Ali: Fear Eats the Soul is a wonderful story with a strong socioeconomic message that can be compared to Douglas Sirk's All That Heaven Allows (1956) and Far From Heaven (2002) by Todd Haynes where an older woman loves a younger man from a different ethnic group. Fassbinder's film takes place in Munich in the shadow of the 1972 Olympics when Arab terrorists took part of the Israel Olympic team hostage, which ended in a blood bath. Nevertheless, Ali: Fear Eats the Soul is a completely unrelated story to the bloodshed that took place in 1972 as it is told around Ali, a Moroccan guest worker, and Emmi, an older German woman, who fall in love with one another. Ali and Emmi come across each other at a local Arabian bar as Emmi seeks shelter from the rain outside. Ali and Emmi dance, converse, and Emmi invites Ali home for a nightcap as she is suffering from loneliness. Together they have to confront prejudice and racism as their relationship progresses since Ali looks and speaks differently than the German people around them. During their struggle they decide to go on a short vacation in order to escape the intolerance that surrounded them and as they come back Ali and Emmi begin to have their own doubts of their relationship. Fassbinder's film is a brilliant story and it uses some interesting cinematography that elevates the cinematic experience. However, the sound quality of the dialogues removes the realistic tone of the environment which sounds recorded and the characters are sometimes awkwardly portrayed by the cast. Nevertheless, Fassbinder created a truly unique cinematic experience as he colors the environment with his own touch and it leaves the audience with a great feeling.