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Aftertime [Paperback]

Sophie Littlefield
3.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

Feb 15 2011 Luna Books
Awakening in a bleak landscape as scarred as her body, Cass Dollar vaguely recalls surviving something terrible. Having no idea how many weeks have passed, she slowly realizes the horrifying truth: Ruthie has vanished.

And with her, nearly all of civilization.

Where once-lush hills carried cars and commerce, the roads today see only cannibalistic Beaters—people turned hungry for human flesh by a government experiment gone wrong.

In a broken, barren California, Cass will undergo a harrowing quest to get Ruthie back. Few people trust an outsider, let alone a woman who became a zombie and somehow turned back, but she finds help from an enigmatic outlaw, Smoke. Smoke is her savior, and her safety.

For the Beaters are out there.

And the humans grip at survival with their trigger fingers. Especially when they learn that she and Ruthie have become the most feared, and desired, of weapons in a brave new world….


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Review

"Evocative, sensual, harrowing." -Publishers Weekly, Starred Review

"A fantastic new dystopian series...Littlefield's compelling writing will keep readers turning pages late into the night to find out what happens next. Outstanding!" Top Pick, 4 1/2 stars

-RT Book Reviews

"I loved this novel-it was Stephen King's The Stand in a bra and panties."

-Paul Goat Allen

"Wildly original, guaranteed to give you nightmares...examines the strength of one woman, the joy of acceptance and the power of love. A must read."

-JT Ellison, author of The Immortals

Excerpt. © Reprinted by permission. All rights reserved.

That it was summer was not in doubt. The nights were much too short and the days too long. Something about the color of the sky said August to Cass. Maybe the blue was bluer. Hadn't autumn signaled itself that way Before, a gradual intensifying of colors as summer trailed into September?

Once, Cass would have been able to tell from the wildflowers growing in the foothills where she ran. In August petals fell from the wild orange poppies, the stonecrop darkened to purplish brown, and butterweed puffs drifted in lazy breezes. Deer grew bold, drinking from the creek that ran along the road. The earth dried and cracked, and lizards and beetles stared out from their hiding places among the weeds.

But that was two lives ago, so far back that it was like a story that had once been told to Cass, a story maybe whispered by a lover as she drifted off to sleep after one too many Jack and Cokes, ephemeral and hazy at the edges. She might not believe it at all, except for Ruthie. Ruthie had loved the way butterweed silk floated in the air when she blew on the puffs.

Ruthie, who she couldn't see or touch or hold in her arms. Ruthie, who screamed when the social workers dragged her away, her legs kicking desperately at nothing. Mim and Byrn wouldn't even look at Cass as she collapsed to the dirty floor of the trailer and wished she was dead.

Ruthie had been two.

Cass pushed herself to go faster, her strides long and sure up over a gentle rise in the road. She was barely out of breath. This was nothing, less than nothing. She dug her hard, sharp nails into the calluses of her thumbs. Hard, harder, hardest. The skin there was built up against her abuse and refused to bleed. To break it she would need something sharper than her nail. Teeth might work, but Cass would not use her teeth. It was enough to use her nails until the pain found an opening into her mind. The pain was enough.

She had covered a lot of ground this moon-bright night. Now it was almost dawn, the light from the rising sun creeping up over the black-blue forest skeletons, a crescent aura of orange glow in the sky. When the first slice of sun was visible she'd leave the road and melt into what was left of the trees. There was cover to be found—some of the native shrubs had survived. Grease-wood and creosote still grew neck high in some places.

And it was easy to spot them. You saw them before they saw you, and then you hid, and you prayed. If they saw you at all, if they came close enough to smell you, you were worse than dead.

