American Gods [Mass Market Paperback]

Neil Gaiman sait redonner aux légendes établies un souffle nouveau. Celui qui, dans une nouvelle éblouissante, a osé présenter Blanche-Neige comme une criminelle sadique, se permet, dans American Gods, de mêler mythologie et conflits de l'Amérique d'aujourd'hui...
Quand les anciens dieux se sont installés en Amérique, amenés par de hardis navigateurs puis par les vagues successives d'émigrants, ils pensaient trouver un territoire à la mesure de leurs ambitions. Peu à peu, cependant, leurs pouvoirs ont décliné : Anubis - l'ancien dieu des morts égyptien - en est réduit à travailler dans une entreprise de pompes funèbres ! Et de nouvelles idoles - cinéma ou Internet - se sont imposées. C'est pourtant un humain, Ombre, qui se retrouve au cœur d'un conflit titanesque : à peine sorti de prison, découvrant que sa femme est morte et que son meilleur ami était son amant, il accepte un contrat aussi dangereux qu'étrange...
Passionnant roman-fleuve, American Gods confirme que Neil Gaiman est un auteur aux ambitions littéraires affirmées et un raconteur d'histoires hors du commun. --Stéphane Nicot --This text refers to the Paperback edition.

Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

Shadow Moon, recently released from prison and dealing with his wife's death, accepts a job offer from the mysterious Mr. Wednesday. Together they travel across America gathering up Mr. Wednesday's creepy friends. Soon Shadow discovers this road trip involves the upcoming epic battle between the old gods of the immigrants and today's new gods credit cards, TV, and the Internet. He also experiences repeat visits from the reanimated corpse of his dead wife, Laura. Shadow's personal tale and the details of American small-town life are well developed compared with the not-well-defined plot. The focus shifts from the gods' Armageddon to Shadow's life, to subplots about secondary characters. The book has wit but is too busy and not very engaging and includes some graphic language, sex, and disturbing events. George Guidall's clear, well-articulated narration contributes to a positive listening experience. Fans will no doubt enjoy the subject matter and the mythic scope. Denise A. Garofalo, Mid-Hudson Lib. Syst., Poughkeepsie, NY

Copyright 2002 Cahners Business Information, Inc.

--This text refers to the Audio Cassette edition.

Shadow, a strong, silent, Steven Seagal type, has kept his head down while doing time for creaming the guys who ran off with his share of a heist. He is about to be released, ticket home in hand, thanks to his lovely wife; then his departure is pushed up a few days--unhappily, so that he can attend her funeral. Weather forces his flight down in St. Louis, and he winds up on a short hop seated next to a mysterious Mr. Wednesday, who informs him that his once and, he had hoped, future boss is also dead. Would he like to work for Wednesday, instead? The guy is too creepy by half but, as it happens, hard to refuse. And after Shadow meets some of Wednesday's equally creepy friends, becomes an accomplice to a clever bank robbery, and gets coldcocked and kidnapped by black-clad heavies, he acquires a certain job loyalty, if only to find out what he has signed on for--an upcoming battle between the old gods of America's many immigrants' original cultures and the new gods of global, homogenizing consumerism. The old gods are trying to live peaceably enough in retirement, which is the predicament Wednesday (i.e., Wotan, or Odin) must overcome to rally them. After two sterling fantasies, the dark Neverwhere (1997) and the lighter, utterly charming Stardust (1999), Gaiman comes a cropper in a tale that is just too busy and, oddly for him, unengaging. His large fandom may make it a success, but many of them, even, will find it a chore to get through. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

" A crackerjack suspense yarn . . . juicily original . . . Wagnerian noir." -- Salon.com

". . . By turns thoughtful, hilarious, disturbing, uplifting, horrifying and enjoyable -- and sometimes all at once." -- St. Louis Post-Dispatch

"Mystery, satire, sex, horror, poetic prose -- AMERICAN GODS uses all these to keep the reader turning the pages." -- Michael Dirda, The Washington Post

"Neil Gaiman enters Stephen King territory . . . with American Gods." -- New York Post

"Nothing short of an odyssey . . . Gaiman shows readers that wisdom can be found in all kinds of tales." -- Science Fiction Weekly

"Saying Neil Gaiman is a writer is like saying Da Vinci dabbled in the arts." -- Minneapolis Star Tribune

American Gods is sexy, thrilling, dark, funny and poetic." -- Teller, of Penn & Teller

Here we have . . . a real emotional richness and grandeur that emerge from masterful storytelling. -- Peter Straub

Original, engrossing, and endlessly inventive; a picaresque journey across America where the travellers are even stranger than the roadside attractions. -- George R. R. Martin, New York Times Bestselling author of A Game of Thrones

Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident.

Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible.

He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same...

American Gods by Neil Gaiman has won the 2001 Bram Stoker Award for Best Novel at the Horror Writers Association Annual Meeting held that was held June 7-9 in New York City.

A professional writer for more than twenty years, Neil Gaiman has been one of the top writers in modern comics, and is now a bestselling novelist.His work has appeared in translation in more than nineteen countries, and nearly all of his novels, graphic and otherwise, have been optioned for films.He is listed in the Dictionary of Literary Biography as one of the top ten living post-modern writers.

Gaiman was the creator/writer of the monthly cult DC Comics series, "Sandman," which won Neil nine Will Eisner Comic Industry Awards, including the award for best writer four times, and three Harvey Awards."Sandman #19" took the 1991 World Fantasy Award for best short story, making it the first comic ever to be awarded a literary award.

His six-part fantastical TV series for the BBC, "Neverwhere," was broadcast in 1996.His novel, also called "Neverwhere," and set in the same strange underground world as the television series, was released in 1997; it appeared on a number of bestseller lists, including those of the Los Angeles Times, the San Francisco Chronicle, and Locus.

Stardust, an illustrated prose novel in four parts, began to appear from DC Comics in 1997.In 1999 Avon released the all-prose unillustrated version, which appeared on a number of bestseller lists, was selected by Publishers Weekly as one of the best books of the year, and was awarded the prestigious Mythopoeic Award as best novel for adults.

American Gods, a novel for adults, was published in 2001 and appeared on many best-of- the-year lists, was a New York Times bestseller in both hardcover and paperback, and won the Hugo, Nebula, SFX, Bram Stoker, and Locus Awards.

Coraline (2002), his first novel for children, was a New York Times and international bestseller, was nominated forthe Prix Tam Tam, and won the Elizabeth Burr/Worzalla Award, the BSFA Award, the HUgo, the Nebula and the Bram Stoker Award.

2003 saw the publication ofbestseller The Wolves in the Walls, a children's picture book,illustrated by Gaiman's longtime collaborator Dave McKean, which the New York Times named as one of the best illustrated books of the year; and the first Sandman graphic novel in seven years, Endless Nights, the first graphic novel to make the New York Times bestseller list.

In 2004, Gaiman published the a new graphic novel for Marvel called 1602, which was the best-selling comic of 2004, and 2005 saw the Sundance Film Festival premiere of "MirrorMask," a Jim Henson Company Production written by Gaiman and directed by McKean.A lavishly designed book containing the complete script, black and white storyboards, and full-color art from the film will be published by William Morrow in early 2005; a picture book for younger readers, also written by Gaiman and illustrated with art from the movie, will be published by HarperCollins Children's Books at a later date.

Gaiman's official website has 400,000 unique visitors per month in 2004; close to 600,000 per month are expected in 2005. His online journal is syndicated to thousands of blog readers every day.

Born and raised in England, Neil Gaiman now lives near Minneapolis, Minnesota, where he is currently at work on Anansi Boys, the long-awaited follow-up to American Gods.

Mere days before he is to be released from prison, a man named Shadow learns that his wife has been killed in a car wreck. On the plane ride home, he meets a gruff old man named Wednesday, who may be an avatar of the Norse god Odin. Read dynamically and emotionally by George Guidall--who gives more personalities and ethnicities than one would think possible--the story unfolds with Shadow working as Wednesday's bodyguard in this darkly fantastic travelogue across an American landscape filled with ghosts and ancient gods. The old pantheons seem to be at war with the new gods of technology, media, and fast food. With its roadside vision of American culture and countryside, AMERICAN GODS is right there with TRAVELS WITH CHARLEY and LOLITA. Brilliant dialogue and profound insights into American consciousness show Gaiman to be a visionary and a master wordsmith. Perfect for a long road trip. S.E.S. Winner of AudioFile Earphones Award. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.