- Hardcover: 288 pages
- Publisher: Prestel; illustrated edition edition (April 1998)
- Language: English
- ISBN-10: 3791318063
- ISBN-13: 978-3791318066
- Product Dimensions: 30.7 x 24.1 x 2.5 cm
- Shipping Weight: 1.9 Kg
- Average Customer Review: 5.0 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: #2,372,686 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
From Library Journal
These two books by the same publisher are very similar in a number of ways?they are designed to accompany major European exhibitions; contain hundreds of visually impressive photos of some of the finest works of African artistry; and cover the art of Africa while emphasizing the sculpture of West and Central Africa. These similarities aside, the books differ significantly in terms of the nature of the text and the focus of the content. Early in the 20th century a small number of European collectors acquired significant collections of African art. Han Coray (1880-1974), a modern art dealer in Zurich, was one of the earliest of those collectors, and his extensive collection eventually became the property of the Zurich University Ethnographic Museum. African Art is a catalog of that collection, with over 300 photographs of the objects. While most of the catalog entries provide useful information about the objects, some are unsatisfyingly only descriptive. More than a dozen essays are also provided, while some are scholarly and informative, many are personal reflections on and reactions to the collector and the collection, which some readers may not find especially enlightening. African Masks explores the nature of one of the most important categories of art in Africa. An excellent introductory essay by scholars Maria Kecskesi and Lazlo Vajda succinctly discusses the roles of masks in African societies and explains variations in their form and aesthetics. Almost 250 masks in the Barbier-Mueller Museum collection are cataloged with brief entries and small but fine black-and-white photos. The major portion of the book consists of large-format color plates of selected masks with extensive, scholarly notes by Hahner-Herzog. Many of the plates are accompanied by outstandingly useful field photos of the masks as worn by fully costumed performers in their indigenous context. Both books are highly recommended for any public or academic library with an interest in art, anthropology, and/or African studies.?Eugene C. Burt, Art Inst. of Seattle Lib.
Copyright 1998 Reed Business Information, Inc.
Copyright 1998 Reed Business Information, Inc.
Book Description
African Masks surveys 248 of the finest examples of masks from the Barbier-Mueller Collection, of which 100 are reproduced in stunning color illustrations. Leading scholars on African art describe the masks' historical and religious functions, and their symbolic significance.
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Most helpful customer reviews
5.0 out of 5 stars
African Masks,
By A Customer
This review is from: African Masks: The Barbier-Mueller Collection (Hardcover)
This is the best book I have found on the psychology and understanding of African masks. Just fantastic, worth the money. 80% color plates, brief outline of basic African mask types and their interpretation, grouped by region and by style.
5.0 out of 5 stars
African Masks,
By A Customer
This review is from: African Masks: The Barbier-Mueller Collection (Hardcover)
This is the best book I have found on the psychology and understanding of African masks. Just fantastic, worth the money. 80% color plates, brief outline of basic African mask types and their interpretation, grouped by region and by style.
5.0 out of 5 stars
African Masks from the Barbier-Mueller Collection, Geneva,
By A Customer
This review is from: African Masks: The Barbier-Mueller Collection (Hardcover)
First-rate, high quality throughout, this volume does what a book of this type should do: packs in plenty of color plates of the masks, and shows them being worn (in black-and-white in situ photos) on the accompanying left-hand pages of the spreads. The collection is far-ranging and, though it cannot include every type of mask, it does manage to convey the incredible variety, richness and paradoxical sophistication of this art form. Highly recommended.
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