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13 of 13 people found the following review helpful
Corny, Brilliant: The Best of Spider-ManJan. 13 2012
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Someone who wants to buy one collection of early Spider-Man could do no better than this. This book is probably the single best Spider-Man trade available. It includes original artist Steve Ditko's last eight issues of the title, and fan-favorite John Romita's first two.
From a nerd's perspective, it's packed with 'key' events. The volume begins with Peter Parker's entry into college and his first encounters with Harry Osborne and Gwen Stacey; it ends with the incredible two-parter wherein Green Goblin and Spider-Man learn each other's secret identities, establishing the Goblin as Spidey's arch-nemesis. In between, there are classic battles with Doctor Octopus and Kraven the Hunter, the first mention of Mary Jane Watson, the first appearance of Norman Osborne, the famous "Just a Guy Named Joe" story and the much more famous sequence of Spidey struggling under rubble for five pages- truly a tour de force of comic art.
Which brings me to my critical perspective: scriptwriter Stan Lee was reveling in the popularity of the title at this point, maintaining his cheery cheesy breezy style while always ensuring (relative) depth to his characters and situations. Some of the writing is typically over the top (CAP: "But, once alone in his room, the complex, sensitive, anguished youth who is Peter Parker finds that he cannot study... he cannot concentrate on anything... EXCEPT..." PETER: "Am I really being a COWARD?") but it can be charming and even genuinely (deliberately) funny sometimes. The real force behind the work collected here was Steve Ditko, who was obsessively pouring all he had into the title at this time: plotting, penciling, and inking the work all himself (Lee doesn't even take credit for "co-plotting" here; it's all Ditko!). I think Ditko's art improved throughout his stint at Marvel, and then began to decline, making this his very best work. Although less 'clean' or consistent than in the early issues, he is much more bold in his panel arrangements, featuring more effective and varied 'camera' angles, and his figures have a growing dynamism which is actually aided by his own slightly sloppier inking style. Like the very best Golden Age comics, a white-hot frenetic energy radiates from the pages. Perhaps most impressively, the issues here form a complete story. Each issue tells its own story, but a well-crafted arc of subplot progresses almost invisibly throughout them until, by the last chapter, it has become the main story.
In the 1960s, mainstream superhero comics hadn't yet succumbed to the commercial model of the cigarette companies, which in our present stage of capitalism has been adopted by nearly every industry. What I mean is a comic book back then was made to SATISFY the reader; today, they are made specifically to leave one UNsatisfied, so the reader will want to buy more, forever. I guarantee that this 200-page book, or any other collection of stories from this era, will take about three times as long to read as the same amount of new comics. Part of this is a higher word-per-image ratio, but the stories are also structured and paced so that after reading one or two issues, one feels like they've had enough for awhile- a feeling of fullness that takes ten or twelve issues (if not more!) of modern comics. To the kids waiting a whole month between issues, a little went a long way- so do as they did, and savor these.
3 of 3 people found the following review helpful
Ditko and Lee at the top; Romita introducedDec 24 2005
Reader from the North
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Spiderman was never so good as Ditko (sometimes getting plot credit) and Lee presented him here. The collaborators are in complete control of Spider-man and the great cast of bad guys--especially the Green Goblin and Doc Ock. The ironies of Peter Parker's life are poignant, and each issue seems to develop both Peter's life and the supporting cast. This volume includes the great "Man on a Rampage" trilogy and the switch to John Romita and his great two-part Goblin battle.
I've read that sales picked up with Romita (and I'll admit that I thought his art was better when I read them ages ago); however, looking back, Ditko's art has withstood the test of time. Romita drew more attractive women and made Peter look more like a leading man from a romance comic--thus more mainstream. But that wasn't what made Spider-man great.
Even so, it was a brilliant move by Lee to start with the secret identities of Spider-man and the Goblin revealed with those transition issues. No one would pass those up. (I've read that revealing the identity of the Green Goblin was the straw that broke the Lee-Ditko team. If so, it's too bad they couldn't see what they had going.)
Huge turning point in early Spider-manAug. 7 2013
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Marvel is doing a pretty good job at collecting its massive back catalog into trade paperbacks so that newer readers can rediscover the classics of Stan Lee, Jack Kirby, and all the others. There are some gaps that either have been collected but are out of print or have never been published, but that's a topic to take up with Marvel.