Cass stayed to the edge of the cracked pavement of what had been Highway 161, weaving around the occasional abandoned car, forcing herself not to look inside. You never knew what you would see. Often nothing, but…it was just better not to look. Chunks of the asphalt had been pushed aside by squat kaysev plants that had managed to root in the cracks. Past the shoulder great drifts of it grew, the dark glossy leaves hiding clusters of pods. The plants were smooth-stemmed without burrs or thorns. Walking among them was not difficult. But walking on pavement allowed Cass, now and then—and never when she was trying—to let her mind go back to another time…and when she was really lucky, to pretend all the way back two lifetimes ago.

Taking Ruthie, barely walking, down the sidewalk to the 7-Eleven, buying her a blue raspberry Slurpee, because Ruthie loved to stick out her blue tongue and look at herself in the mirror. Cutting across the school parking lot on the way home, jumping over the yellow lines, lifting Ruthie's slight body and swinging her, laughing, through the air.

Yes, pavement was nice. Cass had good shoes, though she didn't remember where she got them. They seemed like they might have been men's shoes, plain brown lace-up walking shoes, but they fit her feet. A small man, then. How she'd got the shoes from him…it didn't bear thinking about. The shoes were good, they were comfortable and hadn't given her blisters or sores despite the many days of walking.

A movement caught her eye, off in the spiky remains of the woods. Cass stopped abruptly and scanned the tree skeletons and shrubs. A flash of white, was it? Or was it only the way the light was rising in the sky, reflected off…what, though? There were only the bare trunks of the dead cypress and pine trees, a stand of dead manza-nita, the low thick growth of kaysev, a few of the boulder formations that dotted the Sierra Foothills.

Snap

Cass whipped her head around and saw the flash again, a fast-moving blur of fabric and oh God it was white, a slip of a little dark-haired girl in a dirty white shirt who was sprinting toward her at a speed that Cass could not imagine anyone moving, Cass who had run thousands of desperate blacktop miles one life ago, trying to erase everything, running until her legs ached and her lungs felt like tearing paper and her mind was almost but never quite empty.

But even Cass had never run like this girl.

She was twelve or thirteen. Maybe even fourteen, it was hard to tell now. Before, the fourteen-year-olds looked like twenty-year-olds, with their push-up bras and eyeliner. But hardly anyone dressed like that anymore.

The girl held the blade the way they taught the kids now, firmly in front of her where it would have the best chance of slicing through a Beater's flesh. Because that's what she thought Cass was, a Beater, and the thought hit Cass in the gut and nearly knocked her over with revulsion. Her hands went to her hairline where the hair was just growing back in, soft tufts, an inch at most. She knew how her arms looked, covered with scabs, almost worse now that they were healing, the patches of flesh falling away as the healthy skin pushed to the surface. But that was nothing compared to the ruin of her back.

She hadn't been able to clean herself in days, and she knew she carried the smell. The long hair on the back of her head, the hair she hadn't pulled out, was knotted and tangled. Her nails were blackened and broken. Real Beaters usually had no nails left, but how could the girl be expected to notice a detail like that?

In the second or two it took the girl to cross the last dozen yards of scrubby land, Cass considered standing firm, wrists out, chin up, giving her an easy target. They were taught well; any child over the age of five could find the jugular, the femoral, the carotid, the ulnar. They practiced on dummies rigged from dolls and clothes stuffed with straw. Sometimes, they practiced on the dead.

At the last minute Cass stepped out of the way.

She didn't know why. It would have been easier, so much easier, to welcome the blade, to let it find its path to her vital core and feel the blessed release of her blood, still hot and red despite everything, bubbling over the slice in her flesh, falling to the hardened earth. Maybe her blood would help the land heal faster. Maybe on the spot where her blood fell, one of the plants from Before would return. A delicate mountain bluebell; they had been her favorite, the tiny blossoms shading from pale sky blue to deep lilac.

But Cass stepped out of the way.

Damn her soul.

Three times now it had refused to die, when death would have been so much easier.

