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Against Venice [Paperback]

Regis Debray , John Howe
4.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

Jan 1 2002
Pierre thought he knew his Uncle Charles well. He had worked with him on a daily basis for fifteen years, assisting the austere art historian in his studies. Yet after Charles' death, Pierre finds a diary in which his uncle confessed to a secret, heartbreaking love affair. Pierre's search for the truth leads him to Judith, the woman his uncle so passionately loved, and when he meets her daughter Sarah, he finds that his own life will be changed for ever.

Beaussant's superbly crafted narrative effortlessly conveys the author's passion for art to the reader.

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About the Author

Philippe Beaussant is a novelist and musicologist. He has written several works of fiction besides Rendezvous in Venice, and is the author of numerous books on the history and art of the baroque era. He was awarded the Brive French Language Prize in 2001 and the Literary Prize of the Prince Pierre of Monaco Foundation in 2004.

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4.0 out of 5 stars Anti-Venice May 10 2004
Format:Paperback
This book combines Regis Debray's "Against Venice" with an essay by Debray scholar Philip Wohlstetter called "Cicero in Venice."

The Debray essay is funny, scathing, and sarcastic. He sees Venice as a Disneyland of high culture for tourists. Fewer and fewer people live in Venice (who could?), yet the city sees an infinite stream of cathedral-gazers and museum-goers. Debray mocks the stranger "mad about Venice" (is that so bad?) as the "idiot of Venice." This Debray-- what a sweetie. Venice compares unfavorably, writes Debray, to Naples. You read that right. Naples. What is left to write? Islands are suitable for autists, he writes, and feature "cheap treats." Come again? Debray seemingly swings like a blind drunken boxer, but much of his invective actually hits the intended mark. (A boxer fighting a mannequin, no less, because Venice of course mutely absorbs the blows...)

Lashing out at Venice, Debray writes, "We, ourselves, float on a platform of references..." This could describe "Anti-Venice" as well. Word for word, Debray drops references like Hansel and Gretel drop bread crumbs. Proust. Malraux. Piazza San Marco. San Gennaro. Boucourechliev. Carpaccio. St. Jerome. San Giorgio deli Schiavoni. These are but some of the names gleaned from a pair of facing pages. In other words, the casual reader should keep reference materials handy.

Wohlstetter's essay puts Debray's life and work in a historical context, and surpasses "Against Venice" in clarity and worth, at least for one reader. Debray was an associate of Mitterand, Castro, and Allende. Wohlstetter wrote an essay to introduce Debray to the non-specialist, and to pique interest in Debray's other works. The passages about Debray's political philosophy are fascinating, and I shall seek out more books on Debray's philosophy, or by Debray on this subject. What an incredible life Debray must have led, as advisor to these leaders. Let "Cicero in Venice" serve as our introduction to Debray's other works, both his non-fiction and his novels.

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Amazon.com: 4.0 out of 5 stars  1 review
9 of 10 people found the following review helpful
4.0 out of 5 stars Anti-Venice May 10 2004
By W. K. Miller - Published on Amazon.com
Format:Paperback
This book combines Regis Debray's "Against Venice" with an essay by Debray scholar Philip Wohlstetter called "Cicero in Venice."

The Debray essay is funny, scathing, and sarcastic. He sees Venice as a Disneyland of high culture for tourists. Fewer and fewer people live in Venice (who could?), yet the city sees an infinite stream of cathedral-gazers and museum-goers. Debray mocks the stranger "mad about Venice" (is that so bad?) as the "idiot of Venice." This Debray-- what a sweetie. Venice compares unfavorably, writes Debray, to Naples. You read that right. Naples. What is left to write? Islands are suitable for autists, he writes, and feature "cheap treats." Come again? Debray seemingly swings like a blind drunken boxer, but much of his invective actually hits the intended mark. (A boxer fighting a mannequin, no less, because Venice of course mutely absorbs the blows...)

Lashing out at Venice, Debray writes, "We, ourselves, float on a platform of references..." This could describe "Anti-Venice" as well. Word for word, Debray drops references like Hansel and Gretel drop bread crumbs. Proust. Malraux. Piazza San Marco. San Gennaro. Boucourechliev. Carpaccio. St. Jerome. San Giorgio deli Schiavoni. These are but some of the names gleaned from a pair of facing pages. In other words, the casual reader should keep reference materials handy.

Wohlstetter's essay puts Debray's life and work in a historical context, and surpasses "Against Venice" in clarity and worth, at least for one reader. Debray was an associate of Mitterand, Castro, and Allende. Wohlstetter wrote an essay to introduce Debray to the non-specialist, and to pique interest in Debray's other works. The passages about Debray's political philosophy are fascinating, and I shall seek out more books on Debray's philosophy, or by Debray on this subject. What an incredible life Debray must have led, as advisor to these leaders. Let "Cicero in Venice" serve as our introduction to Debray's other works, both his non-fiction and his novels.

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