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Along the Red Ledge [Original recording remastered, Import]

Hall & Oates Audio CD
4.6 out of 5 stars  See all reviews (18 customer reviews)
Price: CDN$ 22.88 & FREE Shipping on orders over CDN$ 25. Details
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Product Details


1. It's a Laugh
2. Melody For a Memory
3. The Last Time
4. I Don't Wanna Lose You
5. Have I Been Away Too Long
6. Alley Katz
7. Don't Blame It On Love
8. Serious Music
9. Pleasure Beach
10. August Day

Product Description

Product Description


Customer Reviews

4.6 out of 5 stars
4.6 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars It's a Classic. Try it, You might like It! May 11 2004
By square
Format:Audio CD
This is easily my favorite H&O cd. I have the 8-track, the vinyl,and CD. It contains some of their best compositions, ever. Even though there is only one "hit" on the disc, "It's a Laugh", this is really a masterpiece.
Some people poke fun at John Oates, but he proves every bit of his worth in the duo with his contributions to "Along the Red Ledge". "Melody for a Memorory", "Alley Katz", "Serious Music" and "Pleasure Beach" are all strong tunes. At this point, I must add one other comment. I have read the various reviews of other Hall & Oates CD's on the site. More than one reviewer has called songs performed by John Oates on those CD's as "token" songs. First, not true! Secondly, on "Along the Red Ledge", Oates' songs are a major part of why the CD is a great one, not just a good one. John Oates is a excellent song writer, and this may prove it to those with open ears.
Some may turn up their nose when you see that David Foster produced this, but your missing out if you push this one aside. Production is an A+. How about musicianship? The line up includes, but not limited to, some of the best ever! Steve Lukather, Steve Porcaro, Robert Fripp, George Harrison, and Todd Rundgren!
Let's face it. Most people identify H & O with the radio hits. But there is a lot more substance to them. From "It's a Laugh" to "August Day' and everything between, there is not a clinker on the disc.
I love the radio hits as much as anyone else, but there are other great Hall & Oates tunes out there to be discoverd by the casual fan. Try this one, you might like it.
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5.0 out of 5 stars SURPRISING, AMAZING, EXPERIMENTAL- WOW !! Sept. 10 2002
Format:Audio CD
When you mention Daryl Hall & John Oates, most people snicker while memories of cheesy videos and slick soul-tinged 80's pop dance around in their heads. Too bad no remembers this gem of an album. It's an artistic triumph that reaches heights H&O never quite acheived again (although the two albums the proceeded it, 'X-Static' and 'Voices' came close). I was just a kid when 'Red Ledge' came out but even back then, I was blown away. Twenty-something years later have done nothing to diminish my enthusiasm. Songs such as "Don't Blame It On Love", which features Robert Fripp's ethereal Frippertronic guitar trills, a sick Caleb Quaye buzz-saw guitar solo, mad chord modulations and an unreal multi-layered vocal harmony break right in the middle of Quaye's solo, will leave you with your jaw on the floor- whether you like H&O or not!! "Serious Music", with more stellar harmonies, classical-styled harpsichord and another killer Quaye solo, is one of John Oates' finest songs. They band gets their soul shoes on for "The Last Time" (featuring a Spectoresque intro and George Harrison on acoustic guitar!!) and the Gamble & Huff-like rave of "I Don't Wanna Lose You". But these songs aren't the slicker pop-soul oriented efforts H&O produced in the '80's. These are tough, complex tunes with meaningful and sometimes poetic lyrics that reveal different meanings long after you've first heard them. RCA records probably thought that this would be the album that brought H&O into the big time, but instead, it was the worst selling album they'd had up to that point. Read more ›
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5.0 out of 5 stars A Career Highlight, Artistically Speaking Aug. 9 2002
By DonB
Format:Audio CD
For a time in the 1970s, Hall and Oates were as successful as almost any pop outfit. For awhile it didn't seem to hurt them artistically. For awhile ...