Cass watched almost impassively as her foot shot forward, nimbly, her stance steady and her balance near perfect. The girl's eyes went wide. She tripped, and in the last moment, when the blade flew from her hand and she lurched toward Cass, the terror in her eyes was enough to break Cass's heart, if only she still had one to break.

Everyone remembered the first time they saw a Beater. Usually, it was more than one, because even in the early days they gathered in packs, three or four or more of them prowling the edges of town.

Cass saw hers in the QikGo.

Cass worked in the QikGo until the end. Where else would she go? She couldn't leave Silva, not without Ruthie. But as the world fell apart—as famine crippled Africa and South Asia, as one G8 capital after another fell to panic and riots in the wake of random airbursts, as China went dark and Australia mined its shores—Mim and Byrn held on all the tighter to their granddaughter. Cass had no detailed plan, only to wait until there were no more police, no sheriffs, no social workers, no one willing to come when Mim and Byrn called them to block Cass from seeing her daughter or even setting foot on their property.

When that day came, she would go to their house and she would take Ruthie back. By force if she had to. It would hurt, to see the anger and contempt on her mother's face, but no more than it had hurt her that Mim refused to acknowledge how far Cass had come, how hard she had worked to be worthy of Ruthie. The ninety-days chip she kept on her key chain. The two-year medallion she'd earned before her single relapse. The job she'd held through it all—maybe managing a convenience store wasn't the most impressive career in the world, but at least she was helping people in small ways every day rather than fleecing them out of their money, the way Byrn did with his questionable investment strategies. But she and her mother saw things through very different lenses.

It would not hurt Cass to see her stepfather, who was finally weaker than she was, his ex-linebacker frame now old and frail compared to her own body, which she had made lean and hard with her relentless running. She anticipated the look of powerlessness on Byrn's face as she took away the only thing he could hurt her with. She looked forward even more to the moment when he knew he had lost. She would never forgive him, but maybe once she got Ruthie back, she could start forgetting.

That time was almost upon them. Cell phone service had started to go in the last few days and the landlines hadn't worked for a week. Televisions had been broadcasting static since the government's last official communication deputizing power and water workers; that had been such a spectacular failure, skirmishes breaking out in the few remaining places there had been peac...


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Most helpful customer reviews
3.0 out of 5 stars Redemption in the apocalypse May 17 2011
By crazybatcow TOP 500 REVIEWER
Format:Paperback
The "romance" between Smoke (stupid name for a grown man - just because the world has gone to hell doesn't mean people would be taking on silly nicknames) and Cass is stretching it - 24 hours in and she's smitten with him? Yeah, whatever...

Anyway, for the first 1/3 of the book, in the back of my mind, I was thinking "finally, a post-apocalypse story that doesn't have the women being herded for rape or the men creating gangs and shooting everyone who's not in theirs". Then we see the development of the "cliques" (no, none of them are original - the "militants", the "sinners", the "religious", the "hermits") but at least none of it devolved into post-apocalyse serial rape "farms".

This story is not as much about an apocalypse as it is about the redemption of a woman, set in an apocalyptic environment. I liked the apocalypse - the origins, the response, the solution... it was all very believable and realistic. Even the zombies struck me as believable, for the most part (I'm still not sure why they are super fast).

I did not relate to Cass on any level (and this is the main reason why this book only gets 3 stars) - there was some sense that her deep desire to find her daughter was more related to her addiction (and her need to redeem herself from it) than because she wanted to find her daughter. I see now that this novel is a Harlequin production, which means the personal redemption thread, and the quick romance, and Cass's sexual background make MUCH more sense now.

As long as you keep in mind that this book isn't trying to tell you about surviving the apocalypse as much as it's trying to tell you about a woman's survival and redemption, you should like it. Oh, and there is no supernatural root to any of it - it's all a manmade tragedy.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.1 out of 5 stars  80 reviews
16 of 16 people found the following review helpful
5.0 out of 5 stars A Little Bit of Everything! May 22 2011
By S. Dargin - Published on Amazon.com
Format:Paperback|Amazon Vine™ Review
A little bit of everything, zombies, romance, adventure, post apocalyptic, community, relationships, nature, personal growth, and science.

