Former Pink Floyd bassist/vocalist/mastermind Roger Waters released his third post-Pink Floyd solo effort Amused to Death in September of 1992. Amused to Death was over five years in the making due to his battle with his ex-bandmates on the rights to the Pink Floyd name. When Amused hit record stores, it was modestly received peaking at #21 on the US album chart and had a huge rock radio hit with What God Wants Part 1. Roger's third solo album's sound was a return to the sound of his estranged former band, Pink Floyd unlike his two 80s works Pros and Cons or Radio K.A.O.S.. There are plenty of moments here (the aforementioned What God Wants(pt.1), the opening Ballad of Bill Hubbard, Three Wishes) that recall the sound of later Floyd works like Animals, The Wall and The Final Cut. Like those works, this is a concept album--the concept (as ever with Waters) being the crappy nature of modern life as depicted on television with the Gulf War and the Tijanamen Square incidents as examples and also the rise of a corporate world. His satire is blunt as usual and the targets of his scorn are obvious. Eagle drummer/vocalist Don Henley duets on Watching TV(which was about the Tijanamen Square incident and the collaboration of Henley and Waters triggered a friendship between the two which is still strong today). Legendary rock guitar legend Jeff Beck(like Clapton on Pros and Cons was a Yardbird) contributed taut, lyrical solos to a number of tracks(Bill Hubbard, What God Wants(pts. 1 and 3), Watching TV, Three Wishes, It's a Miracle and the closing optimistic title cut). The late conductor Michael Kamen contributed some stirring orchestrations on this album as well. Waters' voice was mainly reduced to a weary whisper, positively dripping with contempt due to the strain his vocal cords suffered from all the screaming on The Wall, The Final Cut and Pros and Cons of Hitchhiking. This album is a classic and a welcome return for Roger Waters. Highly recommended!