Ancestor Stones Paperback – Sep 10 2007
Frequently Bought Together
Customers Who Bought This Item Also Bought
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
From Publishers Weekly
Acclaimed memoirist Forna (The Devil That Danced on the Water) glides into fiction with this sweeping portrayal of the lives of five Sierra Leonean women. Abie—a young woman born and raised in Sierra Leone, who now lives in London with her Portuguese-Scottish husband and their children—receives a letter from her aunts informing her they're bequeathing her the family coffee plantation. When Abie returns, her aunts offer her another gift: their stories. A native of Sierra Leone, Forna unpacks Abie's family history (and that of Sierra Leone) using the alternating points of view of Abie's four aunts—Asana, Mary, Hawa and Serah. Asana outlives two husbands and eventually opens her own store, "relinquishing the birthright of womanhood in exchange for the liberty of a man." Mary addresses the changes brought to Africa by the Europeans (prominent among them, the mirror she uses to examine her disfigured face). Hawa trades her gold earrings for bus fare in order to see the sea just once in her life. And Serah opens a voting station during corrupt national elections. Though it's a stretch to call this a novel (each chapter is a self-contained story), Forna's work sheds light on the history of a long-struggling nation. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Forna follows up her memoir, The Devil That Danced on the Water (2003), with a novel that explores relationships among co-wives in an African village as they cope with religious and political changes that wreak instability in the family complex. Abie is a young woman from West Africa who has lived in England for many years. She left as a child, went to college, and married a Scotsman, with only infrequent visits to keep her attached to her homeland. When she inherits her father's coffee plantation, she returns to face memories and to confront realities of a troubled nation that she has only viewed on the television screen. In simple, subtle stories, Forna conveys the complexity of life in small African villages as Abie's aunts recall their youth, courtships, and lives as co-wives, finding friendships or bitter rivalries. Through the stories of these women, Abie learns of old folkways and modern religious and political strife, as well as enduring lessons of family and kinship. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Inside This Book(Learn More)
Browse and search another edition of this book.
Most Helpful Customer Reviews on Amazon.com (beta)
Since Publishers Weekly and the Booklist provide a summary of the novel above, I won't repeat it here, but I would say that I disagree with Publishers' comment--that the novel here is really a collection of linked stories--because that is simply untrue. While each chapter is a first-person narration of one woman's story, they are not self-contained; they are simply not structured that way, and as a casual and critical reader of linked stories, I would say that, experientially, it doesn't read like that either. Moreover, to see this text as linked stories instead of a novel is perhaps to miss what I think is one of the novel's fundamental points: that these stories are inseparable from one another, the multiple voices not only building on each other, but also proving to be indispensible to the telling of this continuing collective history--or perhaps herstory--of Sierra Leone.
I would also contest the comparison the jacket cover makes between this book and Amy Tan's Joy Luck Club. One of the many things I appreciated about this novel is precisely that it resists overly sentimentalized and/or utopian depictions of this community of women. To be sure, the novel dramatizes the struggles and defiance of women living under Sierra Leone's patriarchal culture, this novel does not devolve into tear-jerking melodrama, or reduce the problems to patriarchal oppression alone. Instead, it offers a range of subtle (and not-so-subtle, though never didactic) critques of not just African patriarchal culture and its practices, but also of the many guises of Western colonialism and its legacies, as well as of the power inequalities, struggles and hypocrisies among the women themselves, who, in many and various ways, contribute to the social and political problems addressed.
Overall, Ancestor Stones is a good, substantial, fluid read, the writing lyrical, but not overly so, with plenty of narrative tension, as well as critical complexities that challenge Western assumptions about Africa and African women, sometimes holding up a proverbial mirror to reflect back images of the West and Western attitudes towards African people. I would give this a 4.5, but since that's not an option, I've chosen to give it a 5 instead of a 4. Well worth the read.
I value novels that weave facts into the storyline and thus give me a better understanding of different cultures and mindsets. Along with the women's many personal triumphs and tragedies I learned a lot about the country's (assumed to be Sierra Leone) history, customs, social and cultural changes and, sadly, intense political upheaval. Ms Forna's beautifully crafted prose made me marvel at bygone village-life in serene, Eden-like surroundings, while later on I almost choked on the atrocities of civil war. Of course, given her writing talent she never needs to get graphic.
I don't give a full five stars because the book felt a little bit overconstructed with its prologue, epilogue and the four individually themed blocks that bind the chapters together. In addition, the chapters don't carry on the life-stories where they left off in the previous chapter. To know what had happened in between would have been interesting on the one hand and helpful on the other. I often needed to turn back the pages to remind me of the particular history of a protagonist.
However, I don't consider this a flaw. One just doesn't have to comprise this book as four comprehensive biographies, but rather pivotal periods in each woman's life, each opening a window into their world and times. In the end, I felt both uplifted and humbled by their courage and resilience to all kinds of adversity.
I will definitely get Ms Forna's memoir and hope that she will soon publish her next book.
This is all a revelation to me - how would a white boy living in the US have any clue to what daily life was like then and there?
But, it turns out to be absolutely fascinating. The author creates her stories 'visually' extremely well - you feel like you're right there, observing the scene or event that's being described. Highly recommended!
The bits of story left untold about the war and the safety of family members (Adama and her soon to be born child heading into the forbidden forests for example) serve to make this a stronger novel. I enjoy the fact that Forna leaves me with living stories, not cast off unnoteworthy letters and diaries as she puts it.
I will read her memoir and await further writing from Forna. The life stories she holds are vivid.
Abie's grandfather, Gibril Omaru Kholifa, had eleven wives, and it is through the voices of her four aunts, daughters of four wives, that she hears the family stories. The old aunts share with her their experience, honestly telling the fascinating and often painful secrets of their lives.
Asana, Mariama, Hawa and Serah are very different, but all of them are women from the African country, living in the difficult times, when twentieth-century Africa struggles with newly acquired independence from colonial powers and the traditional life must be confronted with progress. The political and social backgrounds directly influence the lives of the four women, and each of them finds her own path. Asana, the daughter of Namina, the first wife, is much older than Serah, the daughter of the tenth wife. This difference is reflected in their life experience: Asana cannot read or write, but she fights and achieves her independence, becoming the owner of a store. Serah is educated in Great Britain, dresses in the European style, participates in the political life, but suffers from unhappy relationship with the conservatively-minded husband. Both of them, however, as well as Hawa and Mariama, try to protest against the traditional treatment of women as disposable objects, which is deeply rooted in the society and difficult to erase. They all have strong will and are determined to survive as individuals.
The family history is an interesting, if not a very inventive pretext to depict the African country. Aminatta Forna is originally from Sierra Leone, so it is fair to assume that the nameless country in the novel is Sierra Leone too (perhaps it is obvious for those who know the recent history of Africa). Traditional stories are told by women, the guardians of history, who preserve both good and bad memories, passing them to the next generations as a wonderfully rich and detailed family saga.
The book is written in a very evocative way - the reader can see the colors, taste the food and feel the textures described in the women's stories. The language and style varies with each narrator. The prose has the fresh, palpable quality. Together with Abie, the reader is immersed in the life of the small African country, a community, and an extended family within it. The picture of chaos and desperation emerges, but together with it the universal optimism and energy of strong women who know how to live through the most difficult times.