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An Ocean Between Us
|Price:||CDN$ 29.70 & FREE Shipping. Details|
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Frequently Bought Together
Customers Who Bought This Item Also Bought
|2. Nothing Left|
|3. An Ocean Between Us|
|4. Within Destruction|
|6. Comfort Betrays|
|7. I Never Wanted|
|8. Bury Us All|
|9. The Sound of Truth|
|11. Wrath Upon Ourselves|
|12. This is Who We Are|
Building upon the foundation that AILD has laid over the past several years, growing from a small San Diego outfit slowly and deliberately into a priority national act, the band has become Metal Blade Records' biggest sellers with an extremely devoted following. AS I LAY DYING has the goods to take it all the way and stake their claim as the metal band you need to know about in 2007 and beyond.
It didn't take long for the once exciting sounds of metalcore to devolve into metalsnore but, thankfully, a few bands have lead the charge toward keeping the (sub)genre's lifeblood flowing with enthusiasm and even ingenuity. Among them? As I Lay Dying. The San Diego-based outfit returns with the kind of killer guitar hooks (courtesy of Phil Sgrosso and Nick Hipa), dynamic vocals, and a drum and bass attack that creates an aftershock bound to be felt for the remainder of the decade and long into the next. The radio-friendly title cut stands as an exemplar of the unit's true strengths, while "Comfort Betrays" and "Within Destruction" are pure metal mayhem that will inspire the listener to wield a healthy sense of righteous indignation. Among the other fascinating cuts are "Forsaken," "I Never Wanted," and the soaring "The Sound of Truth." The band may try a little too hard during moments of "Wrath Upon Ourselves" and "This is Who We Are," but on the whole, An Ocean Between Us proves that As I Lay Dying is an unstoppable force worthy of sustained attention and capable of transforming and transcending the musical parameters in which it was born. --Jedd Beaudoin
Top Customer Reviews
A MUST-HAVE FOR EVERY METAL FAN.
Most Helpful Customer Reviews on Amazon.com (beta)
now with that being said "an ocean between us" raises the bar again. they've obviously changed their sound but kept their signature elements. the vocals are more discernable and there are more sung vocals too with out sounding like your generic "metalcore" wannabe band currently out there ripping off every good riff from as i lay dying. this time around there's even a ballad type song on this disc and it just proves that whatever this band wants to do it can and make it sound so incredibly good.
if you're into extreeeeeeeme music this is a must have.
"An Ocean Between Us" is just as good as the previous album. It doesn't have the rawness that pervaded "Frail Words Collapse," yet the relentless onslaught remains. The lyrics, as always, are thought-provoking, full of symbolism, and the music has some new things while not deviating too far from their established sound. I still haven't decided if this is better than SAS, but it hasn't worn out yet. I'm still listening, still discovering new things, still loving AILD.
If you're a fan, this is some good stuff. If you're just getting introduced, AOBU is a great place to begin.
That said, there are a lot of metal bands out there to sift through from all sorts of sub-genres and styles. So many sound the same and so much of the music is utterly forgettable. Rare is a band that stands out so clearly that it warrants across the board recommendation regardless of your specific tastes in metal. As I Lay Dying is that band and An Ocean Between Us is that album.
Incredible musicianship, incredible vocal work, pensive lyrics, gargantuan riffs, memorable solos, melodic sensibility (yes, actual melody has been heard in a metal album again!) and impeccable song structure make this album stand at the top of the list of metal releases in 2007. AOBU grabs you by the throat and doesn't let go until the final track ends. Expect to hear much more from As I Lay Dying. I suspect the best of this bunch is yet to come.
What is surprising about this album is how successful it turned out to be. Even though this standard metalcore heavy/melodic verse/chorus formula has been driven into the ground over and over again, As I Lay Dying do an exceedingly good job of it here. They have struck a superbly effective, tasty, memorable, rich, and well-rounded balance of thrashy, hard-hitting, blood-pumping aggression and infectiously catchy, sweet, commercially accessible melodies.