Unfortunately, first their musical output and much later their commercial success began to sputter. Soon they became yesterday's news.
While they WERE on top of the world, Hall & Oates were a pop duet seldom daring to be the least bit unpredictable, preferring instead to be safe and mainstream, lest they be passed over as industry cash cows. For better or worse, this record bucked that trend in a major way. Thank God!
For this record Hall & Oates had the good sense to bring in some special guests that included Robert Fripp ("Don't Blame It On Love") and Todd Rundgren ("Have I Been Away Too Long"). But there are plenty more than a couple of highlights here. The playing and singing are inspired throughout, leaving the listener yearning for more at the conclusion of the record. Can you say that about any other Hall & Oates record? Perhaps not. (Note: their latest record, including the inspired cover of "Someday We'll Know," may be an exception.)
If you only buy one Hall & Oates record, you'd be well advised to make ALONG THE RED LEDGE that record. It is the musical highlight they have yet to duplicate, some 20-plus years later.
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5.0 out of 5 stars It's a keeper March 25 2002
By TC3
Format:Audio CD
The first H&O album I ever bought and ranks with Voices as one of my favorites. This was also the first tour I saw. I saw Daryl and John at Western Carolina University. What a rockin show. This was a great concert album, all but overlooked now. Too bad, some of these songs knock you over live. Alley Katz and Pleasure Beach both need to be heard live to be truly appreciated. This album is the one I use when people try to lump Daryl and John into "that soft rock 80's duo". Yeah right. If all you know is the 80's you don't know Hall and Oates. Buy this while you can. RCA seems to be letting the CD's slip out of print again.
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Most recent customer reviews
4.0 out of 5 stars One of their best, and possibly most overlooked.
ALONG THE RED LEDGE, a Hall and Oates recording made in 1978, may be one of their finest, beaten only by their finest work, such as ABANDONED LUNCHEONETTE, MARIGOLD SKY, and BIG... Read more
Published on Sept. 7 2001
5.0 out of 5 stars Commercial flop=critical success
This is the Hall & Oates album I can still listen to and not get tired of hearing. "It's a laugh" is a great song to sing along with with some nice sax in the... Read more
Published on July 6 2001
4.0 out of 5 stars Still rooted in Philly soul, but with a harder edge
With their #1 hit "Rich Girl", Daryl Hall & John Oates moved from blue-eyed soul journeymen to certified pop stars. Read more
Published on April 23 2001 by 33-year old wallflower
5.0 out of 5 stars Best Rock album in the history of music - Bar none!
Don't anybody "R&B" me... this baby ROCKS from start to finish with all kinds of different-flavored rock for anyone's taste. Read more
Published on Feb. 27 2001 by TomAzon
4.0 out of 5 stars Essence of Philly
If you are an ex-Philadelphian in the diaspora, this is the album to play when you're homesick. Just the sound of H&O brings "home" right back full force. Read more
Published on Nov. 12 2000 by Poniplaizy
4.0 out of 5 stars In search of a successful formula
Hall & Oates' 70's releases are like musical schizophrenia...sometimes Pop, sometimes Rock, sometimes Soul or R&B. Read more
Published on July 18 2000 by J. Collins
5.0 out of 5 stars An Excellent Overlooked Album
I love this album. The album is mostly lite rock on side one and hard rock on side 2. David Foster produced this, so it has to be good. Read more
Published on Jan. 29 2000 by Mike S
5.0 out of 5 stars Hall & Oates full range album
Daryl Hall plays a mean guitar on"Don't Blame It On Love" with Johnand Robert.Most of the songs aretheir very best since War Babies. Read more
Published on Oct. 5 1999
3.0 out of 5 stars Laid the foundation for their 80's success
Considering the era in which they released this record (this was 1978) and the soulful sound of their past work, 'Along the Red Ledge' was quite a departure. Read more
Published on Aug. 17 1999 by Dave Mock
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