5.0 out of 5 stars
The real deal on Watergate, Feb 5 2012
This is an excellent movie for those who like to think. The story is spell-binding, the acting is admirable. And...no one can run like Robert Redford.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Get the story, and get it right, Jun 5 2005
This review is from: All the President's Men (Widescreen/Full Screen) (DVD)
The mystery is a mystery no more. We now know "Deep Throat" is W. Mark Felt, who was deputy director of the FBI at the time. Some call him a hero, others a traitor. I think Felt had a lot of guts, and in the end he did the right thing and in so doing became one of the world's first whistleblowers. The fact that Hal Holbrook (who plays Deep Throat in the movie) bears an uncanny resemblance to Felt makes for even more incredulous viewing.
This movie, with an all star cast (including Robert Redford, Dustin Hoffman, Jason Robards, F. Murray Abraham, Meredith Baxter, Polly Holliday, Stephen Collins, Ned Beatty, etc., and even the real Frank Wills, the Watergate security guard who first reported the break-in) is a must see film for any journalism student or anyone who is just fascinated by the biggest scandal of the 20th century. The jacket cover says it all: "Get the story -- and get it right."
Watch this movie, and you'll find out how Bob Woodward and Carl Bernstein got the story, and how they refused to crack under incredible pressure to back off. We also learn among other things how they nearly blew it all when they got one part of the story right, but named the wrong source.
Today's crop of journalists don't hold a candle to Woodstein. After you see this movie, you'll know why -- and why we need guys and gals like them more than ever, especially in these troubled times.
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5.0 out of 5 stars
Blast from the Past, Jun 4 2004
This review is from: All the President's Men (Widescreen/Full Screen) (DVD)
"All the President's Men" remains one of my favorites. Not only was it produced so well, it's also a textbook for screenwriting.
Woodward and Bernstein's book of the same title was an account of their Watergate reporting. In it they very wisely referred to themselves as a unified, second-tier character in third-person, which allowed them to get out of the way of their own reporting.
William Goldman's screen adaptation was inspired and brilliant. The job of any screenwriter adapting a work is to realize the smaller, and separate, story within the original that will be the cinematic story. Although Richard Nixon was Woodward and Bernstein's main character, Goldman realized the cinematic story was about two young reporters unheard of outside the DC area, and that without guard Frank Wills discovering a piece of tape on a lock things most likely would have remained that way. The action, then, is in the newsroom, not the White House.
Any serious screenwriter hopeful should read the book, then take apart the film version to see how it's done.
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