Age Of The Understatement

This is a rare find: A duo music experience paying virtually NO regard to modern diametrics and demands. The sound of this music is filtered through a haze of 60s influences (the Hollies, The Walker Brothers) distinctly credited, duly noted ...and equally delivered as a ready made classic for anyone interested. I can only hope that those interested will harp on the music's beauty, value and artistry in a way that impacts modern tastemakers.
Huh? Try it. Buy it. And don't "why it" to death for how it is out of time. Make it IN time.
And if that fails to convince just buy it for the cover. I wenmt to see the movie Blow Up because of the movie poster back in the mid-60s. the experience defined my life and my life in relationship to a generation. this music could do the same to any equally impressionable young music mavens looking for the best next thing.

I'm nineteen years old, and I hate most current music with a fiery passion. I'm an avid fan of classic rock, and I hardly listen to any music that came out after the 70s. Having said that, this is one of three new bands whose music I actually enjoy.

I'm not a musician. This isn't a review of how the album sounded technically, or about how the influences of this, that, and the other can clearly be heard. I don't know about any of that. All I know is that this music is wonderful. It obviously has influences from older music, but it's also completely original. It's so completely different from all the drivel that the radio and television stations try to cram down my throat. Alex and Miles are brilliant songwriters, and the instrumentation is absolutely beautiful. I can listen to "The Meeting Place" or "Time Has Come Again" over and over. Overall, this is one of the best albums I've ever heard. I'm so glad Alex and Miles got on so well and decided to record together, and I hope they continue with The Last Shadow Puppets for a long time to come.

I'd like to bring up something that bothered me as I read the reviews. Alex is NOT the only member in the band, and he's not any more important than Miles. Most of the reviews talk about how great Alex is, or compare this album with Arctic Monkeys, but Miles was hardly mentioned at all. I know Alex is more famous, but they did this together. They wrote the songs together, they both sang, and they both played instruments. They made the album because they're best friends and they like the same music, and it aggravates me to no end when people refer to The Last Shadow Puppets as "the side project of Alex Turner." They're both in other bands, that doesn't make this a side project. Sorry if this turned into a rant, but I would like to see Miles get some credit and attention for a change.

Last Shadow Puppets is a UK duo comprising Miles Kane of the Rascals, and Alex Turner of The Arctic Monkeys. Their album has already hit #1 in the UK and their lead off single "The age of the understatement" has hit the top 10 so I guess Alex has another band to fall back on should he have to give up the day job.

Their sound is similar to that of the Monkeys (Arctic Monkeys, I mean) but less jagged, more mellow, and more symphonic, thanks to the presence of a 22 piece orchestra, resulting in lush pieces like the horn sprinkled beauty "Meeting place" or the almost jazzy "My mistakes were made for you".

They also do upbeat very well; "The age of the understatement" and the theatrical "Only the truth" (with a horn-filled coda) both have a galloping feel and could fit into a Western epic, while "Seperate and ever deadly" has a marching band feel and raging guitars.

Other standouts are the swinging "The chamber" (with a symphonic coda), the similar "Calm like you", the sunny, retro sounding "Standing next to me" and the closing tender acoustic ballad "The time has come again" with a dreamy sounding chorus.

This is a very lovely album, think of it like a symphonic Arctic Monkeys.