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Amused To Death
 
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Amused To Death

Roger Waters Audio CD
4.5 out of 5 stars  See all reviews (172 customer reviews)
Price: CDN$ 8.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Customers Who Bought This Item Also Bought


Product Details


1. The Ballad Of Bill Hubbard
2. What God Wants, Part I
3. Perfect Sense, Part I
4. Perfect Sense, Part II
5. The Bravery Of Being Out Of Range
6. Late Home Tonight, Part I
7. Late Home Tonight, Part II
8. Too Much Rope
9. What God Wants, Part II
10. What God Wants, Part III
11. Watching TV
12. Three Wishes
13. It's A Miracle
14. Amused To Death

Product Description

From Amazon.com

Amused to Death is perfectly titled; it conveys its maker's mordant humor and underlying pessimism. Roger Waters's third solo album allowed a faint but perceptible return to the sound of his estranged former band, Pink Floyd. There are moments here ("What God Wants," "Three Wishes") that recall nothing so much as the densely textured sound of Animals and The Wall. And like those works, this is a concept album--the concept (as ever with Waters) being the crappy nature of modern life. Fair enough, but as usual, his satire is blunt and the targets of his scorn obvious. Former Eagle Don Henley duets on "Watching TV," while Jeff Beck contributes taut, lyrical solos to a number of tracks, notably "It's a Miracle." Waters's voice, however, remains the same: a weary whisper, positively dripping with contempt. --Andrew McGuire

Album Description

Vinyl Classics reissue of this album comes as a vinyl look-a-like CD that's packaged in a die-cut see-through slipcase. Sony.

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Customer Reviews

172 Reviews
5 star:
 (126)
4 star:
 (28)
3 star:
 (5)
2 star:
 (10)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (172 customer reviews)
 
 
 
 
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5.0 out of 5 stars Waters' finest hour as a solo artist, Jun 21 2004
By 
Terrence J Reardon "Classic rock guru" (Lake Worth, Florida, USA) - See all my reviews
(REAL NAME)   
This review is from: Amused To Death (Audio CD)
Former Pink Floyd bassist/vocalist/mastermind Roger Waters released his third post-Pink Floyd solo effort Amused to Death in September of 1992. Amused to Death was over five years in the making due to his battle with his ex-bandmates on the rights to the Pink Floyd name. When Amused hit record stores, it was modestly received peaking at #21 on the US album chart and had a huge rock radio hit with What God Wants Part 1. Roger's third solo album's sound was a return to the sound of his estranged former band, Pink Floyd unlike his two 80s works Pros and Cons or Radio K.A.O.S.. There are plenty of moments here (the aforementioned What God Wants(pt.1), the opening Ballad of Bill Hubbard, Three Wishes) that recall the sound of later Floyd works like Animals, The Wall and The Final Cut. Like those works, this is a concept album--the concept (as ever with Waters) being the crappy nature of modern life as depicted on television with the Gulf War and the Tijanamen Square incidents as examples and also the rise of a corporate world. His satire is blunt as usual and the targets of his scorn are obvious. Eagle drummer/vocalist Don Henley duets on Watching TV(which was about the Tijanamen Square incident and the collaboration of Henley and Waters triggered a friendship between the two which is still strong today). Legendary rock guitar legend Jeff Beck(like Clapton on Pros and Cons was a Yardbird) contributed taut, lyrical solos to a number of tracks(Bill Hubbard, What God Wants(pts. 1 and 3), Watching TV, Three Wishes, It's a Miracle and the closing optimistic title cut). The late conductor Michael Kamen contributed some stirring orchestrations on this album as well. Waters' voice was mainly reduced to a weary whisper, positively dripping with contempt due to the strain his vocal cords suffered from all the screaming on The Wall, The Final Cut and Pros and Cons of Hitchhiking. This album is a classic and a welcome return for Roger Waters. Highly recommended!
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1 of 1 people found the following review helpful
5.0 out of 5 stars An Incomparable Parable, Jun 14 2004
This review is from: Amused To Death (Audio CD)
When I first heard "What God Wants Part I" on my way home from school one day, I thought the same thing as one reviewer: Roger Waters' voice became a casualty of years of misanthropic tirades. I was wrong, however. It turns out that Roger's croaking was a crude Bob Dylan imitation encouraged by producer, Patrick Leonard. I do agree, though, with the reviewer: Roger does sound like a wise prophet, at least that was my first impression. It should be a matter of fact that Roger Waters is one of the most visionary artists in rock and roll.

This record is a conceptual work. What did you expect from the former frontman of Pink Floyd? It is about the drift of foreign policy towards total entertainment for the people at home, not for population subjugation (complicity notwithstanding) but for profit---a serious danger in American society today. Amused to Death illustrates the consequences of entertainment-driven propaganda---what happens when people watch too much TV. This work was inspired mostly by the first Gulf War and the late Neil Postman's book Amusing Ourselves to Death. Postman offered a capitalist/Huxleyan addendum to George Orwell's lamentations about state-driven, socialist propaganda and proletariat oppression (as in Stalinist Russia where people were oppressed to death).

Sonically, this record will blow you away! Roger Waters and Pink Floyd were especially well-known for delivering a cinematic experience on record. Utilized on Amused to Death, Q Sound was a 1980s/1990s method that enhanced the stereo listening field into something more 3-dimensional. Jet flypasts, thunderstorms, bombs, babbling TVs, and Islam-inspired protests virtually turn this listening experience into a cinematic dream. This is the ultimate CD for headphones. Studio musicianship is excellent, thanks to the likes of Steve Lukather, the late Jeff Porcaro, Randy Jackson, and Bruce Gaitsch. You'll even hear Don Henley, Rita Coolidge, and Marv Albert (!) lend their vocal talents to a few tunes. Jeff Beck's guitar work is out of this world! Listen to his solo on "What God Wants Part III" and chills will run down your spine.

