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Amusing Ourselves To Death
 
 

Amusing Ourselves To Death (Paperback)

by Neil Postman (Author) "At different times in our history, different cities have been the focal point of a radiating American spirit ..." (more)
4.2 out of 5 stars  See all reviews (75 customer reviews)
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Product Description

From Publishers Weekly

From the author of Teaching as a Subversive Activity comes a sustained, withering and thought-provoking attack on television and what it is doing to us. Postman's theme is the decline of the printed word and the ascendancy of the "tube" with its tendency to present everythingmurder, mayhem, politics, weatheras entertainment. The ultimate effect, as Postman sees it, is the shrivelling of public discourse as TV degrades our conception of what constitutes news, political debate, art, even religious thought. Early chapters trace America's one-time love affair with the printed word, from colonial pamphlets to the publication of the Lincoln-Douglas debates. There's a biting analysis of TV commercials as a form of "instant therapy" based on the assumption that human problems are easily solvable. Postman goes further than other critics in demonstrating that television represents a hostile attack on literate culture. October 30
Copyright 1985 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


From AudioFile

This McCluhanesque diatribe begins by observing that our present and future resemble the predictions in Brave New World more than those of 1984. Technology, in particular television, has shaped our politics, news, religion, education, every aspect of our world. Rigginbach's reading is a little too fast-paced for this material; furthermore, the material is not suited to an audio format. Why did the author allow his thought to be corrupted by allowing their promulgation through non-print media. In addition, the examples he cites are ten years old; this week's television better supports his conclusions. The message is valid, but the medium through which it's presented is flawed. S.F.W. (c)AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

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Customer Reviews

75 Reviews
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 (17)
3 star:
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4.2 out of 5 stars (75 customer reviews)
 
 
 
 
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4 of 5 people found the following review helpful:
5.0 out of 5 stars The Epistemology of Media, May 19 2004
By Wesley A. Fryer "Wesley Fryer" (Lubbock, TX United States) - See all my reviews
(REAL NAME)   
(...)

I think author Neil Postman has a lot of valuable things to say and reflect on. Several years ago I read his book Technopoly, which, along with several other books and articles I read at the time, led me to present a session at the 2001 TCEA convention entitled, "Remember the Luddites: Asking Critical Questions about Educational Technology." Technopoly was published in 1993, but now I have gone back to Postman's 1985 work, Amusing Ourselves to Death. It seems a bit dated, with the advent of the Internet and all the changes which have come as a result, but I found the book to be none-the-less quite relevant and worthwhile. His overall theme of how our society (esp in the US) is tending to become more and more focused on entertainment via multimedia has many implications not only in an educational arena, but also for everyday life-- in the way we set our priorities, and in the final analysis-- the ways we choose (hopefully intentionally) to spend our limited heartbeats. Those small choices day to day add up to have a considerably dramatic cumulative effect. And his point is well taken about our typical, cultural LACK of intentionality when it comes to our consumption of multimedia content-- esp. television programming.

In the May 2004 edition of Wired magazine, an article entitled "Watch This Way" documents a conversation between various moguls and pundits of our ever-growing entertainment industry. I found Yair Landau of Sony Picture's comment that "There are three basic human entertainment experiences that go back to the cave: storytelling, game-playing, and music" to be compelling. Author William Gibson added to this list of basic entertainment experiences "being part of the tribe." I have been giving a fair amount of thought lately to the value and opportunities posed by digital storytelling authoring tools in the early 21st Century. Most of my thinking along these lines is very optimistic and energetic, but it is good to temper this enthusiasm with some sober analysis like Postman's. I wouldn't call this blog entry a book-review per se-- I more think of it as a few reflections about some key points Postman makes in the book that I would like to remember and others may find worthwhile as well. As Landau pointed out, the desire to seek entertainment through storytelling and music is most likely universal. These are drives which transcend time and space. I am reminded of the futurists in the early part of the twentieth century (I think) who predicted that technology would lead to vast amounts of leisure time for people: with washing machines, dishwashers, and speedy cooking devices, people would have loads of free time to pursue other activities which were unthinkable in earlier times. I have laughed at that seemingly ridiculous prediction in the past, because today in the first decade of the twenty-first century, we seem to generally be harried, stressed, busy people who do not have enough time in the day for all the activities and demands which fill our schedules and minds. Yet despite all this busyness, we are clearly still finding large amounts of time to spend watching TV and entertaining ourselves in other ways. According to the Wired article previously cited, more and more Americans are watching LESS television today, but spending more time playing electronic games and surfing the Internet. That was not a trendline predicted by Postman in 1984. But we shouldn't be too hard on him for that oversight, Bill Gates apparently didn't see the Internet coming either. Despite this fact, Postman's analysis about our apparent intrinsic drive to seek entertainment via multimedia is still a cogent thesis for 21st century netizens.

