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Agatha Christie Mysteries


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Product Details

  • Actors: Angela Lansbury, Tony Curtis, Rock Hudson, Peter Ustinov, Mia Farrow
  • Directors: Guy Hamilton, John Guillermin
  • Writers: Agatha Christie, Anthony Shaffer, Barry Sandler, Jonathan Hales
  • Producers: John Brabourne, Michael John Knatchbull
  • Format: Anamorphic, Box set, Color, DVD-Video, Widescreen, NTSC
  • Language: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 3
  • MPAA Rating: PG
  • Studio: Starz / Anchor Bay
  • Release Date: May 6 2003
  • Run Time: 361 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • ASIN: B00008DDWU
  • Amazon Bestsellers Rank: #94,993 in DVD (See Top 100 in DVD)


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Customer Reviews

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Most helpful customer reviews

By A Customer on April 23 2004
Format: DVD
I really loved all the Agatha Christie movies from the late 70's and early 80's. Death on the Nile and Evil Under the Sun are top notch. Both DVDs are worth the price alone for this set. Each DVD comes with extras, which is sort of amazing considering the age of these movies. In Death and Evil, they have brief interviews with most cast members about how they view their character, the hallmarks of each character, and whether they actually like the character. These are on-set interviews. There is a mini documentary about how the steamer from Death was found, and how it was recreated in the studio and how they dealt with moonlight scenes and the river look. It was great. There was a whole discussion about how the island was selected for Evil. There are a few interviews with Peter Ustinov as well. No deleted scenes or alternative endings, but great extras otherwise. Each comes with a theatrical trailer as well.
Death on the Nile is one I can watch over and over. It boast a great cast, a great script, and good action. It is very funny also. Evil Under the Sun is almost as good, it is funnier but there's not as much action, only one corpse. Both have lovely scenery and are truly good mysteries. I love Ustinov as the Belgian sleuth.
The Mirror Crack'd is the relative dud in this series. It was made around the same time as the others by the same people, so I see why it's included here, and it was also an all-star cast, but the story is rather dull and plodding. Little action, some decent humor, but it's not something you'd care to watch more than once or twice. It is more interesting to watch just to see a middle aged Elizabeth Taylor act with a slightly pre-AIDS Rock Hudson with a still young-looking Kim Novak.
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Format: DVD
It is only a waste of money, i tell you Because:
one of the movies is with miss Marple and not very well
this is my ratings:
DEATH ON THE NILE: 4,5/5 Points
horror: 3/5
intellegence: 4/5
humour: 2/5
EVIL UNDER SUN: 4/5 Points
horror: 1/5
intelligence: 4/5
humour: 4/5

THE MIRROR CRACKED: 0 POINTS
horror: 1/5
intelligence: 1/5
humour: 4/5
my advice to you is NOT to follow the series of miss Marple
but enjoy the two other films with Hercule Poirot.
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By bernie TOP 100 REVIEWER on Sept. 4 2003
Format: DVD
[Death]
I have never seen such a reptile in a first class cabin
This is a good adaptation from the book. After watching "Evil under the Sun" ASIN: B000059LGF and "Appointment with Death" ASIN: 0790741318 you naturally think of Peter Ustinov as Hercule Poirot. The whole movie is packed with great actors, yet even thought you recognize them they do not distract from the characters that they play.
I thought that it was a nice touch when the kids along the shore mooned Mrs. Van Schuyler (Bette Davis) as kids would do everywhere.
Simon (Simon MacCorkindale) and his new bride Linnet (Lois Chiles) are being perused by Jacqueline De Bellefort (Mia Farrow) the girl he jilted. Once onboard a boat down the Nile bodies are dropping like flies. Everyone is a suspect. Everybody could have done it. And yet nobody could have done it. Only Hercule Poirot can figure this out. Naturally Hercule Poirot is in the right place at the right time to hear everything and extract the truth.
[Evil]
Hercule Poirot shows proper swimming techniques
Peter Ustinov as Hercule Poirot is challenged to locate a missing jewel. To do this he must go to a small island. Guess who has a tendency to get seasick? He requests his fee in guineas (a guinea is equivalent of 21 shillings.)
Naturally someone/s is unexplainably dispatched. Of course the island is loaded with the usual suspects. Everyone has a motive and an alibi. By this time you have completely forgotten how the movie started.
Speaking about the movie, they pulled out all the stops with expensive locations, costumes, and actors. And Cole Porter tossed in for ambiance.
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Format: DVD
As far as Death on the Nile is concerned, I think it is all in all a good film. Good acting, good sets, grand revelation etc. =7/10
Evil Under The Sun is definitely better, it keeps you glued to the TV. =8/10
The Mirror Crack'd is also alive. However, she is not the ideal Ms. Marple, even though she is a brilliant actress. Besides, Hercule Poirot is far more interesting than Ms. Marple!=6/10
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 15 reviews
8 of 10 people found the following review helpful
Shame on Producers and Directors! Sept. 25 2007
By Patrick W. Crabtree - Published on Amazon.com
Format: DVD Verified Purchase
I'm going to quickly cite some of my qualifications for rating these 3 films because it's relevant to what I have to say: I'm a HUGE Christie fan -- I've read every book/play (some 2 or 3 times) that she wrote (over 80 in all), her Mary Westmacott pseudonym stuff, her tome of an autobiography (not a very good or honest work, BTW!), and all the films and TV productions of Christie mysteries that are available to date.

