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From Publishers Weekly
From the author of the bestselling novel Ishmael, 1992 winner of the highly controversial $500,000 Turner Tomorrow Fellowship, comes this absorbing cautionary tale imagining a homogenous future society. In 1992 A.D., when the narrator, Jason Tull Jr., the dilettante scion of a famous, incredibly wealthy family, graduates from college, he decides to work for We Live Again, an underfunded foundation dedicated to tracking down and authenticating reported instances of reincarnation. After 10 years and hundreds of dead-end investigations, Jason encounters the case of Mallory Hastings, a 28-year-old librarian from Oneonta, N.Y., who, following a minor car wreck, regains consciousness as a deaf mute. Hoping he has finally stumbled onto the elusive "Golden Case," Jason gains Mallory's confidence. He is ill-prepared, however, to cope with the enormity of his discovery: the person now occupying Mallory's body is Gloria MacArthur, a Manhattan artist born in 1922 A.D. But this is only a hint of a dark, complex conundrum, for the "new" Mallory has scarcely learned to talk when she realizes that Jason's A.D. is not the Christian anno Domini. Quinn's provocative, Orwellian tale imagines that Adolf Hitler beat the Allies to the A-bomb in 1944 and set in place a chilling plan to achieve a world of Aryan perfection. In Mallory/Gloria's brave new world, 2002 years have passed "after Dachau," the chilling A.D. of the title. (Feb.) Forecast: Since the publication of Ishmael and its two companion volumes, My Ishmael and The Story of B, Quinn has gained a cult following. The added intrigue of a revisionist, Nazi-dominated history will likely rally fans, and Context's vigorous promotional plans, including a 20-city reading tour in March to support a 30,000-copy first printing, may extend Quinn's reach.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
This disappointing, poorly conceived new fantasy novel mixes reincarnation, sf, Abstract Expressionism, and the Holocaust. The plot will be familiar to readers who know Quinn's most popular novel, Ishmael, the story of a telepathic gorilla and the dark secrets he reveals about man's conquest of nature. In After Dachau, the year is 4000 C.E., and a dark secret about human history is once again revealed, this time related to genocide. The Aryans have systematically exterminated every other race, and they have somehow been able to conceal the truth about this horror from the masses. Although Quinn's work in Ishmael and elsewhere suggests that he has had interesting and important things to say, this is not his best work. The plotting and characterization are very weak, and Quinn's observations about racism and bigotry, which might have redeemed the novel's other weaknesses, are, unfortunately, superficial and uninspiring. Not recommended. Patrick Sullivan, Manchester Community Coll., CT
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Most helpful customer reviews
4.0 out of 5 stars
A very creative and excellent novel.,
By zzz "gzini" (Buffalo, NY United States) - See all my reviews
This review is from: After Dachau (Paperback)
Quinn really thought outside the box on this one. If you like dumbfounding moments of realization, for example, like you experienced if you watched the movie The Sixth Sense, you'll love this book.
4.0 out of 5 stars
Don't read the jacket or the editor's review!,
By
This review is from: After Dachau: A Novel (Hardcover)
It is a great plot, but only if you avoid reading the spoilers. Very intriguing story line. I wish it had been longer.
4.0 out of 5 stars
Don't read the book jacket,
By
This review is from: After Dachau (Paperback)
While I might have expected more in the way of content and length from Quinn, I still heartily enjoyed the book. However, I think most of my enjoyment from the book is that I knew nothing about it going in. I didn't read the book jacket, no one told me about it or anything. Because of this, it was incredibly enjoyable because the twists and turns of the plot weren't obvious to me at first and it made the book far better. I definitely don't want to describe anything from the book...knowing anything about it going in will spoil it. The book's excitement and interest is based on plot twists (severe plot twists) and it's far more fun to go in with zero knowledge.
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