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The Adventures of Baron Munchausen (30th Anniversary Edition) [Blu-ray] (Bilingual)

4.5 out of 5 stars 75 customer reviews

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  • The Adventures of Baron Munchausen (30th Anniversary Edition) [Blu-ray] (Bilingual)
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Product Details

  • Actors: Eric Idle, Valentina Cortesa, Oliver Reed, Charles McKeown, Alison Steadman
  • Directors: Terry Gilliam
  • Producers: Thomas Schuhly, Thomas Schühly
  • Format: Subtitled, NTSC
  • Language: English
  • Subtitles: French, Portuguese, Korean, Mandarin Chinese, Thai, Spanish, English
  • Dubbed: French
  • Subtitles for the Hearing Impaired: English
  • Region: Region A/1
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Canadian Home Video Rating : Parental Guidance (PG)
  • MPAA Rating: UNRATED
  • Studio: Sony Pictures Home Entertainment
  • Release Date: April 8 2008
  • Run Time: 126 minutes
  • Average Customer Review: 4.5 out of 5 stars 75 customer reviews
  • ASIN: B0012YYZDQ
  • Amazon Bestsellers Rank: #13,627 in DVD (See Top 100 in DVD)
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Product Description

Monty Python's Terry Gilliam (Fear and Loathing in Las Vegas) directs this wild, wild version of the stories of Baron Munchausen, pushing the limits of 1989 special effects technology to bring us such sights as a horse divided in half and running around in two parts, and a giant Robin Williams with his head flying off his shoulders. Basically, this is a treat for Gilliam fans, as the sustaining idea of the film runs out of steam, and manic energy alone keeps the momentum going. Casual viewers might find it tedious after awhile. There are nice parts for fellow Python Eric Idle, as well as Sting, Alison Steadman, and Uma Thurman as a dazzlingly beautiful Venus on a half-shell. Gilliam had greater artistic and commercial success with Brazil, The Fisher King, and 12 Monkeys. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Top Customer Reviews

Format: DVD
Anyone who can sit there and say thay never spun a tale or two in their lives has no imagination. The Baron is a man who has cheated life and death by being both hero and con man but still retaining a sense of "je ne sais quois" Robin Williams steals his cameo and plays it in his usual frantic way. Sarah Polly is wonderful as the child of innocence who looks up to the Baron and the rest of the cast is wonderful as well. Not a movie that should be missed especially by those who enjoy the mania that is Monty Python
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Format: DVD
"The Adventures of Baron Munchausen" is the quintessential Terry Gilliam film and this release of it ( 20th anniversary edition ) exemplifies that perfectly. The first DVD is the film itself, digitally remastered to crisp, colour-saturated, audio-clear perfection. The second chronicles the entire production from initial ideas to release, with all of the sordid and wonderous details usually associated with the filming and production of one of Gilliam's films.

The story itself, adapted from the original book, is a fantasy but one that poses the question as to what is truly more valuable in life; imagination or reason. Nothing could be more appropos for, or truly representative of, Terry Gilliam than this very question. And of course, in the end, it is the imagination and it's far reacing synchronicties and limitlessness that wins the day.

A coherent story that soon opens itself up to work on many many layers develops and for a while seems like a series of shorter ones segue-ing into each other, blurs the boundaries between fantasy and "so called reality". The most moving aspect of which is the Baron's faith that all will be well in the end, despite the constant presence of Death itself, Armies of The Turk, hateful and blinkered magistrates and the dark side of reason ... DOUBT.

There are truly magical appearances throughout. Robin Williams puts in one of my favourite performances of all his work as Ray D. Tutto, a play on Rei de Tutto, or "The King of Everything". He is actually The King of the Moon but his head keeps spinning off in an attempt to split itself away from the body, which disgusts him with all it's physcial crudity and base desires.
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By A Customer on Oct. 4 2002
Format: VHS Tape
Fantasy (in film) is apparently a dirty word. I do not understand why. Of all the people to whom I showed or recommended this film, only 3 enjoyed it. Normally, we (those with whom I would discuss films) like the same stuff.
Ah well. This is one fantastic film. Baron Von Munchausen, historically real and mythologised, was/is the world's greatest liar. So, the story opens with a theatrical cast in a dilapidated theater, in the midst of war and shelling, putting on a play about the life of the baron. The real Baron walks into the theater, and tries to set the story straight. Then he, in his explanation of the reality as he sees it, illustrates for us, in real life, what was portrayed on stage, but on a much grander scale, to most magnificent effect; not to mention the added adventures that are woven-in.
I first saw this piece on video in the mid nineties. Now, post September 11th horrors and excess, the story has added resonance. The antagonists of the story are bureaucrats who believe they represent the fullest expression of Reason in life and government. They have everything compartmentalized practically and rationally, including the days on which they can shoot at the enemy, and the enemy at them. And they can't accept that the war eventually has been won. "Don't open the gates!"
And then there is the fantasy: A balloon made of ladie's silken underwear, a flight to the moon. The king and queen of the moon (the king is Robin Williams) with their detachable heads to pursue intellectual pursuits while their bodies... A sea monster... the spectre of death...
The story is well told, the cinematography beautiful, the dialogue witty and compelling.
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Format: DVD
i've been a terry gilliam fan since i saw 'brazil' and have rarely been disappointed. this lives up to his usual work in many ways, although it lacks the certain darkness that is present in much of his stuff. a fairy tale for adults is how i usually describe this movie to anyone who asks...unlike 'time bandits' and 'brazil' (the first two movies in the unofficial trilogy) which both show society and rationalism defeating man, the baron deals with the final victory of fantasy and belief over rationalism and science. this is just a fun movie to watch and to dream about. trying to think through it doesn't really work, you simply have to let your imagination go and accept it. not many movies challenge adults to do that anymore, and it is cool to have one that does.
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Format: VHS Tape
The Adventures of Baron Munchausen was nothing less than a sheer joy to watch. When I was young, my father would always say, in reference to a movie made in the 30s or 40s, "They don't make movies like that anymore!" I guess I'm getting old because I've just purchased my copy of The Adventures of Baron Munchausen (which I hadn't seen since its debut in 1989), and I found myself muttering, "They don't make films like this anymore", too.
As you've no doubt read in other reviews, The Adventures of Baron Munchausen is pure fantasy, and like all good fantasy, it pits reason against imagination, truth versus story-telling, and resignation against hope. After all, Dorothy didn't really go to Oz: it was a dream. And yet, it would have an effect on her view of the world and reality that would probably last her entire life. She won't ever be bored with Kansas again, and would never seek the greener grass on the other side of the fence. On a darker side, Kaiser Soze of The Usual Suspects, can spin a yarn that convinces a seasoned Customs agent and anybody watching the film.
Baron Munchausen, as wonderfully portrayed by John Neville, is the ultimate story teller. Not only does he draw in the attention and hopes of his beleaguered city, but every story he tells actually makes HIM younger. The underlying message of The Adventures of Baron Munchausen is that fantasy, adventure, romance, and a world where cucumber trees still thrive will save us, children and adults alike, from a world determined to destroy us. This is a common theme among Terry Gilliam's films. In Time Bandits, Brazil, even The Fisher King, characters escape the horrors of their lives in fantasy worlds.
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