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1.0 out of 5 stars Critique, April 3 2009
By Jantoine "JAntoine" (Canada) - See all my reviews
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Neil Postman is an extreme critic against television and its epistemology that differs from the typical typographic mind of modernity. In the first part, he successfully argues that the medium influences the message. However, this is no novelty: philosophy is better written in books than with emails, a dictionary of foreign words is easier produced on a book than a telegraph. Additionally, his analysis of the typographic mind of America seems extreme. Postman is blunt: before television America had the greatest mind, after television America has a shallow mind that just wants to be entertained. While the entertainment industry has undoubtedly shaped epistemology, it seems that more factors should be taken into consideration to analyze ones mind. Logic and reading are only one aspect of intelligence. One can argue that visual, musical, environmental types of learning can be as good as other forms. What seems to have changed might be peoples desire to be entertained more often than they used to be, because entertainment is everywhere. In the second part, it seems flabbergasting that a media theorist and cultural critic is unable to find anything positive about television. One might feel that he just dislikes any means of communication that differs from print (i.e. television, photography, telegraphy, smoke signals). It seems that Postman is nostalgic for modernity. He critiques postmodernity, where epistemology is more fragmented, and ones mind is more visual than typographic. However, to be fair to Postman, his analysis of how entertainment has affected public discourse is enlightening. It is indeed a new type of communication that has monopolized the public discourse, and one needs to be aware of the medium being used to communicate a message, because, as we know, the medium influences our epistemology.

Positively, the way he contrasts Huxley and Orwells fear of an oppressive society is fascinating. He states, There are two ways the spirit of culture may be shriveled. In the first the Orwellian culture becomes a prison. In the second the Huxleyan culture becomes a burlesque (155). It seems that those two opposite types of oppression could meet in their extremes. Especially when technological media has been so prosperous, it is easy to think of a society that would use the information and entertainment produced by this technological media to control and oppress its people, without them even being aware that their freedom has been taken away. Reading this book made me understand how the shift from modernity to postmodernity might have taken place within the media. Postman made me realize that to understand the media helps to understand how a society thinks and functions.

Negatively, I think that Postman gives the print too much credit. The print is not the only resource for one to improve her mind. Additionally, print has brought some negative consequences to the mind. One does not need to use and improve her ability to remember if she can always write down information. Postman needs to realize that books are not the primary way of communicating information now. Therefore, instead of rejecting this new media, it seems that I should explore how I could use it the best way I can for my purposes.
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3.0 out of 5 stars "Technology is ideology", Oct 26 2008
By MC (ON, Canada) - See all my reviews
Postman presents an interesting analysis of modern media and its resulting ideologies, with MacLuhan's "the medium is the message" as its starting point. The world, as he perceives it, is turning out to resemble Huxley's Brave New World. There is a lot of thought provoking material in this book, which incites you to call into question your own world view. Some of the more interesting analyses take the form of a demonstration of televangelism as subversive to religion, and a look at the cognitive effect of Sesame Street on children.

This book, however, focusses mainly on the dangers of a television culture, and has not aged well since its writing in 1984. It is arguable, considering the paradigm shift in the age of terror and Google, whether the ideologies studied by Postman are still at play. Did the Huxlean world view really triumph over the Orwellian? I'm not so convinced.
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Most recent customer reviews

5.0 out of 5 stars Devastating and Funny
Borrowing from Marshall McLuhan, Communication Arts professor Neil Postman adopts the thesis that the 'medium is the metaphor' by arguing that "each medium, like language itself,... Read more
Published on April 28 2004 by Jacob Aitken

5.0 out of 5 stars Turn Off Your Television and Think For Yourself
Most educated members of society have long recognized the danger of television. The cover of this book is a powerful image to illustrate the problem. Read more
Published on April 4 2004 by JMack

5.0 out of 5 stars Still the best!
Although this book was written in 1986, it's still the best book of its type I've come across. It's pithy, focused, articulate, and smart, and devoid of the "academic... Read more
Published on Mar 29 2004 by JackOfMostTrades

3.0 out of 5 stars The problem is clear...who is to blame, though?
Neil Postman takes the reader through a historical tour of how informative images are ruining our brains. Read more
Published on Mar 23 2004 by J. GARRATT

5.0 out of 5 stars Truly a must read for Americans
I'm sure I won't have anything to say about this book that someone else hasn't already said here. Yes, the book is now almost 20 years old, so it takes some memory stretching to... Read more
Published on Feb 22 2004 by Paul D. Baxter

5.0 out of 5 stars Startling expose of the future of our culture.
Neil Postman's thesis in Amusing Ourselves to Death is simple. In his eye-opening work, he demonstrates "how forms of public discourse regulate and even dictate what kind of... Read more
Published on Feb 18 2004 by Joseph W. Hyink

5.0 out of 5 stars Aldous Huxley's soma
Neil Postman was a media ecologist. Las Vegas is entirely devoted to entertainment. Journalists spend more time with blow dryers than with scripts. Read more
Published on Jan 27 2004 by Mary E. Sibley

5.0 out of 5 stars Excellent book - masterfully written.
I read this book in 2003 and it is more relevant today than ever. A masterfully written book that tells the story of the TV Generation's addiction and its consequences. Read more
Published on Jan 4 2004 by Cory Armand

5.0 out of 5 stars An Excellent, Acessible Book
Postman makes a convincing argument about the effects of commercial television as America changes from a print-based culture to a visual one. Read more
Published on Oct 25 2003 by jjw222

4.0 out of 5 stars Makes A Solid Case
Postman begins by explaining that different cities have represented culture at different times. Currently, Las Vegas, Nevada is the city that most represents all the arenas of... Read more
Published on Sep 22 2003 by Dr. W. G. Covington, Jr.

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