From Publishers Weekly
No one understands superheroes better than Moore. This collection won him the 1997 Eisner Award for Best Writer, and shows he can still find fresh things to say about the nature of comic book superheroes. Supreme began life as an exceptionally violent Superman rip-off. Moore took over in 1996, jettisoning everything except Supreme's blond, muscular good looks and turning a copycat into an ingenious homage to the Superman archetype. This clever work retells the history of superhero comic books as reflected through Moore's retro drawings and superheroes modeled on characters and narrative styles from the 1930s to today. Suffering from amnesia, Supreme has returned to Earth, but must also return to his roots-his smalltown family, allies and bombastic enemies-to discover his origins. In his everyday identity, he's a mild-mannered comic book artist who draws a line of violent superheroes. As Supreme investigates his past, readers are treated to a delightful series of tongue-in-cheek flashbacks to revised versions of the Golden and Silver eras of comics. Supreme grows up in Little Haven, rather than Smallville; lives in Omegapolis, instead of Metropolis; and convenes meetings of the Allied Supermen, rather than the Justice League of America. Moore weaves a complex plot that leads to a startling, ingenious climax. He also offers his characters and readers moments of poignant self-discovery. In his superhero masterpiece Watchmen, Moore stressed the dangers of identifying with comic book heroes. This work is a much kinder look at the form, done with wit, intelligence and love.
Copyright 2002 Reed Business Information, Inc.
From Booklist
Moore, writer of the acclaimed
From Hell (2000), returned to superhero comics with
Supreme, a tribute to and knockoff of the original superpowered crime fighter, Superman. Best known for bringing realism to superhero comics in the 1980s, Moore is more playful here, reconciling the juvenile elements of the Man of Steel's adventures with the greater sophistication of contemporary comics. Like the 1960s Superman, Supreme has a mild-mannered, bespectacled cover identity, is accompanied by a younger female version of himself, and has an evil-genius arch-foe and even a superpowered pet. Moore skillfully toys with superhero conventions, and the Supreme stories become fashionably "meta" as the characters begin to get inklings of their existence as comic-book heroes. Not nearly as profound as Moore's more ambitious works, this is a marriage of two qualities usually mutually exclusive in superhero comics, intelligence and fun; Superman should be in stories this satisfying. Moore's devoted following will seek out this collection, while others old enough to recall the decades-old stories that inspired it will appreciate it, too.
Gordon FlaggCopyright © American Library Association. All rights reserved
--This text refers to an alternate
Paperback
edition.