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An Instance of the Fingerpost: A Novel Paperback

273 customer reviews

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Product Details

  • Paperback
  • Publisher: Riverhead Trade
  • Language: English
  • ISBN-10: 1573227951
  • ISBN-13: 978-1573227957
  • Product Dimensions: 15.3 x 3.8 x 22.7 cm
  • Shipping Weight: 794 g
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (273 customer reviews)
  • Amazon Bestsellers Rank: #597,394 in Books (See Top 100 in Books)
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Inside This Book

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First Sentence
Marco da Cola, gentleman of Venice, respectfully presents his greetings. Read the first page
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Customer Reviews

4.1 out of 5 stars

Most helpful customer reviews

8 of 8 people found the following review helpful By P. Micocci on Nov. 23 2003
Format: Mass Market Paperback
One of the other customer reviewers of this book complained that the murder was solved summarily a hundred pages before the end and wondered if critics who call this a classic had skimmed the end to meet review deadlines. Such comments make me wonder if that reviewer did not, like so many of the characters in this book, miss the fingerposts.
For this book is not primarily a story about the solving of a murder. The murder itself serves more as plot device to bring the four narrators (and others) together in a certain time and place, allowing them to interact with each other and present their widely diverging views of events, actions, and consequences. Indeed, for three of the four narrators the murder is almost incidental to their narratives, only two of them are actually concerned (or even desirous) that justice be done, and none of them is especially sorrowful about the death of the murder victim. Rather, for each of them the murder is really only significant for the part it plays in their own narrative and what they believe it indicates in terms of their interpretation of events. The driving idea behind the novel is not the solution of a murder, but how different people can see the same facts, or parts thereof, and draw differing conclusions - particularly when those conclusions serve to reinforce preconceived notions; and the more some people believe in the rightness of their preconceptions, the more willing they become to pervert truth to suit their ends.
This extraordinary novel is really a masterpiece of crafting. The use of the first-person narrative allows each narrator to present a depiction of himself (and his motives) very different from the way others see him, which has the effect of causing the reader to rethink and re-examine opinions formed along the way.
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4 of 4 people found the following review helpful By J. Brzozowski on June 19 2004
Format: Mass Market Paperback
I picked up this book on a whim from a used book store. I decided to buy it because of the unique title. Now, this is one of my favorite books of all time. I love hearing the story from 4 different perspectives, and the ending is so unexpected. After each section, I was so sure I had determined the identity of the murderer, only to discover that I was wrong every time. The history is so interesting, and all of the characters well-developed. I have to concede that the book is LONG, but I do feel that the story benefits from all of the richly descriptive text. I have loaned the book to a friend, but I'm going to read it again when she returns it. I'm sure I will love it even more the second time.
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2 of 2 people found the following review helpful By Clegg on June 1 2004
Format: Mass Market Paperback
I have just read many reviews. Two people gave the book 1 star after not even finishing the book!! On just any book, this would be a crime. For this book, it is a travesty. This book patiently sets up the great finally and these people are missing it. The end puts the other parts of the book into perspective. When you read it the second time, everything makes much more sense; so please at least read the whole book before reviewing it.
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1 of 1 people found the following review helpful By A Customer on March 4 2003
Format: Mass Market Paperback
The first two chapters of this book rapidly draw you into the seventeenth century life of Marco da Cola, an Italian merchant's son and student of medicine who travels to England after the sudden death of his father's business partner. The prose reads with incredible authenticity, and you feel as though you've picked up an actual early modern letter. Yet Pears includes numerous witticisms with as much punch today as 350 years ago. Thereafter, the writing slips comfortably into the modern mystery genre. At times, Pears allows philosophical debates to ramble excessively, but soon, the political and religious intrigue surrounding the bizarre posioning of an Oxford professor pushes you to read just one more chapter before bed. With four different accounts of the murder, representing different of Sir Francis Bacon's "idols" which skew our quest for truth, the book becomes engrossing and enlightening. Unfortunately, just as you begin to think this is one of the best books you've ever read, the murder is solved in a disappointing, summary fashion. 100 pages discussing occult beliefs of the time follow. The book concludes with a brief factoid about Charles II that you probably read in your high school history textbook. The novel has enough strong points to make it a worthwhile choice, but I wonder if the professional critics who called it a classic might have skimmed the last part of this lengthy story in a rush to get to print.
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Format: Mass Market Paperback
The Sing of the Fingerpost is one of those novels which, initially, takes time to get into. The writing style can at times be difficult until you get used to it, and at times it is very fast paced. What Iain Pears writes in one paragraph, other writers might take three or four. This being said, the first person narrative style is exceptional and for me is as much part of the plot as the events are. Each character is a different persona, and how one views each character will colour your overall experience. From the Italian diplomat seemingly eager to please by glossing over events, to the hardened scholar critical of everything, the more I read the more I got into this. The penultimate scene was breathtaking and leaped out of the story by being so different. However, that being said, a basic knowledge of medieval and classical figures and motifs would be helpful. I found at times I needed to just look up a referenced philosopher or poet in order to fully understand the story, but in this way I felt enriched.
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