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Affair in Trinidad

4.0 out of 5 stars  See all reviews (8 customer reviews)
Price: CDN$ 11.99
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3 of 3 people found the following review helpful
Format:VHS Tape
Rita Hayworth had been absent from the screen for a few years when she made this film, but as the camera proves, although a bit older, she hadn't lost her on-screen magic.
This film isn't technically a "sequel" to the noir classic "Gilda", but it has many of the same elements. Rita (still with her famous Gilda hairstyle) again stars opposite Glenn Ford, who slaps Rita across the face just as he did in "Gilda"; Rita sings and dances (ala Gilda) in a couple of musical numbers wherein the voice is dubbed by the same singer who sang for her in "Gilda"...
The plot is contrived, and nowhere near as interesting as "Gilda", but it still makes for an interesting film, especially if you enjoyed "Gilda" and want to see more of the sultry Rita Hayworth making onscreen magic with her most effective co-star, Glenn Ford.
For fans of Hayworth, it's worth seeing for the musical numbers alone.
Lovely Rita... this film bears watching just to see her beautiful face light up the screen!
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5.0 out of 5 stars Rita thwarts the Spys!! Jan. 5 2014
By Big Bill TOP 500 REVIEWER
The plot of this movie very much reflects the times , post WWII so the spies are after ballistic hardware. At one point one of the bad guys says that with
this technology there is no point in the USA that they couldn't threaten from Cuba. Rather prophetic re eight years later or so... Rita is a singer in a bar
and while the singing is apparently dubbed , the way she moves is somewhat hypnotic in both songs. Her husband dies mysteriously and his brother , Glenn Ford, shows up on
the Caribbean Island just in time for the inquest , as he had recently received a letter. Spies are underfoot, the local cops are undercover on the matter , as
they have their orders , and Ritas' actions leave Glenn confused. Eventually things work out , bad guys caught , and Rita and Glenn end up together. Sounds
pretty simple , and that's what you get from 1952. Still , it is worth a look see just for Rita ; she's the main attraction.
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2 of 2 people found the following review helpful
2.0 out of 5 stars An "Affair" to Forget June 13 2003
Format:VHS Tape
"Gilda" is a great nasty film noir, in which Glenn Ford isn't quite man enough to take on Rita Hayworth, and she keeps flaunting it in his face. Will he step up to the plate... or burst into tears? If you're a fan of that movie hoping for more of their unique sado-masochistic chemistry, forget it. "Affair in Trinidad" is a third-rate knockoff of Notorious, but director Vincent Sherman is no Charles Vidor. In fact, he's nobody. The stars don't make fools of themselves as they did in their ludicrous "Carmen," but duller isn't necessarily better. She throws her hair around energetically, but years of hard living had taken their toll, and you know Hayworth is in trouble when you find yourself wondering if she's wearing a wig. "Gilda" was Ford's finest hour, maybe because his usual scowling tough guy act was framed up as a paper-thin cover for sexual ambiguity. Here, he looks like he can barely keep himself from stomping off the set in disgust. You're luckier than he was: you have a remote.
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3.0 out of 5 stars de-energised Hayworth Jan. 28 2001
Format:VHS Tape
On the orders of Columbia studio head Harry Cohn, Rita Hayworth was transformed from a latin B player to an A picture love goddess, her high spirits passing as all-American in titles like Cover Girl and Gilda. However the curse of the beautiful is that they become possessions by collectors, just as Rita told screenwriter of Gilda, Virginia Van Upp - men fell in love with Gilda but woke up with me. Her greatest collector was Prince Aly Khan, and the idea of capturing a movie star predated Grace Kelly and Prince Rainier in the 1950's. However the Hayworth/Khan marriage failed and Rita returned to Hollywood. Perhaps in a depression, unhappy with the vehicle provided for her comeback role, or simply older, Hayworth's sparkle had dimmed. That's not to say that she doesn't look beautiful in the film. Whilst not lit as gorgeously as she was by Rudolph Mate in Gilda, she has a moment here standing in repose in shadow, smoking. But even with her character being a recent widow, her voice is dead and she carries herself like a somnambulist. She is best when she is dancing as she does twice here. In the first, Trinidad Lady, is the Carmen Rita - barefoot and tossing her dress. The framing distances us - director Vincent Sherman may be more interested in the crowd around the stage, but she looks happy performing. The second, I've Been Kissed Before, has obvious parallels to her Put The Blame on Mame from Gilda. She wears a shimmery black dress as fetishistic as the famous black satin sheath, the number is schematically arranged to present her as a tramp to later be rewarded with a face slap, even the choreography recalls that of Mame. However her announced intention to dance, even if contextualised, is a dramatic change of characterisation. Read more ›
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