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Americana Paperback – Dec 5 2003


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--This text refers to an alternate Paperback edition.

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Product Details

  • Paperback: 1 pages
  • Publisher: Penguin UK; Reprint edition (Dec 5 2003)
  • Language: English
  • ISBN-10: 0140119485
  • ISBN-13: 978-0140119480
  • Product Dimensions: 13.1 x 1.8 x 20 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Bestsellers Rank: #1,229,724 in Books (See Top 100 in Books)

Product Description

From Publishers Weekly

In search of his roots, a successful but unhappy TV executive takes off for the heartland of America. "This first novel is peopled with characters alienated not only from one another, but from themselves. It has the smell of staleness and despair. It is also, with its deadly accurate observations, its veracious dialogue, and its consistency of view, brilliantly written," maintained PW.
Copyright 1989 Reed Business Information, Inc.

About the Author

The author of thirteen novels, five plays, and numerous short stories, Don DeLillo was born in 1936. Americana (1971), his first novel, announced the arrival of a major literary talent, and the novels that followed confirmed his reputation as one of the most distinctive and compelling voices in late-twentieth-century American fiction. DeLillo's comic gifts come to the fore in White Noise (1985), which won the National Book Award, and Underworld (1997), with its vivid portraits of actor Jackie Gleason and standup comedian Lenny Bruce. --This text refers to an alternate Paperback edition.

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Customer Reviews

3.4 out of 5 stars
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Format: Paperback
At the outset of "Americana," David Bell has fairly succeeded in securing his place in the power-driven world of Manhatten advertising. At 28, he is prosperous, good-looking, and bereft of that certain purpose and emotional substantiality one must possess to be classified as a fully sensible human being. Although I am a huge fan of Don DeLillo and his deft way of weaving sentences together to produce picturesque settings, I found myself lost in the interminable stretches this book relentlessly thrust upon me. Though DeLillo's story of a man who suspends his conventional life to seek out the American Dream within the desolate wastelands of the barren midwest is an interesting and potentially good idea, the novel falls short within its cornucopia of meandering passages, causing the reader to constantly drop out of the narrative and be reminded that they are in fact reading an overly erudite author; one who spouts bombastic sentiments that may seem a bit gratuitous on occasion. If you are a DeLillo fan, and curious about this novel (since it is his first; the main reason I was compelled to read it) then go for it, but do not expect the brilliance and penetrating qualities of his later works, such as "Mao II" and "Libra." If you are new to DeLillo and unsure of where to start, stay away from this novel, because it will possibly turn you off from an otherwise prodigious talent who has thenceforth transcended the shortcomings of "Americana" to become one of the great contemporary American writers.
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By A Customer on May 17 2004
Format: Paperback
Don Delillo is an amazing writer. His prose, and the ideas contained in his novels, are so powerful they sometimes make me stop and catch my breath, and that's not hyperbole. I can't think of another contemporary author that moves me so much, with the possible exception of Saul Bellow. Reading his novels is pure joy, it's a wonder on every page, it's magic. I don't say that often.
I read somewhere that "The Names" was his first great novel, so I picked up "Americana" expecting to read the work of a budding author showing only flashes of brilliance. I found the writing and ideas expressed in "Americana" to be as fresh, brilliant, and moving as in any other book of his I've read. Delillo writes beautiful, highly intelligent novels that are also page-turners, and that's a rarity. He is, quite simply, a completely original American novelist, and "Americana" is a wonderful first novel.
Delillo should win the Nobel prize for literature some day, and I'd be very disappointed if he doesn't.
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Format: Paperback
To make sure my brain wasn't orbiting the outer limits of literary comprehension, I took a look at the one-star reviews of Don DeLillo's recent "Underworld" and found that many echoed my sentiments about "Americana" exactly. This is the type of book you can only use big adjectives to describe, like, "incredible", "stultifying", "infuriating", "ridiculous". It's a book you should quit reading immediately once your brain clicks on and says, "this isn't going anywhere and isn't going to GO anywhere." It is easily the worst, most time-wasting novel I've ever read. It plays out like an upper-class "On the Road" (which was a pitiful book in and of itself), where a vapid TV executive named David Bell (who could be Patrick Bateman's evil, boring twin) and a gaggle of vacant sycophants go for a drive across America, filming the residents of small towns for a movie. That's the go-nowhere plot, in a nutshell. The thing that irritates me the most is that "Americana" could have been good, but DeLillo is too insistent on churning out wooden dialogue and pointless description that before long, render the book a laborious chore to read. Never mind the fact that DeLillo doesn't seem to put a moment's thought into a single line within these 377 aching pages. In spite of my own anger toward this travesty of literature, I masochistically pushed through it, knowing it would end in even more abiguity and unfunny, self-conscious "irony" than it began with. Bret Easton Ellis and Chuck Palahniuk can be considered disciples of DeLillo's style, but one thing sets them apart--they can actually WRITE, and maintain an audience for the duration of a novel. Read "Americana," put it on your bookshelf, so when having a get-together, you can reveal to your friends the most pathetic work ever published. Thank you.
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Format: Paperback
Delillo is possibly the most talented living writer (with Thomas Pynchon in hiding he is for sure), but this book is evidence that even the masters need practice. While Americana is filled with salient and beautiful gems of observation and many vignettes could be used to teach creative writing style, there is no novel here. There is only a disjointed series of experiences in the life of a lost soul, David Bell. Perhaps Mr. Delillo is trying to show us that any perception is fragmented and loose and that only by trying to stitch these fragments together do we begin to get to the truth. I read that Delillo is intentionally obscure and "challenging" in his fiction because he believes that in this world of info-glut the truth is hard to come by and should feel that way. That may be the case, but he accomplishes far more with this idea in White Noise, Running Dog and Underworld (to name those that I am familiar with) than in this one. Delillo is an amazing talent, but in this world of so much information, I would read one of his other works and leave this one for another time.
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