I'm a big Spider-man fan, but had never read many Spider-man stories from before the late 80s. I thought I should at least get a taste of the early days as Stan Lee and Steve Ditko basically invented from scratch the whole world and characters that other people have mined for decades. I chose this particular volume because I knew it contained two stories that are considered classic, the Master Planner Saga (issues 31-33) and the unmasking of the Green Goblin (issues 39-40). It also has the transition from Steve Ditko to John Romita Sr., so I'd get a taste of both iconic artists.
How you feel about this book will probably depend on what you expect to get out of it. If you aren't interested in history and just want great Spider-man stories to enjoy, you would probably find this book pretty corny and old-fashioned, and should get some Bendis Ultimate Spider-man or Dan Slott Amazing Spider-man books. However, if you are interested in this as a museum piece of classic world-building or expanding the scope of superhero characterization, it's great.
Compared to modern comics, these issues are absurdly fast paced. Each page has at least six panels, each of which tends to have a lot of text moving the story forward, so that almost every story is done in one issue, compared to the modern tendency to have arcs over 4-6 issues. Also, Stan Lee's writing is a bit dated, but what made him stand out then and does still hold up is how goofy and meta he is. He is constantly breaking the fourth wall and making fun of the silliness of the comic book stories, while at the same time, with remarkable economy, giving empathy to every one of a very wide cast of characters. Some of the writing, especially as he has asides to the reader about the writing process, is still pretty funny even today.
In this book Peter Parker actually is kind of a jerk, so wrapped up in his dual identity that he can't pay attention to or connect with other people. Towards the end of this book, and from the bits I've read of the 40 or so issues that come after this, he gets progressively more sympathetic as he tries harder to be a good guy as well as a hero, but tends to fail anyway. It's also funny to see how this book introduces for the first time Harry Osborn and Gwen Stacy, although it takes a long time for Peter to finally not be so oblivious to the outside world that he can get to know them.
The middle of the book has a bunch of forgettable one-issue stories, as Lee and Ditko keep creating a whole bunch of new villains and throwing them at the wall to see which of them stick and can become recurring characters. The best stories, not surprisingly, are the ones with villains that did work, the opening 3 issues that include Doctor Octopus, and the final two with the Green Goblin. Both stories have some genuinely powerful moments and plotting that hold up even against modern stories.
Overall it's a fun read and a good bit of Spidey history, but your enjoyment does depend on whether you are interested in the history, as it doesn't have the craft of later books.
Ditko at His bestApril 14 2014
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This book has the famous scene drawn by Steve Ditko , as Spiderman is pin beneath some heavy machinery , very weak from a big fight , but His Aunt life is at stake an must Get Her medicine to her When You glance at Ditko's art , It looks like early Silver Age stuff , but when You read it , the art takes off on its own . Peter Parker wasn't a good looking Guy , He was a plain ol geek , and Spiderman art with the cob-webs under His arms is pure genius , Spiderman also had a light on His belt that was a projected His Spiderman image , that was also only on Ditko's art. Ditko did the first 7 issues in this book , then Romita took over the last 2. He would go on to draw Spiderman for a few years, I liked His art as well , but now in the Silver age, all Marvels art was at its peak , with Kirby , Steranko an many more .This book is the last of Steve Ditko , so if Your a Fan of His art , this should be added to Your collection , its paperback an a lot cheaper than the hardbacks
The best of the last artwork of Steve Ditko!April 24 2013
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I loved all the old Spider-Man series as a kid. Still have about 15 boxes that I've been re-reading. These soft-cover novels are the best value for 10 books in one. I picked up the S-M # 1 and #2, but skipped #3 due to some of the stories. I ended up coming back to get # 3 for the better stores, but especially the last of the artwork of Steve Ditko before transitioning to the blocky artwork of John Romita (don't shoot me all you Romita/Romita Jr lovers). I love Ditko, can't stand Romita's art. Anwho..........my personal preference, but just wanted to get this for the Green Goblin/Spider-Man art/stores #39-40.....the best! Thanks.