Now, I will begin by noting that, for me, there are essentially 3 facets to evaluating a "Christie film" -- 1. Was it a good book to begin with? -- some are excellent, some are pretty lame, 2. How closely did the screenwriter adhere to the original work?, and, 3. Did the acting come off as "genuine" or was it hokey? (Christie stories, in particular, always manifest the dreaded potential to come off badly in the hands of an unskilled director). For example, to give you a measuring stick, the best Christie film ever is: Agatha Christie's Murder on the Orient Express

A REVISION! Here is yet another brilliant Christie film! (see my review):

Ten Little Indians / Desyat' Negrityat

This set of three DVDs are, in the aggregate, "good films," worth the price -- unfortunately, given that they were obviously high-budget films, they COULD have all been spectacular, but that simply did not happen. I'll take them from best to worst.

"Evil Under the Sun" is the star of the three. Like "Murder on the Orient Express" (which is not in this set), it's chock-full of big names: Peter Ustinov (as Poirot), James Mason, Roddy Macdowall, Colin Blakely, and others. It takes place on a resort island, an actress is murdered on a remote beach, and Poirot has to unmask the murderer at the conclusion -- standard Poirot formula. If Ustinov does not exactly fit the profile of the book Poirot, he certainly makes up for it in a fine performance. All performances are a bit overplayed but it still comes off nicely -- it's in letterbox and the cinematography is spectacular. For me, it just makes the 5-star rating that I gave it. I definitely recommend it to all viewers.

The second film in the set is "Death on the Nile," which was one of Christie's finest mysteries ever; however, this movie has a few problems, the first being that the director clearly depended upon all the big stars to simply "carry" the film. Included are Peter Ustinov (as Poirot), Bette Davis, David Niven, Angela Lansbury, Mia Farrow, George Kennedy, Jack Warden, and others. The film was produced in 1978 and all these actors were pretty much well past their primes. Again, Ustinov pulls off a super performance and I especially liked Mia Farrow too. The great David Niven was okay but the remainder pretty much stunk in their roles. Angela Lansbury, as a drunken has-been writer of fiction, was simply terrible. The story itself revolves around a honeymoon couple's (the bride is RICH!) boat tour (bulging with enemies of the bride) up the Nile River where the bride is ultimately murdered, a bullet to the head. There is also a second murder, I won't say who as that would be a spoiler. Again, Poirot has to expose the culprit at the end. The film is in letterbox format and the cinematography is magnificent. I should also say that this is not a boring film -- the activity and scenery will keep Christie fans interested throughout. Had the movie people cast fewer big names and focused a lot more on telling the story in a serious manner, this would have been an easy 5 -- I reluctantly give it a 4 and definitely recommend it to all Christie fans. Other viewers might only make it halfway through the film.

