From Publishers Weekly
British film director Boorman, famed for Deliverance, Excalibur and The General, is a product of WWII. More specifically, he comes out of the semidetached suburbs of WWII London. His memoir-part family history, part film bio-is both tender and restrained. Boorman's emotional life was shaped by his parents' triangulated marriage-his mother was in love with his father's best friend-and his longing to escape the drabness of suburban life. "I vacillated between overweening ambition and despair," he notes. Enamored of broadcasting, he got a job editing news clips for Britain's ITN network in 1955 and became so adept, he was recruited by the BBC, where he rose to produce documentaries. Yet film remained his first love. He got his break in 1965 with Catch Us if You Can. The die was cast: Boorman became a darling of British cinema, eventually seeking recognition in Hollywood. By all accounts, he did not achieve the financial success others did, but he managed, despite occasional setbacks, to fulfill his artistic vision. Why, he asks, are people so drawn to moviemaking? "We are escaping the vague dissatisfactions of safe and comfortable lives. We want to be extended, tested." Boorman pushes the envelope, creating inspired cinema on small budgets, often in dangerous locales. A devoted father, he also discovers the gift of friendship with Lee Marvin and Jon Voight. Not a lurid tell-all, this is an honest appraisal of a life well lived. It begins and ends with Hope and Glory, Boorman's semi-autobiographical film about a boy's suburban childhood, whose critical acclaim proves that the suburbs served him well. 40 b&w photos.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School–This autobiography by the director of films such as
Deliverance and
Hope and Glory works as a telling celebration of the man's career. The book starts plainly enough with Boorman's childhood in London during the chaos of World War II. When he failed entrance exams for academic schools, his parents struggled to pay for and push him through private school. After spending some time in the military, Boorman gradually moved on to newspapers, documentary films at the BBC, and, finally, Hollywood pictures. Much of the rest of the book is devoted to anecdotes like tromping through swamplands to find the perfect site for
Deliverance or dealing with the combating egos of actors in
Hell in the Pacific. Boorman treats his successes lightly, using them as examples of how he pulled his projects together. He doesn't shirk from examining his failures. Overall, the book is a frank portrait of a man who, through extreme persistence and hard work, found success in the competitive world of Hollywood films.
–Matthew L. Moffett, Northern Virginia Community College, Annandale Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.