it ("it" being his mother's death, his divorce, the reunion with his father, etc.). Perhaps that's why I love "Adore" so much -- it's a work of pure emotion, emotion conveyed so well through both the words and the instruments. Don't let yourself be fooled by fans and critics telling you the album isn't "hard" enough -- pick up "Adore," put aside all other influences, and just revel in its beauty.

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1 of 1 people found the following review helpful
3.0 out of 5 stars a cool idea..., April 23 2006
By A Customer
This review is from: Adore (Audio CD)
I find that the overdubbing of synthesizers and drum machines really took away the soul of this album. I still love, however the piano driven songs, and the soft acoustic driven songs. I love the emotion in the album, but as I said before it doesn't fit in well with a lot the synthesizers.
I think that if the outtakes from Mellon Collie (Aeroplane Flies High) were combined with this album, and a sort of a double album like Mellon Collie this would be an amazing album, perhaps better than Siamese Dream, Mellon Collie, Gish, or even Pisces Iscariot.
Code Name: I Adore You
Disc 1:
1. To Sheila
2. Transformer
3. Ava Adore
4. 17
5. God
6. Marquis in Spades
7. Meladori Magpie
8. Rotten Apples
9. Shame
10. Behold! The Nightmare
11. Ugly
12. The Aeroplane Flies High
13. The Last Song
Disc 2:
1. Tear
2. Crestfallen
3. Pug
4. Perfect
5. The Boy
6. Cherry
7. Set The Ray To Jerry
8. Mouths of Babes
9. The Tale of Dusty and Pistol Pete
10. Annie Dog
11. For Martha
12. Blank Page
13. My Blue Heaven

Note that this was not meant to offend anyone, both fans of aeroplan flies high, or adore. I personally love aeroplan, but think adore is mediocre.

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