Cass the central character is a young recovering alcoholic who is a store clerk. She had a tough start in life and has a daughter, Ruthie, that her inner and outer world revolves around. She classifies her life into three parts: before, during, and after. The story takes place in the after, the fall of civilization. Leaders are emerging and societies are being built, while most are still just struggling to survive. There are the loners, the groups holed up, the rebuilders, the covenant, and the rebels. I enjoyed this book on many levels. It was a great multifaceted story.

The writing is smooth, beautiful, and spine chilling at times. Its reflective and all told from Cass's point of view. There were some parts that reminded me of a Dean Koontz storytelling style. I read this book fast and it stayed with me. The details make it come alive and seem real. Here's a two examples of some memorable conversations. The first one was with a loner and what he did all day by himself and later a conversation about the prevailing feeling that something is always off and being able to articulate it when hanging clothes out on a clothesline and wishing she had her tins from her house to put the clothespins in.

I was also fascinated by the tidbits on nature. Cass has some knowledge on plants and animals and notices their recovery. It is a story of hope, this one line from the book sums it up, "Earth did what She would; She chose life. ...She seemed unstoppable in her determination to restore health to Her forests and mountains and waters, as every new day seemed to bring a sprig or seedling of some species that was thought to be lost..."

These zombie have a few unique traits from other zombie stories, which adds to the storyline.

The only complaint was that the last adventure, was too short and not descriptive enough, it felt like the page limit was met and abruptly ended.

I loved this and highly recommend it. Be warned there are a few graphic sexual encounters and very gory and violent zombie details.
20 of 21 people found the following review helpful
3.0 out of 5 stars Book Description & Blurbs Were Misleading... July 2 2011
By Ursula K. Raphael - Published on Amazon.com
Format:Paperback|Amazon Vine™ Review
In Aftertime, the world has undergone tremendous biological warfare, which has severely damaged food supplies, particularly livestock. A genetically designed plant called Kaysev has been introduced as an alternative food source but a mutation known as Blueleaf causes further grief. At first, people are eating Blueleaf for a new high, but the side effects prove deadly. If someone digests the pant, they either die from fever, or become a Beater.

The Beaters -- the infected of Aftertime -- are definitely NOT zombies. They are somewhat like the infected of 28 Days Later (and even that is a stretch), and the Beater strain caused by Blueleaf can be passed on through bites. Beaters retain some minor forms of speech, memory and the capacity to think to a small degree. While most victims of Blueleaf remain in the damaged form of a Beater, continuing to attack healthy people, a few victims recover from the illness.

Cass Dollar, the character providing the POV, is one of the lucky few to survive becoming a beater, but a large chunk of her memory is missing, and she is on a mission to find her young daughter, Ruthie. The last time she saw her daughter was when she was carried off by Beaters.

This book was marketed as a horror novel...and there was barely enough action to qualify it as a thriller. The author, Sophie Littlefield, writes paragraph after paragraph of scenery descriptions; the first eleven pages were mostly landscape descriptions of what Cass was seeing, and I had to read 1/4 into the book before it was even remotely interesting. I had to read 300+ pages before the book finally resembled a horror story...Littlefield put more detail into her sex scenes than the action scenes with Beaters and survivors (which were limited interactions). The ending left me wondering if there is to be a sequel, but even so, the story finished too abruptly in any case.

I was tempted to give Aftertime just two stars because it was one of the worst "horror" novels I have ever read, but Littlefield did write well...just not well enough for the horror genre. The story was very chronological, but it may have benefited from including more flashbacks. I also think it would have been much better if other POVs were included; Cass came across as an underdeveloped character, and it really hurt the story. The only strength of Aftertime was the dialogue, and even then it was, at times, like trying to roll a turd downhill: sticking in places, instead of rolling smoothly. The last few chapters of the book were so much better than the rest, it was almost as if another person wrote them, but it wasn't enough to justify reading this book.