And the record's even bigger and more delightful surprise is its impeccable musicianship, particularly the guitar work of Phil Sgrosso and Nick Hipa. Both of these axemen are fairly young and overlooked, but they will more than likely start to get the credit they deserve now. They sound extremely confident and play to their full potential throughout this record, and they chock every one of these eleven songs (discounting "Separation" and "Departed," two moody interlude tracks) full with tons of positively excellent and very deft, powerful, energetic, and muscular thrash riffs. And not only that, but they've gotten quite competent at and comfortable with soloing, too! Elsewhere, frontman Tim Lambesis turns in a visceral, heartfelt performance on the microphone (he does all of the harsh, dirty vocals), and newfound band member Josh Gilbert does a really nice job at the melodic singing parts, as well as helping to steady the rhythm section by tossing in a handful of solid bass lines. Finally, drummer Jordan Mancino's talents have also improved greatly since "Shadows Are Security." He anchors and sometimes drives these songs with an abundance of impressively skillful, technical, and forceful double bass and blast beats. Overall, "An Ocean Between Us" lands somewhere between KSE (whose guitarist, Adam D., produced this disc, by the way), Atreyu/Trivium, Slayer, Metallica, At The Gates, and Lamb of God.
Opener "Nothing Left" wastes no time, and dives head first into thrash fury. It begins with some fiery, chugging, groove-oriented leads that almost be outtakes from Metallica's second full-length, 1984's classic "Ride the Lightning." These leads are driven home by suitably strong, hammering drums, thunderous rhythms, and a good, epic chorus. Two guitar solos (one melodic, the other blazing) also come ripping through during this song. Set closers "Wrath Upon Ourselves" and "This Is Who We Are" work similarly - the former boasts a breakneck, and almost crushingly brutal beginning, and the latter features more hot, crunching licks. But both tunes remember to counterbalance their aggressive parts with an open catchy chorus (the latter is also of note for its cool piano outro).
Elsewhere, there are three main highlights from a melodic standpoint. "Forsaken" (which has a peaceful classic metal intro) and "I Never Wanted" are probably the closest things to a ballad you'll find on this album because both are centered around huge, anthemic, sweetly crooned and terrifically soaring choruses that seem tailor made for singing along with and getting stuck in your head. Also of note, the almost buzzsaw riffing in "The Sound of Truth" is ultimately held down by a wonderfully epic and memorable, Gothenburg melodeath-influenced melodic leads. A melodic, winding solo (which is possibly As I Lay Dying's best to date) also crops up here.
However, on the flip side, there are a handful of decisively heavy standout tracks here, too. The ripping title cut is bolstered by propulsive, scathing riffage, pounding drums, and hardcore-worthy vocals (though the onslaught does briefly relent for some well-placed guitar harmonies and emo-lite vocals in the choruses). Later on, "Within Destruction" and "Comfort Betrays" play like full-on thrash, and are absolutely blistering, rocketing, and rip-roaring riff monsters. These songs evoke the heyday of Slayer, are bursting at the seams with brutal guitar-drum interplay (including lots of pummeling blast beats), and don't both with any vocal pleasantries (they substitute slow breakdowns for melodic choruses). Lastly of note, "Bury Us All" heaps on even more caustic, heavy-duty, turbo-charged riffs and driving, booming double bass kicks, especially deep, mean, and from-the-gut bellows. Some humming bass notes, a hardcore-esque shout-along refrain, and a superbly ripping solo (which lasts about twenty seconds) are also tucked into the mix.
As I Lay Dying were never the most unique or original band out there, and unfortunately, "An Ocean Between Us" does nothing to change that. It does feature their all-time best, and most mature, powerful, memorable, realized, and contagious songwriting and musicianship, though, so it does mark a huge step forward for the band (this is doubtlessly their finest work yet). So, in conclusion, few will debate that "AOBU" is a milestone in modern metal, but it is a heavy, intense, sometimes brutal, immensely enjoyable, thoroughly listenable, and overall very fulfilling album from beginning to end. Recommended.
Don't get me me wrong, overall, this is a fantastic album, and have no worries that AILD tried to sell out or anything like that, because the music on this album is as aggressive, or more, than it has ever been. I think that the increased amount of singing on this album is due to a genuine attempt at expanding their style as artists and not merely an attempt to attract a more mainstream audience.
The music on this record is brutal and it really got my adrenaline going, and the lyrics are thoughtful and positive (ironic huh)? This album is a must buy for any fan of harder music.