The third DVD is "The Mirror Crack'd," another pretty good Christie book -- and, again, we are presented with an overage of big names.... and I mean BIG! Angela Lansbury, Elizabeth Taylor, Kim Novak, Rock Hudson, Tony Curtis and Edward Fox, the latter giving a VERY fine performance, maybe even "saving" the film for me in the second half. The story: A frumpy local woman is murdered (poisoned) as she attends a high-end theatrical party with hundreds present... but was she the intended victim? This time, Miss Marple (Christie's top female snooper), of course, reveals all at the conclusion. I must sadly report that Angela Lansbury played Miss Marple, deplorably, and it's equally sad that the screenwriters departed significantly from Chistie's rendering of the favorite lady amateur detective's profile. Lansbury comes off as very assertive, not humble at all, and even puffs away at a non-filtered coffin nail near the end of the flick, an act that would have appalled Christie's Miss Marple. I'm a huge Elizabeth Taylor fan and she conveyed her character quite well, as expected -- unfortunately, this film was shot in 1980 and Liz was a lumbering side of Hereford beef, sporting 2 1/2 chins -- I was much saddened by this has-been appearance. Hudson, who played her husband, was similarly worn-looking with very bad make-up. Throughout the movie, he looked as if he'd been on a week-long bender. At one point, in a sort of love scene, he's lying on the bed, face up, and Taylor launches herself on to him -- you could almost hear the air hiss out of poor guy and old Rock additionally didn't seem to know what to do with his arms and hands as they didn't encircle her all that effectively. Then, the camera angle switches to Taylor's face, scrunched up on Hudson's shoulder, and it takes on a gargoyle-ish essence -- the editors should have caught this but, like the rest of the movie, you get the idea that this one was all about "yielding product," and nothing about creating art. The entire film is like this -- a "has-been actors' struggle" I would call it. Fox plays the Scotland Yard Inspector, (and loyal nephew to Lansbury/Marple), and, again, he saves the film from being a complete fizzle. Poor Tony Curtis looked as if he'd been run through a tree shredder, with very bad, scruffy-looking, (and very little) hair. Christie fans will like this film okay but I can't recommend it to anyone else. Positive aspects include the letterbox format and very nice cinematography. To conclude this one, I give it a 3 on the low end.

So there you have it.
5 of 6 people found the following review helpful
As good as excellent and better than brilliant. May 5 2006
By Jacques COULARDEAU - Published on Amazon.com
Format: DVD
This only concerns "Death on the Nile".

This blockbusting film adapted from Agatha Christie's novel is the very archetype and acme of her detective stories, at least those using the services of the Belgian detective Hercule Poirot from Brussels. She builds up a closed set of people who are all concerned by the murder that is committed in a closed environment. They all have some personal interest to commit this crime, hence a motive, and none of them have an alibi, at least a real alibi. They can all have done it and Poirot is going to use his Belgian brain to sort out the facts and bring out the truth, as a reconstruction that is intended to trap or trick the culprit. And it works. That's how the mystery is resolved. One shady corner can be found though: the cobra in Poirot's bathroom will remain unexplained. It must have been overlooked at some moment in the making of the film because Agatha Christie would never do such a mistake.

Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris I Pantheon Sorbonne
good April 22 2014
By William D Deniston - Published on Amazon.com
Format: DVD Verified Purchase
Good but was better with David Sachet, do not like being forced to say more than I want, some times less is enough
Agatha Christie then and now March 16 2014
By Sharon E Hanson - Published on Amazon.com
Format: DVD Verified Purchase
I love Agatha Christie any way I can get it from the very old movies (this set) to the up to date Poirot in 2014.
I love these films and love to compare them to the same versions made by the English more recently.
I think I own 3 versions of Death on the Nile and the book.
Can't get enough of Christie.
a worthy collection for mystery fans March 13 2011
By Jules Posten - Published on Amazon.com
Format: DVD
in my opinion at least, people should own a film because they themselves enjoy it. their enjoyment can cover many different facets such as story, cast, director perhaps and production values the largest guage of enjoyment should be if they would like to see the film, or favorite portions multiple times to savor more completely their pleasure. if you purchase a DVD and it ends up on a shelf to gather dust, then the best part of owning a film is lost.

some people watch a film expecting to find perfection and this rarely happens. all this does is create an aura of frustration and disappointment. the most important thing to remember is that if you enjoy the film, is not to let others change your mind just because of their fault finding. many will just find fault because they like to pick any film apart like an artichoke until there is nothing left.

by the way, i find it rather amusing that while THE MIRROR CRACKED is supposed to take place somewhere around 1953, the film producer character of Tony Curtis, sporting a very close crew cut, and his diva film star/wife Kim Novak, arrive at the fete and make a grand entrance driving a 1959 Caddy Convertible, a glaring error of continuity, or was it an inside joke? even such a self important film proucer would be hard pressed to obtain a model automobile that wouldn't be produced until several years later.a better choice for a vehicle to utilize would have been a Bentley or Rolls, since they would be difficult to guess their ages.

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