Product Description
Although admired by D. H. Lawrence, this modern classic went generally unnoticed during the years after its publication in 1925. Yet it is "a fundamental book, essential if one proposes to come to terms with American literature" (
Times Literary Supplement). William Carlos Williams was not a historian, but he was fascinated by the texture of American history. Beginning with Columbus's discovery of the Indies and moving on through Sir Walter Raleigh, Cotton Mather, Daniel Boone, George Washington, Ben Franklin, Aaron Burr, Edgar Allan Poe, and Abraham Lincoln, Williams found in the fabric of familiar episodes new shades of meaning and configurations of character. He brought a poetic imagination to the task of reconstructing a live tradition for Americans, and what results is one of the finest works of prose to have been penned by any writer of the twentieth century.
About the Author
Poet, artist, and practicing physician of Rutherford, New Jersey,
William Carlos Williams wrote poetry that was experimental in form, ranging from imagism to objectivism, with great originality of idiom and human vitality. Credited with changing and directing American poetry toward a new metric and language, he also wrote a large number of short stories and novels.
Paterson (1946-58), about the New Jersey city of that name, was his epic and places him with Ezra Pound of the Cantos as one of the great shapers of the long poem in this century. National recognition did not come early, but eventually Williams received many honors, including a vice-presidency of the National Institute of Arts and Letters (1952); the Bollingen Prize (1953); the $5,000 fellowship of the Academy of American Poets; the Loines Award for poetry of the National Institute of Arts and Letters (1948); and the Brandeis Award (1957). Book II of Paterson received the first National Book Award for poetry in 1949. Williams was named consultant in poetry in English to the Library of Congress for 1952-53. Williams's continuously inventive style anchored not only objectivism, the school to which he most properly belongs, but also a long line of subsequent poets as various as Robert Lowell, Frank O'Hara, and Allen Ginsberg. With Stevens, he forms one of the most important sources of a specifically American tradition of modernism. In addition to his earlier honors, Williams received two important awards posthumously, the Pulitzer Prize for Poetry (1963) and the Gold Medal for Poetry from the National Institute of Arts and Letters (1963).