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From Amazon
Anatomy Lessons from the Great Masters provides an anatomical counterpart to Robert Beverly Hale's classic reference book, Drawing Lessons from the Great Masters. Terence Coyle, who for several years assisted Hale at the Art Students League of New York, kept detailed notes of Hale's lectures and teaching methods. He combined these notes with 100 drawings to illustrate how the great masters portrayed specific parts of the human physique. As Hale points out, master artists such as Rembrandt, Leonardo, and Raphael "absorbed the technical details of anatomy so well that these details could be set down instinctively.... If an artist has to occupy his mind with the task of clumsily grouping the elemental facts of anatomy as he draws, there can be little room left for really important matters--such as the spirit of the drawing and the artist's expressive intent." Coyle provides several examples within the study of each anatomical area to illustrate the variety of styles and methods employed by the masters. The book treats, in order, the rib cage, the pelvis and thigh, the knee and lower leg, the foot, the shoulder girdle, the arm, the hand, and the neck and head. A complete series of anatomical reference plates by Dr. Paul Richer is included. By applying the timeless anatomical principles the great masters have handed down to us, any artist can begin to acquire the means by which to express the "really important matters." --Mary Ribesky
From Library Journal
It's rare to find good, comprehensive books on drawing the anatomy. Each of these the first, the return of a classic; the second, a focused study; and the third, lessons from the masters deserves a place on library shelves. Bridgman was a legendary teacher at New York's Art Students' League. There, he originated a system of drawing known as "constructive anatomy." In 1952, his seven books on anatomy were gathered into one volume, which became a standard work at art schools and universities. Published now for the first time in paperback, it holds up as an indispensable volume, with more than 200 illustrations of hands and hundreds of images of arms, shoulders, heads, torsos, legs, knees, and feet. Fairley's book concentrates on those troublesome extremities hands and feet. Sketchbook exercises are followed by eight detailed painting demonstrations in watercolor, oil, and other media. Fairley then continues on to portraits in which variations in age, skin tone, composition, mood, and movement are integrated. Advanced students will find Hale and Coyle's Anatomy Lessons from the Great Masters a rich source of inspiration. Hale, like Bridgman, was one of the great teachers at the Art Students' League. His student, Coyle, gathered together Hale's famous lectures to produce this compendium. Hale drew on principles found in 100 masterpieces by such artists as Leonardo, Michelangelo, Rubens, Raphael, D?rer, Titian, and Rembrandt. In 1995, Giovanni Civardi's trilogy Drawing Human Anatomy (Sterling, 1995), Drawing the Female Nude (Sterling, 1995), and Drawing the Male Nude (LJ 3/15/96. o.p.) reached a high standard for good, basic books in this genre. These three surpass Civardi's works and are highly recommended for serious artists and comprehensive library collections.
Copyright 2001 Reed Business Information, Inc.
Copyright 2001 Reed Business Information, Inc.
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Most helpful customer reviews
5.0 out of 5 stars
I loved the book,
By
This review is from: Anatomy Lessons From the Great Masters (Paperback)
The book was in good condition ... Was shipped on time, and I had no problems to deal with I'm a hundred percent satisfied with my purchase
4.0 out of 5 stars
Lacks the insight compared to Drawing Lessons,
By
This review is from: Anatomy Lessons From the Great Masters (Paperback)
Anatomy Lessons From The Great Masters is the sequel, sort of, to Drawing Lessons from the Great Masters (Practical Art Books). Again, 100 pieces of drawings from great masters are selected for analysing. Compared to Drawing Lesson, this book is much more straightforward. The book is really like an anatomy reference which points you the parts of the body to look for. This pointing and labeling of parts isn't really called analyzing. It lacks the insight that goes into the creative process of these art masters. By comparison Drawing Lessons from the Great Masters really explores the thought process that goes into creating art. While there are the usual anatomical reference drawings at the back, showing the bones and muscles from from and back views, it's not as comprehensive as other anatomy reference books. The good thing about this book is of course the figure drawings. Most of them are sketches. It's really inspirational to look at the drawings created around the 15 century by artists like Leonardo Da Vinci, Michelangelo, Rubens, Raphael, and other masters. This book is not really an essential buy unless you're buying for the drawings. I prefer Joseph Sheppard's Drawing the Living Figure which features a similar teaching style and has beautiful life drawings. (There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
4.0 out of 5 stars
Excellent content,
By Benjamin F Barker (West Chester, Ohio United States) - See all my reviews
This review is from: Anatomy Lessons From the Great Masters (Paperback)
An excellent book on artistic anatomy. Reading this one book has taught me more than some figure drawing classes. A systematic deconstruction of how the masters of artistic anatomy have integrated their knowledge into some of the greatest drawings of all time. The book goes through the drawings of famous artists, categorized by the region of the body on which the drawings are focused, and attempts to explain how extensive knowledge of anatomy has been effectively applied. It touches on how these artists could create drawings which are more powerful than merely a photographic rendering of the model through their use of anatomy.Unfortunately, the book is very cheaply bound. Entire leaves have detached themselves from the spine, though I have treated the book very well. My copy has turned into a stack of paper and scotch tape, wrapped loosely in its former cover. Despite that fact, I still consider it worth the purchase. I have both this book and "Drawing Lessons from the Great Masters." Both are excellent books, but if you must only buy one, get this one. It is the better of the two.
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