From Publishers Weekly
There's a scene in Nooteboom's latest novel that functions like the keynote to a score. Arno Tieck, an old German scholar, tells the well-known story of Hegel's remark, after he "heard the distant roar of Napoleon's cannons from his study in Jena," that history was already over. While this was a stimulating observation in Hegel's time, almost 200 years later it seems more like an observation about cultural exhaustion. Arthur Daane, a 42-year-old Dutch documentary filmmaker living in Berlin, is indeed weary. His wife, Roelfje, and his son, Thomas, died in a plane crash. He keeps company with four friends (Arno; Arno's sister-in-law, Zenobia Stejn; a stout Russian physicist; and Victor, a Dutch sculptor) who exchange bon mots in Berlin restaurants. Popular topics with this crowd are the guilt of the Germans, the difference between German and Dutch character, and Berlin's multiple layers of history. Arthur is whisked from this dishearteningly abstract atmosphere by a fierce young Spanish-Dutch student, Elik Oranje. Elik is a beautiful woman with "Berber eyes, " a distinctive scar on her right cheekbone and very mysterious habits. Arthur is a bit tepid for amour fou, but their affair is passionate. He breaks her spell for a while by accepting a job to make a film in Estonia, and then in Japan, but when she heads for Spain, Arthur eventually follows. Nooteboom's attempt at an intellectual novel is worthy of respect, but Arthur and his friends are frustratingly static in their habits and thoughts, their perorations inflated with hot air. More enervating than invigorating, the book fails to communicate the vitality of a life of thought.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
This is an imposing and richly nuanced novel by acclaimed Dutch writer Nooteboom. In a book that is part love story, part novel of ideas, Nooteboom tells a poignant story about two unlikely lovers while also exploring complex questions related to history, memory, and personal loss. Set in Berlin, a city ideally suited for such a meditation, the book resonates with great power and emotion. Protagonists Arthur and Elik are haunted by personal calamities. Arthur, philosophical and quiet, is a documentary filmmaker attempting to recover from the loss of his wife and child in a plane accident. Elik, impulsive and mysterious, is a graduate student who is still deeply troubled by a traumatic childhood incident. Desperately lonely, they are, unfortunately, able to achieve only fleeting moments of tenderness and understanding together. This is a very accomplished novel that demands to be read at its own paceslowly, with each detail savored. Readers who bring the requisite patience to this endeavor will be richly rewarded. Enthusiastically recommended for all libraries.Patrick Sullivan, Manchester Community Coll., CT
Copyright 2001 Cahners Business Information, Inc.