From Publishers Weekly
Oberman's ( Lion in the Lake ) simply told and moving story invokes the power of tradition. Adam is a Jewish boy growing up in czarist Russia, where his grandfather, also named Adam, teaches him the importance of Jewish beliefs and customs, stressing that "some things change and some things don't." Without distancing the reader, comparisons crystallize the differences between Adam's time and the present: "When Adam went for eggs, he did not get them from a store. He got them from a chicken. When Adam felt cold, he did not turn a dial for heat. He chopped wood for a fire." When Adam and his parents emigrate, Adam's grandfather gives his prayer shawl to the boy, who responds with a promise: "I am always Adam and this is my always prayer shawl. That won't change." In America, Adam learns to live, dress and speak differently. The prayer shawl changes, too--first the fringe is replaced, then the collar and finally the cloth. But, as Adam is to explain to his own grandson, "It is still my Always Prayer Shawl." As a tender conclusion brings Adam's spiritual life full circle, Lewin underscores the cyclical theme by picturing the grandson as very like the young Adam. His realistic watercolors dynamically depict the Old World in black and white, changing to color as Adam grows up, and his affecting portraits match the quiet passion of Oberman's prose. Ages 7-up.
Copyright 1993 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From School Library Journal
Kindergarten-Grade 3-When Adam, a young boy growing up in Czarist Russia, emigrates to the United States with his family, his grandfather gives him the prayer shawl that his grandfather had given him. Throughout his life, Adam continues to wear and repair the shawl, hanging on to his grandfather's statement that "'Everything about it has changed. But it is still my Always Prayer Shawl. It is just like me. I have changed and changed and changed. But I am still Adam.'" He explains to his own grandson the story behind the shawl, and the young boy pledges to carry on the tradition of naming a son Adam and passing the heirloom on to him. The book effectively illustrates how different life was for a child growing up in Russia than it is for modern children. The major theme that some things change while others never do is worth exploring, but the story leaves little to the imagination and hammers the message home. Non-Jewish children may wonder what makes the prayer shawl so special; Oberman never explains its use in worship. Lewin's paintings feature gracefully drawn figures that look especially good at a distance. But at times, the pictures fail to convey the full range of emotion described in the narrative, such as in the scene in which Adam says good-bye to his grandfather. Additionally, it seems almost arbitrary that the black-and-white illustrations change to lushly colored watercolors when Adam becomes an adult. When books about family traditions, especially those of Jewish people, are needed, this one will suffice, with the help of an adult who can answer the anticipated questions.
Ellen Fader, Oregon State Library, SalemCopyright 1994 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.