You're not going to find a musical-lyrical balance that you might find on Dark Side of the Moon or even The Wall, nor will you find universal themes. This is heavy, lyric-laden stuff about something specific. Musically, this record may leave much to be desired (e.g. "Late Home Tonight Part II," "Watching TV"). But then again, there are redeemable moments, like when "It's a Miracle" segues into the title track. Lyrically, this record fails to disappoint. There's something so graceful within Roger's lyrics, it's almost like listening to a Peabody-awarded journalist (only it rhymes!). There's even some dark humor here, as Roger takes a crack at Andrew Lloyd-Webber in "It's a Miracle" (one of my favorite bits). This may not be for everyone, I realize. Music and art serve a purpose of enhancement (amusement) but also serve a purpose of incitement (action). Roger's work is most definitely the latter, and if you're more partial to this purpose, you will be moved by Amused to Death. During Roger Waters' infancy, his father died in World War II. Due in large part to this, Roger grew up seeing the hidden agendas and atrocities that most of us are conditioned to ignore. If you're a Waters or Floyd fan (and you don't take drugs to understand their content), you probably know exactly what I'm talking about. If not, this record may come off as totally dour and depressing.

Amused to Death is art rock at its finest. It's difficult to compare this to Dark Side of the Moon or The Wall; there are similarities, there are differences, but all are masterpieces.

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2 of 3 people found the following review helpful
5.0 out of 5 stars Takes a while, then takes over, Oct 29 2004
This review is from: Amused To Death (Audio CD)
I hated this album when I first listened to it.
I bought it with Waters' other two albums, The Pros And Cons Of Hitch Hiking and Radio K.A.O.S. and thoroughly enjoyed each of them separately just before I went to bed across two nights. I listened to them in order, which got me ATD last. Well, I didn't really like any song on the album with the exception of The Bravery Of Being Out Of Range. I thought it was boring, and confusing, and really droll.
Guess what? Amused To Death is now my favourite album.
I have every single recording Pink Floyd ever put out, and this tops them all, including the five-star stretch between The Dark Side Of The Moon and The Final Cut. It grew on me slowly as I listened to it over and over, 'giving it a chance' as all the reviewers on this site who liked it tell you to do. And it was SO worth it. Ever have a song that resonates with you musically and lyrically so much that when you sing along to it you can't help but grin and you get that feeling that you can't even sing anymore? Most of this album ends up doing that to you. It's not just that Waters' lyrics are among the best ever written, although they are; the music is actually excellent too. The album's weak point is right where it should be, in the middle, with three 'meh' songs that aren't too bad either. The other ELEVEN tracks are PERFECT. I mean, they're SPOTLESS.

1. The Ballad of Bill Hubbard - very moody, Floydish atmospheric music is the background to a World War veteran's tragic story. Sets the mood perfectly.
2. What God Wants Part One - Catchy to a fault, and so easy to sing along with, this is Roger's newest anthem and is every bit as good as Another Brick In The Wall. Ironic lyrics about how 'God' is used as an excuse by...well, everyone.
3,4. Perfect Sense Parts One and Two - The lyrics of the first part take a bit of decoding, but you'll get it eventually. And the second part will ring in your head for months. A sarcastic and ironic man explaining what he finally understands - the media's message and its connection to televised war.
5. The Bravery Of Being Out Of Range - ROCKS. Pounding drums and roaring guitars and Roger's angry voice make this the one truly full-fledged rock tune on the album. Nothing has ever been more fun to sing along with than "Does the recoil remind you...remind you of SEX old man what the hell you gonna kill next?"
6,7. Late Home Tonight Parts One and Two - Okay, this is the slow part. Lyrically heavy, musically light, a little on the boring side. The segue between them is great. The songs are likeable but don't compare to the rest.
8. Too Much Rope - Not bad either, but easily the worst track on the album. This is the right spot for the bad songs, though - after the perfect intro and before the roaring crescendo at the end. Bob Ezrin gets picked on.
9. What Gods Wants Part Two - A reprise of the first track, with every bit of the angry irony. Excellent track. The chanting televangelist at the beginning is eerie.
10. What God Wants Part Three - Could be the best song on the album. The ending gives the sense of everything coming to a frantic head and spinning out of control. Brilliant.
11. Watching TV - A good song, a nice acoustic bit with Eagle Don Henley co-singing the words. The verse about China is irritating but the song itself is good. The ENDING is great, as it sums up the point and startles you.
12. Three Wishes - The chorus is what makes this song. The verses are good but the chorus makes me sing along every time.
13. It's A Miracle - A miracle of a downer. This is the most sarcastic song around, calling the accomplishments of mankind a 'miracle' when they just exported Western culture everywhere else. End verse is hilarious.
14. Amused To Death - Well worth the wait. This song is perfect - it starts off with a whimsical lament that suddenly turns into a roaring foretelling of the end of the human race, 'grouped 'round the TV sets'. The sheer RHYTHM of the segue between the song's two parts is catchy as hell. "And the childen on Mount Rose strut their stuff/Is absolute zero, cold enough." And Roger's final screamed lyric says it all.

This album is an example of what happens when one man with a vision is allowed to explore it without anyone else's wishes getting in the way. Far superior to the Floydian offering two years later, The Division Bell, Amused To Death is Waters at his best, and the whole damn thing deserves a place in the Rock and Roll Hall of Fame.

I LOVE THIS ALBUM.

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