If Littlefield does decide to write a sequel, I think she would do much better if she stuck to the style she used in the last 50+ pages: lots of dialogue, great action sequences, and some well-developed characters. (For example, Monica was only in the story briefly, but she made more of an impression than Cass ever did.) But, I hope she doesn't expect readers to slog through chapter after chapter of descriptions. If Littlefield could focus more on the interaction of characters, she might do much better with her next attempt at horror.
12 of 12 people found the following review helpful
2.0 out of 5 stars All backstory, no action Aug 8 2011
By Leah - Published on Amazon.com
Format:Paperback
AFTERTIME started out so promisingly: a post-apocalyptic zombie yarn told from the point of view of a promiscuous alcoholic and neglectful parent, a woman struggling to overcome her mistakes and take charge of her life. Yes! Finally, someone is getting back to the roots of zombie survival narratives. This is the voice of a real person, not some over-prepared jarhead whose emotions span a toggle switch between fear and rage, whose wearily stoic introspection is curtailed by guns-'n-gore porn.

Unfortunately, the best part of AFTERTIME is the premise. After the startling opening, the novel quickly gets bogged down in endless backstory and flashbacks. Narrator Cass can't go five minutes without being struck by a memory of Beforetime--what survivors in this world call the pre-zombie days. Some reminiscing is necessary, but pages and pages pass with Cass walking down a street, or brushing her teeth, while absorbed in memories.

There's so much backstory that I wonder if Ms. Littlefield chose the wrong time for her story to begin. AFTERTIME may have fared better as a sequel to BEFORETIME, when Cass could experience the ordeal of losing her young daughter and struggling to reconnect with her in the midst of the unfolding zombie apocalypse. Instead, all the good stuff is in the past, and Littlefield almost seems to sense this by dwelling so much on it.

The book also has a huge problem with info dumping. Littlefield clearly put a lot of work and careful thought into her world-building, but such details should be parceled out sparingly, as relevant to the plot and as needed to heighten the verisimilitude of the fictional world. Too many scenes in AFTERTIME are just info dump after info dump, and again it points to the possibility that the novel would have been better if it detailed the apocalypse as it happened, rather than taking the post-apocalyptic viewpoint.

Aside from the glacial pacing and info dumping, I had problems with the romance between Cass and male MC Smoke. It just comes out of nowhere--within 24 hours of meeting, they're talking with tender pathos and exploring each other's bodies. It rang so false to me that it was inadvertently comical. Turns out the publisher, LUNA, is an imprint of Harlequin, the famous romance publisher. LUNA is a SF/fantasy imprint, but it's not clear if that means "romance in a SF/fantasy setting." AFTERTIME was similarly confusing. Was it meant to be a romance? That would explain the abrupt pairing of the heroine and hero, and the superficiality of their relationship. But so much else about AFTERTIME feels carefully constructed that I'm loath to jump to that conclusion. If this was meant to be a blending of genres, it didn't work for me.

Cass's behavior becomes erratic around Smoke, and doesn't feel quite believable. This hardened woman with a shameful, self-destructive past suddenly becomes a blubbering, stuttering mess around the mysterious handsome stranger. The same woman whose past indicates she uses--and enjoys being used by--men without the merest hint of emotional intimacy. It just didn't work. Cass is too quick to let her guard down, too quick to fall for him. The first sex scene arrives somewhere around 35% through the novel, before we've even had any real conflict!

I wanted to like AFTERTIME, but its weaknesses overwhelm its fresh premise and flawed anti-heroine. The book could have been excellent if the pacing and flashback issues were addressed, and if it had been Cass going solo, without the unnecessary and bland tacked-on romance.
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